1916 


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NeAnH | No. 1251—1916 


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oe Who is prepared to execute orders at this sale. 


Correspondence invited from intending purchasers. 


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H&ro ET LEANDRE 
With Plates in Colors 
[ Number 371 | 


No. 1251 


FRENCH BOOKS 


DUPLICATES AND SELECTIONS FROM THE LIBRARY OF 


HENRY E. HUNTINGTON 


OF NEW YORK CITY 


The Finest Modern Productions of the French Press, Illustrated by 
the Greatest of Contemporary Artists, with Many Bindings 
by the Master Craftsmen of France 


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\¥ 7 


TO BE SOLD 


TUESDAY AND WEDNESDAY 
NOVEMBER 21 AND 22, 1916 


TUESDAY AFTERNOON, Nov. 21, aT 2.30 o’cLock. Lots 


1-271 
TUESDAY EVENING, 


Novy. 21, at 8.15 o’crock. Lots 272-547 
WeEpNESDAY AFTERNOON, Nov. 22, aT 2.30 0’cLtock. Lots 


548-815 
On Public Exhibition from Thursday 

November 16th 
Zen 


THE ANDERSON GALLERIES 


MADISON AVENUE AT FORTIETH STREET 


NEW YORK 


CONDITIONS OF SALE. 


1. All bids to be per Lot as numbered in the Catalogue. 

2. The highest bidder to be the buyer; in all cases of disputed bids the 
lot shall be resold, but.the Auctioneer will use his judgment as to the 
good faith of all claims and his decision shall be final. 


3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be immediately resold. 

4. Goods bought to be removed at the close of each sale. If not so 
removed they will be at the sole risk of the purchaser, and subject to 
storage charges, and The Anderson Galleries, Incorporated, will not be 
responsible if such goods are lost, stolen, damaged or destroyed. 


5. Terms Cash. If accounts are not paid at the conclusion of each 
sale, or, in the case of absent buyers, when bills are rendered, this 
Company reserves the right to recatalogue the goods for immediate 
sale without notice to the defaulting buyer, and all costs of such resale 
will be charged to the defaulter. This condition is without prejudice 
to the rights of the Company to enforce the sale contract and- collect 
the amount due without such resale at its own option. Unsettled ac- 
counts are subject to interest at the rate of six per cent. per annum. 

6. All books are sold as catalogued, and are assumed to be in good 
second-hand condition. If material defects are found, not men- 
tioned in the catalogue, the lot may be returned. Notice of such 
defects must be given promptly and the goods returned 
within ten days from the date of the sale. No exceptions 
will be made to this rule. Magazines and other periodicals, and all 
miscellaneous books arranged in parcels, are sold as they are without 
recourse. 

7. Autograph Letters, Documents, Manuscripts and Bindings are sold 
as they are without recourse. The utmost care is taken to authen- 
ticate and correctly describe items of this character, but this Company 
will not be responsible for errors, omissions, or defects of any kind. 

8. Bids. We make no charge for executing orders for our custom- 


ers and use all bids competitively, buying at the lowest price permitted 
by other bids. 


Books on Public Exhibition from November 16th 
Priced Copy of this Catalogue may be secured for $1.50 


THE ANDERSON GALLERIES 


INCORPORATED 
MapIsON AVENUE AT FoRTIETH STREET, NEw YORK. 


Tclephone, Murray Hill 7680. Catalogues on request. 


Sales Conducted by Mr. Frederick A. Chapman. 


PREFACE. 


The books here catalogued are duplicates and selections 
from the great library of Mr. Henry E. Huntington and .con- 
sist entirely of books printed in the French language, mainly 
during the Nineteenth Century. Many of the volumes were 
formerly in other famous collections, notably those of Frederic 
kh. Halsey and the late Robert Hoe. 

It ws the finest collection of modern French books that has 
ever been offered for sale, either in this country or Europe, 
and it is extremely unlikely that there will ever be another 
sale of the same high character. In printing, illustrating, 
and binding these volumes exhibit the highest skill of the 
world’s greatest artists. 

The editions are limited to small numbers, many of the 
books are printed on the choicest papers, and the colored 
illustrations are exquisite. The bindings are such as only 
the master craftsmen of France can produce, among those 
represented being Trautz-Bauzonnet, Chambolle-Duru, David, 
Canape, Lortic, Meunier, Mercier, and Marius Michel. 

Among the authors whose works were selected for produc- 
tion in the highest style of the art of printer, illustrator, and 
binder are Balzac, Beaumarchais, Bourget, Coppée, Daudet, 
Dumas, Flaubert, France, Goncourt, Hugo, La Fontaine, Loti, 
Maupassant, Mérimée, Moliére, Montaigne, Rabelais, Rostand, 
Uzanne, Verlaine, and Zola, but there are hundreds of others. 

Among the First Editions of earlier times are the works of 
Racine, Corneille, and Voltaire; Rousseau’s Emile, Perrault’s 
Hommes Illustres (Paris: 1696-1700), and the genuine First 
Edition of Le Sage’s Gil Blas. 

Some of the books with Eighteenth Century engravings are 
very important. Among them are Berquin and Rousseau’s 
Pygmalion, Paris: 1775, on Holland paper; Cervantes’s Don 
Quixote with plates by Berger; Dorat’s Les Baisers, 1770, on 
large Holland paper, and Fables Nouvelles, 1773, on large 
paper; Longus’s Daphnis et Chloe, Lille: 1792; the Heptam- 
erone, Berne: 1780-81; Marmontel’s Contes Moraux, Paris: 
1765, and Les Ineas, 1777, and Pezay’s Zélis au Bain, Genéve: 
1763. 


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FRENCH BOOKS 
DUPLICATES FROM THE LIBRARY OF 


HENRY E. HUNTINGTON 


FIRST SESSION. 


Tuesday Afternoon, November 21, 1916, at 2.30 o’clock 
LOTS 1-271 


1. ABOUT (EDMOND). Le Nez d’un Notaire. Frontis- 
piece and 12 vignettes designed and engraved by Gery- 
Bichard. Square 12mo, full crushed green levant morocco, 
with gilt floral decoration, inlaid with red morocco on front 
panel, gilt inside borders, gilt edges, uncut, original covers 
bound in, by P. R. Raparlier. Paris, 1886 


One of 225 copies issued on Vélin du Marais paper. 


2. ABOUT (EDMOND). Les Mariages de Paris. Jllus- 
trated with vignettes by Piguet, engraved on wood by Huyot. 
8vo, full green levant morocco, gilt back in compartments, 
covers richly decorated with central panel within gilt frame, 
outside fillet and dentelle borders; doublures of light green 
levant morocco, with inlays of floral sprays, borders of fillet 
and pointillé; marbled end leaves, with hand embroidered 
satin linings, full gilt edges on the rough, original wrappers 
bound in, by Ruban. 

Paris: Imprimé pour les Amis des Livres, 1887 

One of 115 copies printed on China paper, with the engrav- 

ings in two states, and with the duplicate leaves 1-2 and 15-16 
bound in at the end. 


3. ABOUT (EDMOND). Tolla. With 10 illustrations by 
Félicien de Myrbach, portrait of the author after Paul Baudry, 
and head- and tail-pieces by Adolphe Giraldon. Imperial 8vo, 
full purple crushed levant morocco, with an unconventional 
inlaid design of pink carnations and blue blossoms, green 
leaves and red ribbon, back similarly tooled in six compart- 
ments, gilt inside border, doublure of blue figured silk, end 
leaves of cut velvet with title in gold, gilt edges, by Affolter. 

Paris, 1889 


One of an edition of 140 copies on Imperial Japan paper, 
with a triple set of plates, on Japan, China, and plate paper. 


4. ADAM (V.). Panidochéme ou toutes sortes de Voitures. 
1830. Illustrated with 87 beautifully colored lithograph 
plates (on 36 leaves), 12 of which are on India paper. Ob- 
long 4to, half cloth and boards, leather label on side, original 
front wrapper bound in. 

Publié a Paris: Chez Ch. Motte [1830] 
All of the first issue, with the dry stamp of Motte. 


5. AICARD (JEAN). Le Roide Camargue. Illustrations 
de George Roux. 8vo, full crimson levant morocco, with 6 
compartments on back, 5 having a 3-fillet irregular square, 
covers with a 10-fillet irregular panel, with leaf sprays in the 
corners, gilt inside borders, gilt edges on the rough, original 
wrappers bound in, by Lortie. Paris: Emile Testard, 1890 

One of 40 copies on Grand Papier de Chine, with the etch- 


ings in three states, unfinished proof, and finished, before and 
after letters. 


6. ALEXANDRE (ARSENE). L’Art du Rire et de la 
Caricature. Illustrated with 300 facsimiles in black and white 
and 12 full-page illustrations colored by hand after the origi- 
nals. Imp. 8vo, full salmon levant morocco, gilt back in com- 
partments, covers with a handsome pointille border, gilt inside 
borders, gilt edges on the rough, original wrappers bound in, 
by Rousselle. Paris: Ancienne Maison Quantin, n. d. 

One of 30 copies printed on Japan paper. In the present 


copy a number of the smaller engravings are also touched up 
in color by hand. 


7. ALHOY (MAURICE). Les Bagnes, Histoire, Types, 
Meeurs, Mystéres. LHdition allustrée par MM. de Ruddre, 
Bertall, Janet-Lange, Eustache-Lorsay, Pinot, and others. 
Royal 8vo, full crimson levant morocco, Jansen style, gilt in- 
side borders, doublures of dark blue moire silk, marbled flys, 
with blue moire silk linings, gilt top, uncut, original wrappers 
bound in, by Bretault. Paris: Gustave Havard, 1845 


8. ANACREON, Sapho, Bion et Moschus, traduction nou- 
velle en Prose, suivie De la Veillée des Fétes de Vénus, et d’un 
choix de Piéces de différens Auteurs. Par M. M*** C**, 
[Moutonnet de Clairfonds.] Jllustrations after Eisen. 8vo, 
full dark blue crushed levant morocco, gilt back, gilt inside 
and outside borders, gilt over marbled edges, by Chambolle- 
Duru. 

A Paphos: Et se trouve a Paris, Chez Le Boucher, 1773 
Handsome copy of the rare First EpDITION, with beautiful 
impressions of the frontispiece and 25 vignettes engraved by 
Masset after Eisen. Bound in at the end is: Héro et Leandre, 
Poéme de Musée. On y a joint la Traduction de plusieurs 
Idylles de Théocrite. Par M. M***, C**, This work has a 


separate title-page, dated A. Sestos, 1774. Contains a beauti- 
ful frontispiece engraved by Duclos, after Eisen. 


4 


9. ANACREON. Poésies de Anacréon et de Sapho. Tra- 
duction en vers de M. de La Roche-Aymon. JIllustrations in 
tints by Paul Avril, pages printed within green decorative 
borders. 16mo, full green crushed levant morocco, gilt floral 
sprays on back, tooled centre ornament on covers, gilt inside 
borders, gilt edges, original wrappers bound in, by Rousselle. 
| Petits Chefs d’@uvres Antiques. Paris: A. Quantin, 1882 


10. ANATOMY. Traité complet de L’Anatomie de 
L’Homme comprenant |’anatomie chirurgicale et la médecine 
operatoire par les Docteurs Bourgery et Claude Bernard et 
le Professeur—dessinateur—anatomiste N. H. Jacob, avec le 
concours de M. N. Ludovic Hirschfeld, Gerbe, Léveillé, Rous- 
sin, Leroux, Dumoutier, etc., Edition avec plances et textes 
supplementaires. Wath hundreds of finely colored full-page 
plates drawn from nature by N. H. Jacob. 9 vols. folio, half 
red morocco. Paris: L. Guerin, 1866-67 

A complete work on the human anatomy, containing hun- 
dreds of fine plates in colors, showing the human form and 
its construction, the methods best known to surgery and opera- 
tions, surgical instruments, ete. The F. R. Halsey copy, with 
bookplate in each volume. 

11. ANGENOUST .(N.). Le Paranymphe des Dames. 
Dedié a la Serenissime Royne Marie de Medicis. With beauti- 
ful copper-plate title-page containing medallion portrart of 
Marve de Medicis, engraved by Picquet. Post 8vo, full green 
levant morocco, Jansen style, gilt edges. 

A Troyes: Par Pierre du Ruav, 1629 

12, APOLLONIUS DE RHODES. Jason et Mérée. Tra- 
duction et notices de A. J. Pons. Vignettes in color by 
Méaulle, pages printed within blue decoratwe borders. 16mo, 
full blue crushed levant morocco, gilt floral sprays on back, 
tooled centre ornament on covers, gilt inside borders, gilt 
edges, original wrappers bound in, by Rousselle. 

Paris: A. Quantin, 1882 

Petits Chefs d’QGiuvres Antiques. 

138. APULEIUS. L’Amour et Psyché. Notices par A. 
Pons. Vignette engravings after Natowre, pages printed with- 
im light blue decorative borders. 16mo, full blue crushed 
levant morocco, gilt floral sprays on back, tooled centre orna- 
ment on covers, gilt inside borders, gilt edges, original wrap- 
pers bound in, by Rousselle. Paris: A. Quantin, 1878 

Petits Chefs d’Cuvres Antiques. 


14. ASSELINEAU (CHARLES). L’Enfer du_ Biblio- 
phile. Vu et décrit par Ch. Asselineau. ~-16mo, full red 
erushed levant morocco, sides gilt-tooled with interlaced filets, 
gilt back and inside borders, gilt top, uncut. 

Paris: Tardieu, 1860 
First Epirion. One of a few copies printed on Chamois 
paper. Presentation copy from the author with autograph 


inscription on the half title. The F. Nadar copy, with his 
hbookplate. ‘ 


5 


15. ASSELINEAU (CHARLES). L’Enfer du _ Biblio- 
phile. Six pointes séches par Léon Lébegue. 8vo, full crim- 
son crushed levant morocco, gilt back in compartments, covers 
handsomely ornamented with interlaced design of frame and 
outside border, in heavy burnished gold; doublures of olive 
levant morocco, with same border design as covers, marbled 
end leaves with moire silk linings, full gilt edges on the rough, 
original wrappers bound in, by Affolter. 

Paris: Librairie L. Conquet, 1905 


One of 100 copiés printed on Japan paper, with the etchings 
in three states, one of which is in colors. 


16. AUGIER (EMILE). Les Fourchambault. Comedie 
en Cing Actes. Portrait of author inserted. Royal 8vo, full 
dark-blue crushed levant morocco, ribbed and gilt lettered 
back, gilt inside borders, gilt top, uncut, by Allo. Paris, 1878 


First Epirion. Limited Issue of 20 copies printed on thin 
Holland paper. 


17. BALLADES dans Paris: Au Moulin de la Galette, A 
1’Hotel Drouot, Sur les Quais au Luxembourg. Notes inédites 
par MM. E. R., Paul Hudel, B. H. Gausseron, et Adolphe 
Rette. Decorative floral borders and 4 plates printed im 
colors. 4to, full brown crushed levant morocco, decorated 
with an irregular panel of dark-brown morocco, red oak leaves, 
blue streamers, red mill, mask of folly, yellow crescent, and a 
series of small yellow fleur-de-lys on two sides of the border, 
back and lower cover stamped with small gilt birds, doub- 
lures and end leaves of figured silk, gilt edges, by Meunier. 

Paris, 1894 


One of 160 copies, with the plates in two states, colored and 
plain. 


18. BALZAC (H. pg). Secénes de la Vie de Provinee, 
4 vols. 8vo, cloth, original covers bound in, uncut, by Pierson. 
Large Paper copy. Paris: Bechet-Werdet, 1834-1837 


19. BALZAC (H. pe). Histoire de la Grandeur et de la 
Décadence de César Birotteau, Parfumeur, Chevalier de la 
Legion-d’Honneur, adjoint au maire du 2¢ arrondissement, 
de la Ville de Paris. 2 vols. 8vo, cloth, original covers bound 
in, uncut edges. Paris, 1838 


First EpITion, with the errata leaves and 14 pp. of advertise- 
ments. Fine copy. 


20. BALZAC (H. ps). Balzac Illustré. La Peau de 
Chagrin. Etudes Sociales. Portrait of Balzac engraved by 
Chenay after Boulanger, 2 other portrats engraved by Four- 
ner, and numerous vignettes after designs by Marceau, 
Gavarm, Baron, Corlet and others. Royal 8vo, full crushed 
blue morocco, gilt-tooled with lines and sprays on back and 
borders, gilt inside borders, gilt top, uncut, blue silk doublures 
and flys, by Wendling. | Paris, 1838 

6 


21. BALZAC (H. pe). Histoire de la Grandeur et de la 
Décadence de César Birotteau, Parfumeur. 2 vols. 8vo, full 
blue straight-grain morocco, backs, sides and inside borders 
gilt-lined and tooled, doublures and end-leaves of pink silk, 
gilt over rough edges, by Canape. Paris, 1838 


First EpITion. Fine copy, with wide margins, and all the 
original wrappers mounted and bound in. 


22. BALZAC (H. pvr). Le Cabinet des Antiques. Scéne 
de la Vie de Provence, suivie de Gambara. 2 vols. 8vo, cloth, 
uneut, original covers bound in. Paris: Souverain, 1839 

First EDIvIon. 


23. BALZAC (H. pe). Revue Parisienne, dirigée par M. 
de Balzac. 16mo, cloth, original blue covers bound in, by 
Durvand, uneut and unopened. Paris, 1840 


First Epirion. Scarce. Contains the first appearance of 
the studies and critiques of Beyle, Musset, Lamartine, etc., by 
Balzac. 


24. BALZAC (H. pr). Notes remises a Messieurs les 
Députés Composant la Commission de la Loi Sur la Propriété 


Littéraire. Par M. De Balzac. First Epirion. Royal 8vo, 
erimson cloth, leather label, original wrappers bound in. 


Paris, 1841 
25. BALZAC (H. pg). Honorine. 2 vols. 8vo, cloth, origi- 
nal covers bound in, uncut. Paris: L. de Potter [1844] 


First Epirtion. The Edmund and Jules de Gonecourt copy, 
with bookplate by Gavarni. Inscribed by E. de Goncourt in 
red ink on fly-leaf. 


26. BALZAC (H. pg). Petites Miséres de la Vie Conjugale. 
Illustrées par Bertall. Imperial 8vo, half straight-grain mo- 
rocco, gilt back, gut top, uncut, original wrappers bound in. 

Paris: Chlendowski [1845] 


First ILLUSTRATED EDITION. Fine, large copy. 


27. BALZAC (H. pe). La Derniére Incarnation de Vau- 


trin. 3 vols. 8vo, cloth, original covers bound in, uncut. 
Plaque et su un socle imitant le marbre-Rarissimes.’’—G. 


First EpIvIon. Paris: Chlendowski, 1848 


28. BALZAC (H. pe). Scénes de la vie parisienne—Les 
Petits Bourgeois. 4 vols.; Scénes de la vie parisienne—Les 
Petits Bourgeois (Les Parvenus). 4 vols. Together 8 vols 
8vo, cloth, original covers bound in, uncut edges. 

Paris: L. de Potter [1856-7] 


First Epirion of each series of ‘‘Les Petits Bourgeois,’’ 
with all the titles and half-titles. 


29. BALZAC (H. pe). Cuvres Completes. Portrait and 
numerous wood engravings on tinted paper. 20 vols. half 
red levant morocco, gilt tops, uncut, by David. Paris, 1874 


Fine and elegant copy. Illustrated with numerous cuttings. 
The F. R. Halsey copy, with bookplate. 


fond 


( 


30. BALZAC (H. pg). Un Dernier Chapitre de 1’Histoire 
des Cuvres de H. de Balzac. Par Charles de Lovenjoul. 
8vo, cloth, leather label, original wrappers bound in. 
First EpIrion. Paris: E. Dentu, 1880 


31. BALZAC (H. pe). Le Pére Goriot. Scénes de la Vie 
Parisienne. Illustrated with 10 etchings by E. Abot after the 
designs of Lynch.. Imp. 8vo, full crimson crushed levant mo- 
rocco, gilt back in compartments, wide double fillet interlaced 
border, with scroll ornaments, fleurons on corners, gilt inside 
borders, full gilt edges, original wrappers bound in, by Rous- 
selle. Paris: Collection Calmann Lévy, A. Quantin, 1885 

LARGE PAPER Copy, one of 100 printed on Japan paper, with 
the illustrations in two states. Two etched portraits of Balzac, 
in PROOF STATE; a Medallion portrait of Geoffroy Saint-Hilaire,. 


by Collas; and an engraved portrait of Balzac by Levy, have 
been inserted or laid in. 


°382. BALZAC (H. pg). Le Colonel Chabert. Small 4to, 
half green levant morocco, original wrappers bound in. 
Paris: Calmann Lévy, 1886 


One of 50 copies on Grand Papier du Japon, with extra wide 
margins. Ornamented with frontispiece and 20 ORIGINAL. 
WATER-COLOR DRAWINGS BY H. DE Sta. A choice and desirable 
copy of this charming story, the water-colors being particularly 
effective and well executed. 


33. BALZAC (H. pE). Répertoire de la Comédie Humaine 
de H. de Balzac. Par Anatole Cerfberr et Jules Christophe. 
Avec une Introduction de Paul Bourget. 8vo, cloth, leather 
label, uncut, original wrappers bound in. 

Paris: Calmann Lévy, 1887 


First EpiTion. Autograph presentation copy from Jules 
Christophe to Mons. Noél. 


34. BALZAC (H. ps5). L’Cuvre de H. de Balzac. Etude 
litteraire et Philosophique sur la Comédie Humaine. Par 
Marcel Barriére. 8vo, cloth, leather label, original wrappers 
bound in. Paris: Calmann Lévy, 1890: 


First EpiTion. Autograph presentation copy from the au- 
thor to M. Noél. 


35. BALZAC (H. pe). La Fille aux Yeux D’Or. 32 dlus- 
trations by Henri Gervex beautifully reproduced by helio- 
gravure in colors after the original water-colors. Imperial 
8vo, full dark-brown crushed levant morocco, gilt tooled line 
border, gilt back, doublure of green levant morocco, with a 
broad gilt border of fillets and line tooling, brocade silk end 
leaves, gilt edges, by David. Paris, 1898: 

Edition de Grand Luxe, limited to 300 copies. With an. 


original colored pencil drawing on half-title by Rassenfosse,. 
and the color reproductions heightened with water-colors. 


8 


36. BALZAC (H. pe). Une Rue de Paris et son Habitant. 
Avant-propos par M. le Vte de Spoelberch de Lovenjoul. 
Illustrations in color by Francois Courboin. Royal 8vo, full 
olive straight-grain morocco, gilt back, handsomely tooled 
panelled covers, gilt inside borders, doublures and flys of 
salmon moire silk, full gilt edges on the rough, original wrap- 
pers bound in, by Mercier Sr de Cuzin. 

Paris: Librairie a Rouquette, 1899 


On the half-title is an ORIGINAL WATER-COLOR DRAWING by 
Courboin. One of 125 copies on Papier Vélin, with the illus- 
trations in two states, one being on India paper. 


37. BALZAC (H. pe). La Maison du Chat-qui-Pelote. 
Préface de Francisque Sarcey. Quarante compositions de 
Lows Dunki gravées sur bois par Maurice Baud. 8vo, full 
erimson levant morocco, gilt back in compartments, covers 
enriched with two sets of fillet borders, corner ornaments; 
doublures of olive levant morocco, richly tooled with wide 
ornamental border, marbled flys, red moire silk linings, gilt 
edges on the rough, original wrappers bound in, by Canape. 

Paris: Librairie L. Conquet, 1899 


One of 200 copies printed on Papier Vélin Blanc du Marais. 


38. BALZAC (H. pe). Le Péché Véniel. Portrait and 16 
other illustrations etched by Leon and Serres after designs by 
Paul Avril, each in three states (text and remarque proofs, 
one unfinished). Royal 8vo, full green crushed levant mo- 
rocco, back and sides gilt with tooled lines and scrolls, doub- 
lures of crimson levant, richly gilt tooled in arabesque design 
of floral scrolls, end leaves of brocaded silk, gilt on uncut 
edges, by Affolter. Paris: Charles Bosse, 1901 


LIMITED EDITION. Only 65 copies issued on heavy Japan 
paper, with three sets of plates. XTRA-ILLUSTRATED WITH A 
BEAUTIFUL ORIGINAL WATER-COLOR DRAWING ON THE HALF-TITLE 
BY PavuL AVRIL. 


39. BALZAC (H. pe). La Grenadiére. Six compositions 
dessinées et gravées a l’eau-forte par A. Lalauze. Avant- 
propos de Georges Vicaire. Royal 8vo, full maroon straight- 
erain morocco, gilt back in compartments, covers richly deco- 
rated with large central design of scrolls and pointillé, outside 
border of same general pattern, gilt inside borders, doublures 
and flys of steel-gray moire silk, full gilt edges, original wrap- 
pers bound in, by Chambolle-Duru. 

Paris: Librairie Henri Leclere, 1901 


One of 100 copies on Japan paper, with the etchings in three 
states, one state with remarques. 


40. BALZAC (H. pr). La Pucelle de Thilhouze; conte 
drolatique. Illustrated and illuminated by Léon Lebéque, in 
water-colors. 4to, full light brown crushed levant morocco, 
narrow border panels, small circles in the corners, tooled with 
delicate fillets, double line forming center panel with corners 


g 


‘terminating in quarter circles, back tooled in compartments, 
doublures of blue crushed levant morocco, finely tooled with 
interlacing fillets and Arabesque design, yellow tapestry silk 
end leaves, gilt edges, by Affolter. Paris, 1901 


One of 200 copies with the plates in two states, colored and 
plain, the plain being on China paper. 


41. BALZAC (H. pg). LaMyedu Roy. Conte drolatique. 
Manuscript et euluminé par Léon Lebégue. Ato, full crimson 
levant morocco back ornamented with cartouctes in compart- 
ments, large gilt cartouche without borders on covers; doub- 
lures of blue levant morocco, with Grolieresque inlaid design 
‘covering entire doublures, marbled end leaves with red gros 
grain linings, full gilt edges on the rough, original wrappers 
bound in, by Chambolle-Duru. Paris: Ch. Carrington, 1902 


One of 25 copies printed on Japan paper, with the illustra- 
tions and initials and ornaments in the text hand-colored, and 
a duplicate set of the illustrations, plain, bound in at the end. 

Alp. A. N.S. of the binder is laid in. 


42. BALZAC (H. pg). La Femme de Trente Ans. Avec 
35 compositions par A. Robaudi. Royal 8vo, full purple 
straight-grain morocco, gilt back, gilt panelled covers; doub- 
lures of olive straight-grain morocco, with panel of frame 
design, gilt and blind tooled borders, green China silk flys, 
gilt edges on the rough, by Affolter. 

Paris: Librairie L. Conquet, 1902 
One of 50 copies printed on Japan paper, with the etchings in 
two states. 


43. BALZAC (H. pg). La Belle Impéria. Conte Drolat- 
ique. With alluminated title, 3 full-page plates and 12 
vignettes, ulumined in gold and colors, and 13 vignettes in two 
states, one on China paper, by Edmond Malassis. Royal 8vo, 
full dark olive levant morocco, gilt back in compartments, 
panelled covers with wide and fillet borders, doublures of 
maroon levant morocco, with elaborate inlays of blue, brown 
and drab morocco. The borders of the doublures are similar 
in design, the centres varying; full gilt edges on the rough, 
brocaded silk flys, original vellum wrappers bound in, by 
Affolter. Paris: Louis Conard, 1903 


One of 20 copies printed on Japan paper. Bound in, follow- 
ing the vellum cover, is a proof impression of one of the illus- 
trations, with 11 pencilled instructions for improving the color- 
ings, signed by the artist. 


44. BALZAC (H. pe). Histoire de L’Empereur. Preface 
de Henry Houssaye. 14 etchings by Adolphe Lalauze after 
Alph. Lalauze, each in two states, one black and white, and 
one in colors. Small 4to, full green crushed levant morocco, 
back and panels gilt-tooled with the French eagle, the initial 
““N,’’ laurel wreaths, &c., doublures of cream levant orna- 
mented with salmi of gilt-tooled bees alternating with violets 

10 


inlaid in purple and green, end-leaves of green gros-grair 
silk, gilt over rough edges, original blue wrappers bound in, 
by Chambolle-Duru. Paris, 1904. 


LIMITED EDITION, only 100 copies printed on Papier Vélin 
des Manufactures du Marais. 


45. BALZAC (H. pe). la Vendetta. Title vignette and 
20 wlustrations by Adrien Moreau engraved by Xavier 
Lesueur. Royal 8vo, full green crushed levant morocco, gilt: 
line and scroll border, gilt back in compartments, doublures: 
of brown levant morocco, fine dentelle border, and beautiful 
scroll in ornamental center panel, light green figured silk ends,. 
gilt edges, original wrappers bound in, by Affolter. 

Paris, 1904 
One of 20 copies Japan paper, with the plates in three states 


and a fine ORIGINAL WATER-COLOR DRAWING by Adrien Moreau,, 
on the fly-leaf. 


46. BALZAC (H. pg). Les Proscrits. 69 allustrations de- 
signed and etched by Gaston Bussiére. Royal 8vo, full dark 
green crushed levant morocco, a handsome dentelle border: 
enclosing a panel elaborately tooled in the Grolieresque style: 
of interlacing bands and circles, doublures of brown levant: 
morocco, gilt border of floral scrolls and small fleur-de-lys, 
silk end leaves, gilt edges, original cover bound in, by Cham-. 


bolle-Duru. Paris, 1905: 
One of 20 copies on Japan paper, with the plates in three- 
states, finished proof after letters, remarque proof, and unfin- 
ished proof. AN ORIGINAL WATER-COLOR DRAWING by the illus-- 
trator, signed, on the fly-leaf. 


47. BALZAC (H. pe). Les Joyeuzetés du Roy Loys le: 
Unziesme. Conte drolatique illustré par Edmond Malassis. 
Decorative woodcut borders and etched illustrations printed 
in colors. Royal 8vo, pictorial wrappers, uncut. Paris, 1907 


One of 20 copies on Japan paper, with the three stages of 
the color printing of one of the plates and a finished proof 
containing the notations and signature of the artist in pencil.. 


48. BALZAC. Honoré de Balzac. By Edmond Biré.. 
Woodcut portrait of Balzac by Aubrey Beardsley pasted on 
title. 8vo, cloth, leather label, uncut, original wrappers bound. 
in. Paris: Honoré Champion, 1891 

Printed on large paper. 


49, BANVILLE (THEODORE DE). Gringoire. Comédie: 
en un Acte en Prose. 32 illustrations by Edmond Malassis: 
engraved and printed in colors by Louis Mortier. 8vo, full 
brown crushed levant morocco, doublures of crimson polished 
morocco, superbly tooled in the style of Le Gascon, brown silk 
end-leaves, gilt edges, by Chambolle-Duru; in case and half 
levant cover. Paris, 1904 

One of 20 copies on Japan Paper, showing the various states 
of one of the illustrations, in the three-color process, and a 
proof of the finished plate, with the artist’s annotations im 
pencil, signed. 

i 


50. BARBEY D’AUREVILLY (J.). Du Dandysme et de 
G. Brummell. itched portrmt in proof state inserted. 
Square 16mo, full dark green straight-grain morocco, gilt 
back, gilt-tooled covers, with corner and centre ornaments, and 
gilt inside borders, doublures and flys of brown China silk, 
gilt edges on the rough, original wrappers bound in, by 
Canape. ‘Caen: B. Maneel, 1845 


Fine copy of the First EpITIoNn on thick paper. 


51. [BARBEY D’AUREVILLY (J.).] Memorandum. 
Square 12mo, full dark green straight-grain moroeco, gilt 
back, covers with elaborate gilt centre and corner ornaments, 
gilt inside borders, doublures and flys of maroon silk, gilt 
edges on the rough, by Canape. 

Caen: Imprimerie de A. Hardel, 1856 


THE VERY RARE First EDITION, of which only 36 copies were 
printed on China paper, NOT FOR SALE. An etched portrait of 
the author, in PROOF STATE, is inserted. 


52. BARBEY : D’AUREVILLY (J.). Les Diaboliques. 
12mo, half cloth, uncut, original wrappers bound in. | 
Paris: E. Dentu, 1874 


First Epition. An etched portrait of the author by Abot, 
in proof state, is inserted. 


53. BARBEY D’AUREVILLY (J.). Le Rideau Cramoisi. 
Eausx-fortes en couleurs de A. Rassenfosse. Royal 8vo, origi- 
nal parchment covers, uncut. 

Bruxelles: Edmond Deman, 1907, 
One of 125 copies printed. 


54. BARINE (ARVEDE). les Grands Kerivains Fran- 
eais. Alfred de Musset. 12mo, cloth, leather label, uncut, 
original covers bound in. 

Paris: Librairie Hachette et Cie, 1893 


Fine copy of the ORIGINAL EDITION, printed on Japan paper. 


55. BASTIDE (J.-F.). La Petite Maison. Préface d’Abel 
Patoux. 16 allustrations, etched and printed in colors, after 
the original water-colors by Ad. Lalauze. Royal 8vo, full 
light brown crushed levant morocco, gilt decoration in Louis 
XV style, doublures of blue levant morocco, frame-like orna- 
mentation in same style with dark blue and pearl gray inlay 
and gilt tooling, gray silk end-leaves, gilt edges, original wrap- 
pers bound in, by Chambolle-Duru. Paris, 1905 


Only 150 copies printed. With an ORIGINAL WATER-COLOR 
DRAWING By AD. LALAUZE on the fly-leaf. 


56. BEAUMARCHAIS (CARON DE). la Folle Journée 
ou le Mariage de Figaro, comedie en cing actes en prose. Wath 
5 fine full-page wlustrations engraved by Halbou, Lienard, 


12 


Inngé, after Saint-Quentin. 8vo, boards, calf back, entirely 
uncut. 

Paris: De L’Imprimerie de la Société Litteraire Typo- 
graphique, 1785. | 

A very fine tall copy on Large Vélin Paper of the second 
issue of the First Edition, measuring 10144 x 6% inches. 

The illustrations of this edition are superior to those en- 
graved by Malpeau in the first issue (Petit. p. 570). Of special 
interest to the American collector, the author having resided 
here as a secret agent of Louis XVI prior to the King’s de- 
cision to assist the cause of the Revolutionists with men and 


money. He made the first shipment of arms and ammunition 
to America. 


o7. BEAUMARCHAIS (PIERRE). La Folle Journee, 
or, Le Mariage de Figaro. Comedie en cing Actes, en Prose. 
Illustrated with 5 full-page plates by Malapeau (4) and Ror 
(1) after St. Quentin. 8vo, original marbled covers, uncut 
and unopened. In olive levant morocco slip-case. 

Au Palais-Royal: Chez Ruault, 1785 


An exceptionally clean, crisp copy of the First EDITION, 
with brilliant impressions of the beautiful plates. A portrait 
of the author by Bovinet, proof before letters, is inserted. 


58. BEAUMARCHAIS (PIERRE). Théatre complet de 
Beaumarchais. Réimpression des éditions princeps avec les 
variantes des manuscrits originaux publiées pour la premiére 
fois par G. D’Heylli et F. de Marescot. 4 vols. 8vo, full green 
levant morocco, gilt backs and inside borders, gilt edges, by 
Marius Michel. Paris: Academie des Bibliophiles, 1869-1871 


One of 15 copies printed on China paper. With a fine por- 
trait of Beaumarchais, proof before letters on China paper, 
inserted. The Jules Janin—F. R. Halsey copy, with bookplates. 


59. BEAUMARCHAIS (PIERRE). Le Barbier de Séville. 
Orné de 62 compositions de Daniel Vierge. 4to, full brown 
erushed levant morocco, gilt back in compartments, cover 
decorated with a wide, open interlaced border, filled with 
floral festoons, and a 2-fillet outside border, doublures of blue 
levant morocco, richly embellished with a wide gold border, 
marbled flys, with lining of China silk, gilt edges on the rough, 
original wrappers bound in, by Chambolle-Duru. 

Paris: Edouard Pelletan, 1903 

One of 10 copies printed on Large Paper, Japon ancien, 
WITH A FULL-PAGE ORIGINAL WATER-COLOR DRAWING, signed by 
Vierge. THE PRESENT COPY IS APPARENTLY A SPECIAL COPY, 


CONTAINING ALSO A DUPLICATE SET OF THE ILLUSTRATIONS ON 
CHINA PAPER. 


60. [BECKFORD (WILLIAM).] Vathek. Small 8vo, 
original brown limp boards, paper label, uncut. 3 
A Lausanne: Chez Isaac Hignou & Compe, 1787 


THE EXTREMELY RARE ORIGINAL LAUSANNE EDITION. It is not 
known whether the. Paris or the Lausanne edition of 1787 was 
the first issued, but both are excessively rare; no copy of either 
was in the Beckford sale. 


13 


61. BENTZON (TH.). Jacqueline. Charmingly illus- 
trated with full-page plates and vignettes printed wm color 
after designs by Albert Lynch. Folio, full light brown levant 
morocco, front cover inlaid with life-size bluets and daisies, 
back cover inlaid with a spray of roses, in natural colors, in- 
side floral borders, doublures and flys of figured moire silk, 
cilt edges on the rough, original wrappers bound in, by 
Raparlier. Paris: Boussod, Valadon et Cie, 1893 

First Epirion. One of 20 copies on large Whatman paper, 


with an ORIGINAL WATER-COLOR DRAWING BY LYNCH, on half- 
title. 


62. BENTZON (TH.). Jacqueline. Illustrated with full- 

page photogravure plates by Albert Lynch. Ato, original 

wrappers, uncut (loose). ) 
Paris: Boussod, Valadon et Cie, 1893 


First Epirion. One of a limited edition on papier Vélin. 


63. BEQUET (ETIENNE). Marie; ou le Mouchoir Bleu. 
Notice littéraire par Adolphe Racot. Illustrated with six 
plates by De Sta engraved by Abot. 16mo, full blue crushed 
levant morocco, tooled floral sprays on back, covers orna- 
mented with gilt floral wreaths, gilt inside borders, with 
doublures and flys of brocaded satin, gilt edges on the rough, 
by Rousselle. Paris: Librairie L. Conquet, 1884 


One of 200 copies printed on Grand Papier Vélin, with the 
plates in two states. _ 


64. BERALDI (HENRI). Estampes et Livres, 1872-1892. 
Portrait frontisprece and vignette, and 40 fine plates of book- 
bindings, many in gold and colors. Royal 8vo, full crushed 
olive levant morocco, gilt-tooled back and inside borders, gilt 
edges, original covers bound in, uncut, by Emile Rousselle. 

One of 390 numbered copies. Paris, 1892 


65. BERANGER (PIERRE JEAN DE). (C&uvres. 5 vols. 
8vo, half crimson crushed levant morocco, gilt backs, gilt tops, 
uncut, by Smeers. Paris: Perrotin, 1860-1866 


Comprises the following works: 1. Chansons. 43 gravures 
sur acier d’aprés Charlet, A. de Lemud, Johannot, Grenier, etc. ; 
les dix chansons publiées en 1847 et le facsimile d’une lettre 
de Béranger. 2 vols. 1862. 2. Dernieres chansons de Beranger. 
Iilustrées de 14 dessins de A. de Lemud graves sur acier par 
M.M. Balin, Brunet, Colin, Nargeot, etc., 1 vol. 1866. 3. Ma 
Biographie écrite par Béranger. Ornée d’un portrait par 
Charlet; d’une photographie d’apres le marbre de Geffroy et 
de 8 gravures d’apres d’Aubigny, Sandoz et Wattier. 1 vol. 
1860. 4. Musique des chansons de Berauger. Portrait and 117 
woodcut illustrations by Grandville, Raffet and others. 1 vol. 
1865. ; 

Clean copy, with beautiful impressions of the plates. 


66. BERNARD (CHARLES DE). Gerfaut. Diz illustra- 
tions de Adolphe Weisz, gravées a l’eau-forte par H. Manesse. 
Imp. 8vo, full dark brown crushed levant morocco, gilt back in 


14 


FLAUBERT’S BOUVARD ET PECUCHET 
[Number 269 | 


OLY pet ny aepelie Vanity el gabe case ge 


compartments, covers ornamented with a 6-fillet panel, corners 
terminating in squares, gilt outside and inside _ borders, 
marbled flys, doublures and linings of brocaded silk, gilt edges 
on the rough, original wrappers bound in, by Allo. 

Paris: Collection Calmann Lévy, Maison Quantin, 1889 


LARGE PAPER. One of 50 copies on Japan paper, with the 
etchings in two states. 


67. BERNARD (THALES). la Lisette de Béranger. 
Souvenirs Intimes. Frontispiece etching by G. Staal. 16mo, 
board sides, morocco back, uncut, original wrappers bound in. 

Paris: Librairie de Mme. Bachelin-Deflorenne, 1864 
Collection du Bibliophile Francais. 


68. BERQUIN anp ROUSSEAU. Pygmalion, Scene Lyr- 
ique de Mr. J. J. Rousseau, Mise en Vers par [Arnaud] 
Berquin. Text engraved throughout by Droiiet, 6 vignettes 
by Ponce and De Launay after Moreau. Royal 8vo, full crim- 
son crushed levant morocco, richly tooled on back and on each 
panel with floral scrolls and birds surrounding centre panel, 
oilt inside borders, gilt edges, by Mercier Sr. de Cuzin. © 

Paris, 1775 


LarGE HoLLAND PAPER copy, with fine impressions of the 
vignettes. Following Pygmalion is Berquin’s ‘‘Idylle,’’ with 
head and tail vignettes engraved by Gaucher after Marillier. 


69. BERTALL (C.-A. D’ARNOUX). la Comédie de 
Notre Temps: La Civilité, Les Habitudes, Les Mceurs, Les 
Coutumes, Les Maniéres et les Manies de Notre Epoque. With 
a profusion of wlustrations by Bertall. Imperial 8vo, half 
erushed levant morocco, gilt top, uncut, by Bertrand. 

With the bookplate of F. R. Halsey. Paris: E. Plon, 1874 


70. BERTALL. la Vie hors de chez soi; Comédie de notre 
temps. Etudes au crayon et a la plume par Bertall. With 
numerous woodcut illustrations after Bertall. 2 vols. 4to, 
half crimson crushed levant morocco, gilt tops, uncut, by 
Bertrand. Paris: Plon, 1875-1876 


First Epitions. The F. R. Halsey copies, with bookplate in 
each volume. 


71. BERTHEROY (JEAN). Femmes Antiques. la 
Légende, L’Histoire, La Bible. Illustrations by Bougereau, 
Leloir, Lematte and others, engraved by Champollion. 8vo, 
full dark brown levant morocco, Jansen style, gilt inside bor- 
ders, doublures and flys of brown moire silk, gilt edges on the 
rough, by David. Paris: Librairie L. Conquet, 1892 


One of 50 copies printed on Japan paper, with the 10 plates 
in two states, proofs before and after letters. In the present 
copy one of each of the plates is in color. 


15 


72. BEYLE (HENRI). La Chartreuse de Parme. Ré- 
impression textuelle de l’édition originale. Illustrée de 32 
eauax-fortes par V. Foulquer. Préface by Francisque Sarcey. 
2 vols. royal 8vo, full light olive levant morocco, back orna- 
mented with gilt ivy leaves and love emblems in compartments, 
covers richly tooled with a double fillet panel, and festoons of 
ivy leaves and corner ornaments, gilt inside borders, doublures 
and flys of figured paper, gilt edges on the rough, original 
wrappers bound in, by Chambolle-Duru. 

Paris: Librairie L. Conquet, 1883 


One of 75 copies on Large Japan paper. With 3 PROOF por- 
traits of the author inserted. 


73. [BEYLE (HENRI).] Le Rouge et le Noir. Par M. 
De Stendhal. Réimpression textuelle de 1’édition originale. 
Preface de Leon Chapron. 89 fine etched vignettes by H. 
Dubouchet. 3 vols. royal 8vo, full crimson crushed levant 
morocco, doublures of dark blue crushed levant, with inlaid 
border band of red, centre ornament of gilt scrolls enclosing 
inlaid frame of red levant, end-leaves of Chinese silk, gilt over 
rough edges, by Chambolle-Duru. Paris: L. Conquet, 1884 


One of only 150 printed on Large Japan paper. With auto- 
graph presentation inscription by M. Conquet. : 


74. BEYLE (HENRI). L’Abbesse de Castro. With beau- 
tiful etched head and tail vignettes by Eugéne Courboin. 
Royal 8vo, full dark blue levant morocco, back ornamented 
with sprays of morning-glories and leaves, inlaid, in compart- 
ments, cover designs of a one-inch panel of interwined morning- 
glory vines, flowers, buds and leaves in green. and lavender 
inlays, gilt inside rustic border, doublures and flys of rich silk 
tapestry, gilt edges on the rough, original wrappers bound in, 
by David. 

Paris: Publié pour les Sociétaires de l’Académie des Beaux 


Livres, 1890. 
One of 190 copies. An engraved portrait of the author is 
inserted, and the pages are printed within decorative borders 
of various colors. 


75. BIBLIOGRAPHY.  Bourecard (Gustave). Dessins, 
Gouaches, Estampes et Tableaux du Dix-Huitiéme Siécle. 
Guide de 1’Amateur. 8vo, full olive crushed levant morocco, 
oilt back in compartments, inside dentelle borders, gilt edges, 
by Rousselle. Paris: Damascene Morgand, 1893 


One of a limited edition on papier vergé. 


76. BIBLIOPHILE FRANCAIS. Gazette Illustrée des 
Amateurs de Livres, et de haute curiosité. With 36 engraved 
portraits and numerous fac-symiles of rare and interesting 
specomens of old and celebrated bindings, chromo-lithographs, 
etc. 7 vols. royal 8vo, half red morocco, gilt backs, gilt tops, 
original covers bound in. Paris, 1868-187 3 

Complete. A work of great interest and value to every 


lover of rare old books and ancient bindings, ete. SCARCE. 
The F. R. Halsey copy, with bookplate in each volume. . 


16 


77. BIJOUX DES NEUF SOEURS (LES). With 2 
frontispreces and 4 plates finely engraved by Gaucher, after 
Le Barbier. 2 vols. 12mo, old mottled ‘calf gilt, gilt edges. 

Paris: Defer de Maisonneuve, 1790 
First Epirion. From the Constant Dumeril library, with 
book-label. 


78. BINDING. Histoire Des Quatre. Fils Aymon, trés 
nobles et trés Vaillans Chevaliers. Jllustrée de compositions 
en couleurs par Eugene Grasset, Gravure et impression par 
Charles Gillot. Introduction et notes par Charles Marcilly. 
4to, full brown levant morocco, front cover inlaid with a panel 
of calf chiselled and stippled, with compositions after the 
frontispiece design by Grasset, inside borders, inlaid with a 
band of orange levant gilt tooled, and corner pieces of red 
and blue morocco (doublures and flys of decorated tapestry, 
gilt edges, original covers bound in, by Ch. Meunier, 1889. 

Paris: H. Launette, 1883 
A fine specimen of Meunier’s binding. EXxTRA-ILLUSTRATED 
by the insertion of a full-page original water-color drawing 
finely executed by the illustrator of the book and inscribed: 
‘¢A mon ami [Octave] Uzanne Grasset’’; a portrait of Eugene 
Grasset in colors on Japan paper. Inserted are 3 A. L’s 8S. by 
E. Grasset. To Octave Uzanne. Paris, 1890-1894. 51% pp. 
8vo. The book is one of the finest of modern illustrated works, 
having 246 pages ornamented with reproductions of water- 
color drawings. 


79. BINDING. [Recueil Général de Coéffures de differ- 
entes gouts, ou l’on voit la maniere dont se coéffoient les 
femmes sous différentes regnes.| 36 engraved plates of ladies’ 
heads with different coiffures, mounted within ornamental 
borders, on 8vo boards, representing 76 figures of rare coiffures 
engraved by D. Chodowiecki, Endner, Roesmaesler and others, 
all brilliant impressions, probably collected from the Almanacs 
edited by Desnos in 1779-81, which are very rare. 8vo, old 
French crimson morocco, elaborately tooled with scroll bor- 
ders on panels and back in the manner of Derome, gilt inside 
borders, doublures of green watered silk. [Paris, ca 1780] 

The F. R. Halsey copy, with bookplate. 


80. BLONDEL (SPIRE). ke Tabac. Le Livre des 
Fumeurs et des Priseurs. Préface du Baron Oscar de Watte- 
ville. Illustrated with 113 engravings by G. Fraipont, of 
which the 16 full-page wlustrations are hand-colored. Imp. 
8vo, full brown levant morocco, gilt back in compartments, 
triple fillet border on covers, gilt inside borders, doublures and 
flys of green moire silk, gilt edges, original wrappers bound in, 
by Rousselle. Paris: Henri Laurens, 1891 

EDITION DE GRAND LUXE. One of 30 copies printed on Japan 

paper. Special copy, in which the full-page engravings are in 
two states, plain and colored. ON THE HALF-TITLE IS AN 
ORIGINAL WATER-COLOR DRAWING of an Oriental woman smok- 
ing, signed by G. Fraipont. Numerous appropriate wood er- 


gravings are laid in. 
17 


81. BOCCACE (GIOVANNI). la Fiancée du Roy de 
Garbe. Traduction de Anthoine Le Macon. Decorative bor- 
ders and illustrations by Léon Lebégue, hand-colored. Im- 
perial 8vo, full green crushed levant morocco, gilt fleurons in 
the corners, gilt line borders, doublures of brown levant mo- 
rocco, line and scroll border terminating in decorated squares 
in the corners, yellow figured silk guards, gilt edges, original 
-wrappers bound in, by Affolter. Paris, 1903 


One of 12 copies on Imperial Japan paper, with an extra 
set of uncolored plates on China paper. 


82. BOILEAU-DESPREAUX (N.).  C#uvres. Edition 
Stéréotype. 2 vols. small 8vo, original vellum, uneut. In 
half morocco slip-cases. Paris: Didot 1’Ainé, An VII. [1799] 


Vellum copy.. One of only 2 or 3 copies printed. The only 
other known is the Renouard extra-illustrated copy. 


83. [BOILEAU-DESPREAUX (N.).] £uvres Diverses. 
Du Sieur D*** [Despreaux] avec le Traité du Sublime ou du 
merveilleux dans le discours. Traduit du Gree de Longin. 
With 2 engraved plates by Landry and Chauveau.” Small 
folio, full maroon crushed levant morocco, gilt back in com- 
partments, covers richly decorated with a central panel of ares 
and right angles, fleurons at corners and all the ends, car- 
touche in centre with outside spaces filled with fleurs-de-lys, 
oilt inside borders, doublures and flys of dark green ribbed 
silk, gilt over marbled edges, by Gruel. 

A Paris: Chez Claude Barbin, 1674 


Choice copy of one of the four issues of the First EDITION 
of Boileau’s works. 


84. BOILEAU-DESPREAUX (N.).  (C#uvres, avee un 
nouveau commentaire par M. Amar. Frontispiece. 4 vols. 
half brown crushed levant morocco, gilt-tooled backs, gilt tops, 
uncut, by Bertrand. Paris: Lefévre, 1824 

Large Papier Vélin copy.. EXTRA-ILLUSTRATED by the in- 
sertion of 27 plates, viz:—7 portraits of Boileau after Rigaud, 
Hopwood and Jacquemin, engraved by Savart, Delaunay and 
Soliman (one of which is on India paper and another in 3 
states); 6 plates after Rigaud, engraved by Chollet, Lorichon, 
Burdet, Jehotte and Morizot, all in two states, proofs before 
letters and after letters on India paper, and 6 plates after 
Bernard-Picart engraved by Robert De Launay. The F. R. 
Halsey copy, with bookplate in each volume. 


85. BOILEAU-DESPREAUX (N.). (Céuvres Poétiques 
de Boileau. Avee des Notices par M. Poujoulat. Htched 
portrait and 20 fine etched head-pieces, by V. Foulqwer. Im- 
perial 8vo, full red crushed levant morocco, gilt tooled back, 
sides and inside borders, doublures and end-leaves of watered 
silk, gilt on marbled edges, by Chambolle-Duru. Tours, 1570 


LARGE PaPER. Edition limited to 300 copies of all issues. 
18 


86. BOIS (GEORGE). Les Damées. Dessins de Fernand 
Besmer, Henri Laissement et Emile Bourdelle, gravés a l’eau 
forte par Eugéne Decisy et Ch. Massart. 8vo, full crimson 
erushed levant morocco, gilt back in compartments, gilt fillet 
borders on covers, doublures of blue crushed levant morocco, 
with floral design, the flowers of vari-colored inlays, and flys 
of red brocaded silk, gilt edges, by Ruban. 

Paris: EK. Dentu, 1890 


EXTRA-ILLUSTRATED WITH 74 ORIGINAL WATER-COLORS by G. 
A. Loron, consisting of full-page drawings, and head and 
tail illuminations. Two of the etchings by Decisy are in two 
states. 


87. BONAPARTE (C. L. PRINCIPE DI CANINO). 
Ieconografia della Fauna Italica, per le quattro Classi Animali 
Vertebrati. With 180 beautifully hand-coloured plates, height- 
ened with gold and silver. 3 vols. folio, half vellum, gilt 
backs, uncut. Roma, 1832-41 


First Epirion. This magnificent work contains 180 plates 
and 535 leaves of text, including title and contents, although 
Brunet in error mentions only 287 pages. It is divided as fol- 
lows:—Mammiferi e Ucceli (Mammals and birds), 48 plates; 
II. Amfibi (reptiles, etc.), 54 plates; Pesci (Fishes), 78 plates. 
The F. R. Halsey copy, with bookplate in each volume. 


88. BONNARD (CHARLES). Costumes Historiques des 
XIile, X1Ve et XVe Siécles. Hxtraits des Monuments les 
plus authentiques de Peinture et de Sculpture, dessinés et 
gravés par P. Mercuri. 2 vols. large 4to, cloth, russia backs 
(one back strip damaged), gilt tops, uncut. 

Paris: Goupil et Vibert, 1845 


The 200 costume plates are here in two states, one beautifully 
illumined in colors and gold, the other plain on India paper. 


89. BOOK-BINDING. la Reliure Ancienne et Moderne. 
116 plates of artistic bindings of the 16th to 19th centuries. 
Introduction par Gustave Brunet. 4to, half dark olive levant 
morocco, gilt top, uncut. Paris, 1884 


Limited Edition of 100 copies on Hand-made paper, with 
several half-tone plates laid in. 


90. BOSSUET (J. B.). Discours sur L’ Histoire Univers:lle: 
Avee une Préface par M. Poujoulat. Htched portrait and 
three head-pieces by Foulquwer. Imperial 8vo, full crimson 
levant morocco, gilt-tooled back, panels, and inside borders, 


gilt on marbled edges, by Bertrand. Tours, 1870 
LIMITED EDITION, printed on Hand-made paper with wide 
margins. 


91. [BOUCHARDON (E.).] Etudes prises dans le bas 
Peuple, ou les Cris de Paris. Illustrated with 60 plates en- 
graved by the Comte de Caylus and finished by Fessard. The 
5 parts in one volume, royal 4to, full crimson levant morocco, 
gilt back in compartments, broad dentelle borders on covers in 


19 


the style of Derome, gilt inside borders, gilt over marbled 
edges, by Chambolle-Duru. Paris: Chez Fessard, 1837-1846 
A handsome copy of the First Epition of this VERY RARE 
WORK, interleaved with papier Michelet. The plates have ample 

margins. 


92, BOUCHOT (HENRI). les Ex-Libris et les Marques 
de Possession du Livre. Illustrated with reproductions by H. 
Scott. 12mo, full blue crushed levant morocco, gilt floral 
spray on back, triple fillet gilt border on covers, gilt inside 
borders, full gilt edges, original wrappers bound in, by Rous- 
selle. Paris: Edouard Rouveyre, 1891 

One of 20 copies printed on China paper. 


93. BOUCHOT (HENRI). Les Livres a Vignettes du 
XVe au XVIIIe Siécle. Les Livres 4 Vignettes du XIlXe 
Siécle. Illustrated with facsimiles of engravings by Tory, 
Leclerc, Moreau, Gravelot, etc. 2 vols. 12mo, full crushed 
crimson levant morocco, gilt backs of floral sprays, gilt fillet 
borders on outside covers, elaborate wide inside border, origi- 
nal wrappers bound in, by Rousselle. Paris; 1891 


One of 20 copies printed on China paper. 


94. BOUCHOT (HENRI). Des Livres Modernes qu/’il 
convient d’acquérir. Numerous ilustrations, some im color. 
12mo, full green levant morocco, gilt back, triple fillet border 
on covers, gilt inside borders, full gilt edges, original wrappers 
bound in, by Rousselle. Paris: Edouard Rouveyre, 1891 

One of 20 copies printed on China paper. 


95. BOUCHOT (HENRI). Le Luxe Francais. La Res- 
tauration. Illustration documentmre d’apreés les originaux de 
l’époque. Imp. 8vo, full gray levant morocco, gilt backs in 
compartments, triple fillet borders on covers, gilt inside bor- 
ders, gilt edges, original wrappers bound in, by Rousselle. 

Paris: A. la Librairie Illustrée, n. d. [1893] 


Limited edition printed on Papier Vélin. Special copy, with 
the illustrations colored by hand. 


96. BOUCHOT (HENRI). Catherine de Médicis. Nuwmer- 
ous photogravure portraits and plates in two states, frontis- 
prece finely printed in colors. 4to, full wine-color crushed 
levant morocco, broad Arabesque border with alternating 
monogram and fleur-de-lys, center panel containing arms of 
Catherine De Médicis, large monogram in corners, doublures 
of dark green levant morocco, with broad border of interlacing 
fillets and floral scrolls forming panels containing monogram 
and fleur-de-lys, silk brocade ends, gilt edges, by Affolter. 

Paris, 1899 


Edition limited to 200 copies on Imperial Japan paper. 
20 


97. BOUCHOT (HENRI). De la Reliure. Illustrated 
with reproductions of bindings. 12mo, full brown levant mo- 
rocco, gilt floral spray on back, fillet border on covers, gilt 
inside borders, gilt edges, original wrappers bound in, by 
Rousselle. Paris: Ed. Rouveyre, n. d. 

One of 20 copies on China paper. 


98. BOUCHOT (HENRI). L’Empire. Illustration Docu- 
mentaire d’apres les originaux de l’Epoque. Imperial 8vo, 
full dark green crushed levant morocco, triple line gilt bor- 
der, gilt back in compartments, inside borders, gilt edges, by 
Russell, original wrappers bound in, by Rousselle. 

One of a limited edition on Papier Vélin. Paris; nid. 


99. BOUFFLERS (STANISLAS DE). Aline, Reine de 
Goleonde. Illustrated with 15 exqusite engravings by Gau- 
jean, some wm color. 8vo, full crushed blue levant morocco, 
oilt back of floral sprays in compartments, covers richly deco- 
rated in gilt with floral designs, baskets of roses, birds, butter- 
flies, etc., gilt inside border of roses, doublures and flys of 
light blue brocade satin, gilt edges on the rough, original 
wrappers bound in, by Chambolle-Duru. 

Paris: Grave & Imprime pour la Societe des Amis des 
Livres, 1887. 


One of the first 50 copies (of 115 printed) for members. 
This copy was issued to M. Collin. The volume is engraved 
throughout. 


100. BOUILHET (LOUIS). Melenis. Préface de A. 
Join-Lambert. With engravings in color after Paul Gervais. 
Imperial 8vo, full blue crushed levant morocco, doublures of 
citron levant morocco, ornamental border of narrow green 
bands and leaves and gilt floral tooling, with red fan-shaped 
inlays in the corners decorated in green, silk end leaves, gilt 
top, uncut, original wrappers bound in, by Champs. 

One of 140 copies on Holland paper. Evreux, 1900 


101. BOURASSE (L’ABBE J. J.). La Touraine: Histoire 
et Monuments. Illustrated with full-page engraved plates, 
text woodcuts and chromo-lithographs. Folio, full green 
levant morocco, gilt back in compartments, gilt inside and out- 
side borders, gilt edges, by Stamper. 

Fine copy. . Tours: Ad. Mame et Cie, 1856 


102. BOURGEOIS (EMILE). Le Grand Siécle. Louis 
XIV. Les Arts—Les Idées. D’aprés Voltaire, Saint Simon, 
Spanheim, Madame de Sévigné, La Bruyére, ete. With 
numerous full-page copper-plate engravings and about 500 
illustrations m the text, portrats, historical scenes, etc. Imp. 
8vo, full crimson crushed levant morocco, triple line on sides, 
back gilt, in compartments, each having 3 fleur-de-lys, doub- 


21 


lures of blue crushed levant, richly gilt ornamental border, 
marbled flies with lining of crimson silk tapestry, gilt edges, 
uncut, original vellum covers bound in, by Chambolle-Duru. 

One of only 10 copies printed on Japan paper. Paris, 1896 


103. BOURGES (ELEMIR). UL’Enfant qui Revient. 
Illustrated by Lows Malteste wm colors. Royal 8vo, original 
printed wrappers, uncut. Paris [1905] 


One of 20 copies on Large Japan Paper, with two extra sets 
of illustrations, plain proofs before letters, and colored proofs 
before letters. Signed by the editor. 


104. BOURGET (PAUL). Edel. Poéme. 12mo, cloth, 
leather label, uncut, original wrappers bound in. 
First EpIvron. Paris: Alphonse Lemerre, 1878 


105. BOURGET (PAUL). Le Disciple. Small 4to, cloth, 
leather label, uncut, very wide margins. 
Paris: Alphonse Lemerre, 1889 


First EpITion. One of 100 copies on Large Holland paper, 
with the original paper covers bound in. 


106. BOURGET (PAUL). Mensonges. Illustrations by 
Myrbach. 12mo, cloth, leather label, uncut, original wrap- 
pers bound in. Paris: Alphonse Lemerre, 1890 

One of 25 copies on Japan paper. 


107. BOURGET (PAUL). Nouveaux Pastels. 12mo, full 
blue crushed levant morocco, Jansen style, gilt inside borders, 
doublures and ends of orange watered silk, gilt top, uncut, by 
Affolter. Paris, 1891 


First Epirion. One of 50 copies on Holland paper. 


108. BOURGET (PAUL). la Terre Promise. 12mo, full 
maroon crushed levant morocco, Jansen style, gilt inside bor- 
ders, gilt edges on the rough, doublures and flys of dark blue 
watered China silk, original wrappers bound in, by Affolter. 

Paris: Alphonse Lemerre, 1892 


First Epition. One of 100 copies on Holland paper. 


109. BOURGET (PAUL). Un Scruple. Illustrations en- 
graved by Rousseau, after designs by Myrbach. 18mo, full 
brown levant morocco, gilt inside borders, doublures and flys 
or crimson China silk, gilt edges on the rough, original wrap- 
pers bound in, by Durvand. Paris: Alphonse Lemerre, 1893 


First Epirrion. An etched portrait of the author, in proof 
state, is inserted. The illustrations are colored by hand. 


110. BOURGET (PAUL). Un Scruple. Illustrated with 
engravings by L. Rousseau after designs by Myrbach. 16mo, 
full olive crushed levant morocco, Jansen style, inside dentelle 
borders, doublures and flys of crimson China silk, gilt edges, 
original WeDo bound in, by Rousselle. 

Paris: Alphonse Lemerre, 1893 
One of 50 copies on Japan paper. Etched portrait of the 
author, in proof state, inserted. 


22 


111. BOURGET (PAUL). Cosmopolis: Roman. Plates 
and vignettes by Duez, Jeannot et Myrbach, a few printed in 
colors. 8vo, full dark-green levant morocco, backs, panel and 
inside borders richly gilt-tooled, silk doublures and end-leaves, 
gilt edges, original printed wrappers bound in, by Affolter. 

Paris, 1893 


First EpiTion. One of only 25 copies on heavy paper. 
EXTRA-ILLUSTRATED with etched portrait of the author on China 


paper. 


112. BOURGET (PAUL). Pastels. Dix portraits de 
Femmes. Nouvelle édition, revue et corrigée par |’Auteur. 
Illustrations de Robaudi et Giraldon. Royal 8vo, full heht 
brown crushed levant morocco, floral inlaid back in compart- 
ments, cover ornamented with a ribbon panel of inlaid blue 
morocco from the top of which is suspended a miniature in 
imitation of ivory, with imitation gems in red inlays and gilt, 
the whole entwined with inlaid floral sprays, gilt inside bor- 
ders, doublures and flys of brocaded silk, gilt edges on the 
rough, original wrappers bound in, by Ruban. 

Paris: Librairie L. Conquet, 1895 
One of a limited issue on Large Japan paper, with the illus- 
trations by Robaudi and Giraldon printed in colors and re- 


touched by the artists. An etched portrait of the author, in 
proof state, is inserted. 


1138. BOURGET (PAUL). Outre-Mer (Notes sur 1’Amér- 
ique). 2 vols. 12mo, full blue crushed levant morocco, richly 
gilt-tooled sides, back and inside borders, doublures and flys 
of sky blue silk, gilt edges, uncut, original covers bound in, 
by Affolter. Paris, 1895 

First Epition. One of 15 copies printed on Whatman paper. 


Inserted is a finely etched portrait of the author by Louis 
Monzies. 


114. BOURGET (PAUL). Une Idylle Tragique. (Mceurs 
Cosmopolites). 12mo, full light brown levant morocco, gilt 
floral sprays in compartments on back, covers ornamented 
with intertwined rose sprays, with birds and butterflies, gilt 
inside borders, doublures and flys of green China silk, gilt 
edges on the rough, by Affolter. 

Paris: Alphonse Lemerre, 1896 


First Epirion. One of 10 copies on Whatman paper. <A 
proof portrait of the author is inserted. 


115. BOURGET (PAUL). Voyageuses. 12mo, full em- 
broidered silk, ornamental end-leaves and linings, gilt top, 
uncut, original wrappers bound in, by Durvand. 

Paris: Alphonse Lemerre, 1897 


First EpiItion. One of 5 copies on Japan paper. 
23 


116. BOURGET (PAUL). Complications Sentimentales. 
12mo, full blue crushed levant morocco, Jansen style, gilt in- 
side borders, doublures and flys of salmon China silk, gilt 
edges on the rough, original wrappers bound in, by Affolter.. 

Paris: Alphonse Lemerre, 1898 


First Epirion. One of 5 copies on Japan paper. 


117. BOURGET (PAUL). la Duchesse Bleue. 12mo, full 
light blue crushed levant morocco, Jansen style, gilt inside 
borders, doublures and flys of China silk, gilt edges on the 
rough, original wrappers bound in, by Affolter. 

Paris: Alphonse Lemerre, 1898 


First EpiTion. One of 50 copies on Holland paper. 


118. BOURGET (PAUL, Editor). Physiologie de 1’Amour 
Moderne. Fragments posthumes d’un ouvrage de Claude 
Larcher, recueillis et publiés par Paul Bourget, son exécuteur 
testamentaire. 12mo, full dark blue crushed levant morocco, 
Jansen style, gilt inside borders, doublures and ends of crim- 
son watered silk, gilt top, uncut, by Affolter. Paris, 1891 

First Eprrion. One of 100 copies on Holland paper. 


119. BRES (J. P.). Histoire des Quatre fils d’Aymon. 
Engraved title with hand-colored vignette and 4 hand-colored 
plates. 18mo, full green pressed morocco, with blind tooling 
of ecclesiastical design, rosette in centre, gilt edges (one sig- 
nature sprung), in morocco slip-case. 

Paris: Louis Janet, n. d. 


120. BRILLAT-SAVARIN (ANTHELME). Physiologie 
du Gout. Préface by Ch. Monselet. Illustrated with nwmer- 
ous fine etchings by Ad. Lalauze. 2 vols. 8vo, full crushed 
red levant morocco, gilt backs in compartments, gilt fillet bor- 
der, inside emblematic borders, doublures and flys of dark 
green moire silk, gilt edges on the rough, by Champs. 

Paris: Librairie des Bibliophiles, 1879 


One of 20 copies printed on Whatman paper, with portrait 
of Brillat-Savarin in two states, one proof before letters. 


121. BROGLIE (JACQUES VICTOR ALBERT, DUC 
DE). La Journée de Fontenoy. LHtched illustrations and 
vignettes by Adolphe and Alphonse Lalauze, printed in colors. 
Imperial 8vo, full blue crushed levant morocco, gilt inside bor- 
der, gilt edges, wrappers bound in, by Canape. Navarre, 1897 

One of 75 copies on Papier Vélin, with the etchings in two 
states, colored and plain. 


. 122. CABINET SATYRIQUE (LE), ou Recueil Parfaict 
des Vers Piquans et Gaillards de ce Temps, Tiré des Secrets 
Cabinets des Sieurs de Sigognes, Regnier, Motin, Berthelot, 
Maynard et autres, de plus signalez poétes du dix-septiéme 
siécle. Nouvelle édition compléte, revue et corrigée, avec 
Glossaire, Variantes, Notices biographiques, etc. 3 vols. 12mo, 


24 


full citron crushed levant morocco, gilt back in compartments, 
corners ornamented with heads of Satyrs, 3-fillet borders, in- 
side dentelle borders, gilt edges, by Rousselle. . 

Gand: Duquesne, 1859 


One of 7 copies printed on pink paper. EXTREMELY RARE. 


123. CAILLARD (PAUL). Les Chiens D’Arrét. Races 
Anglaises, Dressage, Hygiéne de Chenil. Illustrated with 12 
full-page chromo-lithograph plates after the original aquarelles 
by Olwier de Penne, and 50 vignettes. Oblong folio, half red 
levant morocco, gilt edges. Paris: J. Rothschild, 1890 

First Epirion. The chromo plates are mounted within bor- 


ders, on heavy plate paper, and the subjects are all designed 
from nature. With the Halsey bookplate. 


124. [CAMUSET (GEORGES).] Les Sonnets du Docteur. 
Deuxiéme Edition. Illustrated with 4 engravings by F. Rops 
and Emile Bayard, three of which are colored by hand, and 
facsemile letter of Charles Monselet. 8vo, full crimson crushed 
levant morocco, triple fillet borders in compartments on back, 
covers ornamented with two 5-fillet over-lapping borders, gilt 
inside borders, with emblems of quill pen, ink-stand and open 
book, marbled flys, with linings and doublures of green moire 
silk, gilt edges on the rough, original parchment wrappers 
bound in, by Durvand. | 

Paris: Chez la plupart des Libraires, 1888 


One of 100 copies on Japan paper. 


125. CARICATURES. Types Militaires. 136 very humour- 
ous coloured caricatures of the French, English, American, 
Italian, German, Belgian, Austrian, Dutch and other Armies. 
Par Draner [Jules Renard]. Folio, original portofolio 
boards. [Paris, 1862-70] 

VERY RARE. A work in which the characteristics of the vari- 
ous armies of Europe and America are depicted in a striking 
and most happy manner. In collected form and complete as 
the above, these well-known caricatures form a valuable series 
for the collector. 


126. ‘CATULLE. Odes a Lesbie et Epithalame de Thétis et 
Pélée. Notices par A. J. Pons. Jllustrations printed in color, 
and pages printed within sepra decorative borders, by Powrson. 
18mo, full crushed brown levant morocco, gilt floral sprays 
on back, small tooled centre ornament on covers, gilt inside 
borders, gilt edges, original wrappers bound in, by Rousselle. 

Chefs d’@uvre Antiques. Paris: Maison Quantin, 1889 


127. [CAZOTTE (JACQUES).] La‘Patte du Chat. Conte 
Zinzinois. 16mo, old mottled calf, gilt back, with the arms 
of Chevalier de Boufflers—Neufville stamped in gold in centre 
of each panel. A Tollooballa [Paris], 1741 

RaRE. Bound in with this volume is: ‘‘ Histoire nouvelle, 
dediée au genie du siecle; avec le relation d’une isle que 
personne n’a jamais vue, et ne verra jamais’’ (conte de fées). 
Ripsa [Paris] Babiole Colifichet, marchand de créme fouettée 
ete., 1746. (Bib. de 1’amour p. 569.) 


25 


128. CAZOTTE (JACQUES). Le Diable Amoureux. With 
hand-colored illustrations by Marold and Mittis. 18mo, full 
crushed citron levant morocco, gilt floral spray on back, small 
tooled centre ornament on covers, gilt inside and outside 
borders, gilt top, uncut, original wrappers bound in. 

‘«Petite Collection Guillaume.’? Paris: E. Dentu, 1892 


129. CERVANTES (MIGUEL DE). Don Quixote. A 
collection of 31 clever allustrations (including portrat of 
Cervantes) after D. Chodowiech, engraved by D. Berger, 
all brilliant unlettered proofs. Small 4to, original boards, 
uncut (back damaged). n, ‘p., 117921780 

The Beckford copy sold in 1901 for £12. 


130. CERVANTES (MIGUEL DE). Les Principales 
Avantures de l’admirable Don Quichote, represéntées en 
figures par Coypel, Picart le Romain et autres habiles maitres ; 
avec les explications de XX XI planches de cette magnifique 
collection, tirées de l’original espagnol de Miguel de Cervantes. 
31 beautiful plates representing the most remarkable or amus- 
ang situations in which “el ingenioso Hidalgo’’ got himself 
wvolved, engraved after the designs of C. Coypel, N. Cochin, 
FF’, Boucher and others, by B. Picart, J. V. Schley, Fokke and 
Tanjé. Folio, old French calf, gilt. (rubbed). 

La Haye: Pierre de Hondt, 1746 
LARGE PAPER copy. First issue of this edition, with the 


plates before numbers, all fine impressions, (‘‘Superb illustra- 
tions. A much-sought volume.’ ’—Cohen.) 


131. CERVANTES (MIGUEL DE). Rinconéte et Corta- 
dillo. Nouvelle. Traduction et Notes de Louis Viardot. 67 
dwlustrations by H. Atalaya. Imperial 8vo, full dark blue 
crushed levant morocco, finely tooled in the style of Derome 
with small birds and floral scrolls, doublures of orange mo- 
rocco, gilt dentelle borders, gilt edges, wrappers bound in, 


by Rousselle. Paris, 1891: 
One of 25 copies on Japan paper, with a proof set of the 
illustrations without the text, and a brilliantly executed water- 
color drawing by Atalya on the half-title. Inserted is an en- 

graved portrait of the author, proof on India paper. 


132. CERVANTES (MIGUEL DE). La Jitanilla. Traduc- 
tion de Jacques Soldanelle. Jllustrations by Concom and 
Marold, hand-colored vignette on title-page. 18mo, full 
salmon crushed levant morocco, gilt floral spray on back, 
small tooled cover designs, gilt inside and outside borders, 
gilt edges, original wrappers bound in. Paris: E. Dentu, 1892 


‘‘Petite Collection Guillaume. ’’ 


133. CHAMFORT (S. R. N. DE). Pensées, Maximes, 
Anecdotes, Dialogues. Précédés de 1’Histoire de Chamfort 
par P. J. Stahl. 12mo, full polished calf, gilt back, gilt inside 
and outside borders, canary edges, by F. Bedford. 

Paris: Michel Lévy Fréres, n. d. 


26 


134. CHAMISSO (ADELBERT DE). Pierre Schlémihl. 
Full-page and vignette illustrations by Marold and Mittis. 
18mo, full green crushed levant morocco, gilt floral sprays 
on back, tooled.centre ornament on covers, gilt inside borders, 
gilt top, uncut, original wrappers bound in. 

‘‘Petite Collection Guillaume.’? Paris: E. Dentu, 1893 


135. CHAMPFLEURY (JULES FLEURY-HUSSON dit). 
Monsieur de Boisdhyver. Avec 4 eaux-fortes dessinées et 
gravées par Amand Gautier. 12mo, half red morocco, gilt 
top, uncut, original covers bound in. Paris, 1860: 

One of a few copies on Holland paper. Presentation copy 


from the author, with his autograph inscription on the half- 
title. The Ch. Nadar copy, with bookplate. 


136. CHAMPFLEURY (JULES FLEURY-HUSSON).. Le 
Violon de Faience. Illustrated with etchings by M. J. Adeline 
and designs in colors, by Emile Renard. 8vo, full crimson 
crushed levant morocco, Jansen style, inside dentelle borders, 
doublures and flys of green China silk, gilt edges on the rough, 
original wrappers bound in, by Durvand. 

Paris: E. Dentu, 1877 


First EpItTIon with these illustrations, on Papier Vélin. A 
proof etched portrait of the author is inserted. 


137. CHAMPFLEURY (JULES FLEURY-HUSSON). Le 
Violon de Faience. Nouvelle Edition. Jllustrée de 34 eausx- 
fortes de Jules Adeline. Avant propos de l’auteur. 8vo, full 
erushed blue levant morocco, gilt frame with fan-shaped cor- 
ner ornaments, enclosing violin inlaid in white and blue 
morocco on front cover, back cover with medallion similarly 
inlaid, double line inside borders, doublures and flys of silk, 
gilt edges, uncut. Signed on front cover. R. Raparlier. In 
watered silk wrappers. Paris: Conquet, 1885 

Bound in with the above is: La Légende du Violon de 
Faience, par Jules Adeline. Illustrée de 8 eauxfortes originales 
de l’auteur. Paris: Conquet, 1895. Hach volume is one of 150 
copies on Japan paper. Fifteen of the illustrations have been 
finely colored by hand. 


138. CHANSONS FOLLES. Etched title by Henry Somm. 
12mo, full crushed salmon levant morocco, gilt back, with 
jester’s wand in 5 compartments, covers richly tooled and 
inlaid with appropriate emblems in gilt, inlaid borders in 
black, centre inlaid design of guitar, tambourine, music and 
clarinet, in brown, red, cream and black inlays, gilt inside 
borders, doublures and flys of brocaded silk, gilt edges on 
the rough, by Ruban. [Evreux: Charles Herissey, 1887 | 


One of 75 copies printed on Japan paper. Contains 67 
ORIGINAL WATER-COLOR DRAWINGS BY DRANER, executed on mar- 
gins, with autograph note by him on last page. 


as 


1389. CHANTS et Chansons Populaires de La France. 
{Avec des notices par MM. Paul Lacroix, Le Roux de Liney 
et Dumersan.| Jilustrations by M. EH. de Beaumont, Boilly, 
Daubsgny, Dubouloz, and others. First Epirion. 3 vols. 
royal 8vo, half green levant morocco, gilt tops, by David. 

Paris: Delloye, 1843 
The F. R. Halsey copy with bookplate. 


140. CHARRON (PIERRE). De la Sagesse. Trois Livres. 
Engraved frontispiece. 12mo, full crimson crushed levant 
morocco, Jansen style, gilt over marbled edges, by Trautz- 
Bauzonnet. A Leide: Chez Jean Elsevier, n. d. 


A handsome copy of the edition without date, which is rarer 
and more highly esteemed than the issue of 1646. The Jules 
Janin copy, with his bookplate. 


141. CHATEAUBRIAND (FRANCOIS RENE, VICOMTE 
DE). Les Natchez. 8vo, full green polished calf, gilt back 
in compartments, handsomely tooled covers, gilt panel, central 
cartouche, with blind and gilt borders, gilt inside borders, gilt 
edges, by Messier. Paris: Lefevre, 1831 

First EDITIon. 


142. CHATEAUBRIAND (FRANCOIS RENE, VICOMTE 
DE). Atala. Illustrations by Gambard, Marold and Rosst. 
18mo, full crushed light blue levant morocco, gilt floral spray 
on back, small tooled centre ornament on covers, gilt inside 
-and outside borders, gilt edges, original wrappers bound in. 

‘‘Petite Collection Guillaume.’’? Paris: E. Dentu, 1892 


148. CHATEAUBRIAND. Les Aventures du Dernier 
Abencerage. Portrait d’aprés David D’Angers, interprété - 
par Florian, 43 wlustrations de Damel Vierge gravées par 
Florian. Imp. 8vo, full crushed dark red levant morocco, 
-eovers differently ornamented with gilt and blind toolings, 
with inlays of maroon and brown in ecclessiastical style, front 
cover having two heraldic shields, inside gilt interlaced borders 
_and panel of green levant, marbled flys with lining, gilt edges, 
vaneut, original covers bound in, by Lortic. 

Paris: Pelletan, 1897 


One of 50 copies on Japan paper, with the illustrations in 
two states, proofs before and after letters, both on Japan 
paper. EXTRA-ILLUSTRATED by the insertion of an extra set of 
the plates on China paper, proofs before letters; the half- 
title is in four states. 


144. CHENIER (ANDRE). CHuvres poétiques. Avec une 
“notice et des notes. Portrait, etched by Rajon. 3 vols. 16mo, 
‘full blue crushed levant morocco, gilt lines on panels, gilt 
-tooled back and inside borders, gilt edges, by Marius Michel. 

Paris, 1874 

One of 35 copies printed on China paper, with the portrait 

of Chenier in two states; in black and in sanguine. The F. R. 
Halsey copy, with bookplate in each volume. 


28 


145. CHENIER (ANDRE). (CHuvres Poétiques. Publiées 
avec une Introduction et des Notes par Eugéne Manuel. 8vo, 
full green crushed levant morocco, gilt back in compartments, 
gilt inside and outside borders, gilt edges on the rough, by 
Cuzin. Paris: Librairie des Bibliophiles, 1884 


LARGE PAPER copy, one of 15 printed on Whatman paper. 
With etched portrait of the author in two states, one proof 
before letters. 


146. [CHEVIGNE (COMTE DE).] Les Contes Rémois. 
Illustrated with engraved portrait and vignettes on wood 
after designs of E. Meissomer. Third edition. 8vo, full blue 
crushed levant morocco, gilt back in compartments, triple 
fillet border on covers, gilt inside borders, gilt edges, by 
Chambolle-Duru. Paris: Michel Lévy Fréres, 1858 


First edition with the Meissonier illustrations. Engraved 
portrait of Meissonier, by Brebant after Regnault, on Japan 
paper, inserted, also the set of 30 engraved plates by Perlet, 
issued with the second edition. 


147. CHINESE TALES. La Matrone du Pays de Soung. 
Les Deux Jumelles (Contes Chinois). Avec Preface par E. 
Legrand. 24 allustrations, each in three states (2 being in 
colors, one before letters). 8vo, full green levant morocco, 
back and both sides inlaid with bamboo frames, mask, 
lanterns, birds and flowers, in various colors, inside ‘borders 
gilt with Chinese characters, doublures and end-leaves of 
colored Chinese crepe paper, gilt edges, by R. Raparlier. 

Paris: A Lahure, 1884 
One of fifty copies printed throughout on Imperial Japan 
paper. 


148. CLARETIE (JULES). Elisa Mercoeur. With etched 
frontispiece by G. Staal. 16mo, board sides, olive levant mo- 
rocco back, uncut, original wrappers bound in. 

Paris: Librairie de Mme. Bachelin-Deflorenne, 1864 


149. CLARETIE (JULES). La Canne de M. Michelet. 
Promenades et Souvenirs. Préface par Alfred Méziéres. 12 
illustrations by P. Jazet etched by R. Toussaint. 8vo, full 
erimson crushed levant morocco, gilt border, doublures of 
brown levant morocco, gilt tooled line and scroll decoration, 
brocade silk end leaves, gilt edges, wrappers bound in, by 
Affolter. Paris, 1886 


One of 150 copies on Large Japan paper, with the plates in 
two states. 


150. CLARETIE (JULES). Le Drapeau. Frontispiece 
and vignettes etched by Francesco Clapes from designs by 
Kauffman. Each etching is in three states, outline, before 
letters, and finished. One of the vignettes appears in text. 
8vo, full crimson crushed levant morocco, backs and sides 


29 


eilt-tooled with interlaced triple lines, flags, and wreaths, 
doublures of blue levant, with handsome panels, blue silk flys, 
cilt edges, original wrappers bound in, by Lortic. Paris, 1886 


One of 225 copies on large Papier Vélin du Marais. 


151. CLARETIE (JULES). Bouddha. Frontispiece and 
10 vignette designs by Robauds, etched by A. Nargeot. 16mo, 
full crimson crushed levant morocco, figure of Buddha in 
brown morocco inlaid on front panel, inside borders gilt-tooled 
in Chinese characters, gilt edges, original wrappers bound in, 

Paris, 1888 


JAPAN PAPER EDITION, only about 75 copies printed. Por- 
trait of the author etched by Toussaint, on Japan paper, in- 
serted. 


152. CLARETIE (JULES). Monsieur le Ministre. Diz 
compositions par Adrien Marie, gravées a l’eau-forte par Wal- 
let. Edition nouvelle, avec une Préface inédits. Imp. 8vo, 
full crimson crushed levant morocco, gilt back, with fleurons 
in compartments, covers richly tooled with wide ornamental 
silt borders, gilt inside borders, gilt edges, original wrappers 
bound in, by Rousselle. | Paris: Maison Quantin [1888] 

LARGE PAPER copy. One of 50 copies on Japan paper, with 
the etchings in two states. Two proof portraits of the author 
on Japan paper are inserted. 

1538. CLARETIE (JULES). Brichanteau, Comédien. 12mo, 
full crushed green levant morocco, gilt back in compartments, 
with emblem of Jester’s wand, handsome gilt panel with 
Jester’s wands on corners, gilt outer and inside borders, doub- 
lures and flys of brown China silk, gilt edges on the rough, 
original wrappers bound in, by Affolter. 


Paris: Bibliotheque-Charpentier, 1896 
First Epition. One of 30 copies on Holland paper. Etched 
portrait of the author inserted. 


154. CLAUDIN (GUSTAVE). Méry. Sa Vie Intime, 
anecdotique et littéraire. Htched frontispiece by G. Stall. 
16mo, board sides, morocco back, uncut, original wrappers 
bound in. Paris: Librairie Bachelin-Deflorenne, 1868 

Collection du Bibliophile Francaise. 


155. CLERY (J. B.). Journal de ce qui s’est passé a la 
Tour du Temple, pendant la Captivité de Louis XVI, Roi de 
France. View and plan of'the Temple. 8vo, fine old straight- 
erain green morocco, gilt and blind-tooled back, in compart- 
ments, covers with gilt panel, blind and gilt tooling, corner 


ornaments, with fleurs-de-lys, gilt inside borders and corner 


ornaments, doublures and flys of lavender watered silk, gilt 
edges. A Londres, de 1’Imprimerie de Baylis, 1798 
RARE EpitTion. Inserted are portraits of Louis XVI, Marie 
Antoinette, and the author. A 2 pp. A. L. 8. from Elizabeth 
Foster, Duchess of Devonshire, to the Abbe Tournay, and a 
1 p. A. L. S. of H. Dorrien, referring to the present copy, 
which was presented to the Abbe by the Duchess, through the 

Duke of Richmond, are also inserted. 


30 


156. COLLECTION DES CLASSIQUES FRANCAIS. 
Bossuet. Discours sur |’histoire universelle. 2 vols.; Flechier. 
Oraisons Funebres; La Rochefoucauld. Maximes; Marsilon. 
Petit Caréme; Parny. Cuvres; Pascal. Pensées; Lettres a un 
Provincial. 3 vols. 5 portraits engraved by Barthelemy 
Roger. ‘Together 9 vols. 8vo, half brown levant morocco, gilt 
backs, gilt tops, uncut, by Bertrand. Paris: Lefevre, 1824.27 


Vélin papier copies. HXTRA-ILLUSTRATED by the insertion of 
9 portraits engraved by Savart, Rigaud, Hopwood, Pauquet, 
ete., some of which are in 2 states and on India paper. The 
F. R. Halsey copies, with bookplate in each volume. 


157. COLORED PLATES. Les Souvenirs et Les Regrets 
de Vieil Amateur Dramatique, ou Lettres d’un Oncle a son 
Neveu sur l’ancien Théatre Francais. 49 fine hand-colored 
plates, containing about 100 figures of French actors as char- 
acters in the drama. 8vo, full polished green levant morocco, 
cilt lettered back, gilt tooled inside borders, gilt edges, origi- 
nal wrappers bound in. Paris, 1861 


The bibliographies call for only 47 plates. Copies with the 
full number (49) are seldom seen. 


158. COPPEE (FRANCOIS). Rivales. Jllustrations de 
Moisand, gravées par Ruffe. 16mo, full blue crushed levant 
morocco, Jansen style, gilt inside borders, gilt edges, original 
covers bound in, by Emile Rousselle. — Paris, 1893 

First Epirion. One of 30 copies on Japan paper. Inserted 
is a portrait of Coppée, etched by H. Toussaint. 

159. COPPEE (FRANCOIS). Rivales. Woodcut vignettes 
by Ruffe, from illustrations by Moisand. 16mo, half straight- 
grain morocco, edges uncut, by Durvand. 

Paris: Alphonse Lemerre, 1893 


First Epirion. One of only 30 copies on Japan paper, with 
wide margins. 


160. CORNEILLE (PIERRE). Cinna, ou la Clemence 
d’Auguste. Tragédie. Hngraved frontispiece. 4to, full crim- 
son levant morocco, Jansen style, gilt borders, gilt edges, by 
Duru (1859). 

Imprimé a Rouen aux despens de l’auteur, et se vendent a 
Paris, chez Toussainct Quinet, 1643. 


_ Furst Epirion. Fine copy. The Guy Pellion copy with 
bookplate. It sold for 1,010 francs in 1882 (Le Petit p. 156). 


161. CORNEILLE (PIERRE). Le Menteur, Comedie. 
Small 4to, boards, cloth back, leather labels. 

Imprimé a Roiien, & se vend a Paris, chez Antoine de Som- 
maville et A. Courbé, 1644. 


First EpItion. 


162. CORNEILLE (PIERRE). La Suite du Menteur, . 
Comedie. Small 4to, boards, cloth back, leather label, uncut. 

Imprimé a Roiien, & se vend a Paris, chez Antoine de Som- 
maville, et A. Courbé, 1645. : 


First EDITIon. 
31 


163. CORNEILLE (PIERRE). La Toison d’Or, tragedie. 
Representée par la Troupe Royale du Marests, chez Mr. le 
Marquis de Sourdeac et son Chasteau der Neuf bourg, pour 
réjouissance publique du Mariage du Roy et de la Paix avec 
L’Espagne & en suite sur le Theatre Royal du Marests. 12mo, 
full red crushed levant morocco, Jansen style, gilt inside bor- 
ders, gilt edges. 

Imprimée a Rouen, et se vend a Paris chez A. Courbé et G. 
Luyne, 1661. 


The RARE First EDITION. 


164. CORNEILLE (PIERRE). (Cé£uvres de P. Corneille, 
avee les notes de tous commentateurs [édition redigée par 
M. L. Parelle|]. 12 vols. 8vo, half brown crushed levant mo- 
rocco, gilt tooled backs, gilt tops, uneut, by Bertrand. 

Paris: Lefévre, 1824 


Large Papier Vélin copy. EXTRA-ILLUSTRATED by the inser- 
tion of 9 portraits of Corneille (two of which are on India 
paper (engraved by St. Aubin, Simonet, Ficquet, Hopwood, 
Taurel and others. 23 plates after Moreau, engraved by Bosq, 
Berthet, Petit, Ribault, Roger et Simonet and the rare plate 
by Proudhon ‘‘Le Portement de la Croix’’ from the 1817 edi- 
tion. The F. R. Halsey copy, with bookplate in each volume. 


165. COSTUMES. Observations sur les Modes et les usages 
de Paris, pour servir d’Explication aux Caricatures, publiées 
sous le titre de Bon Genre. 115 finely colored plates after 
Carle Vernet, Bosio Lanté, Dutailly, etc., engraved by Gatine 
and Schencker. 4to, half morocco, gilt top, uneut (slip 
pasted on title). Paris, 1822 


“EXTREMELY RARE. One of the most interesting collections 
of caricatures ever issued. They represent the Parisians dane- 
ing at the coulisses, playing games—some of these rather curi- 
ous—shopping, paying visits, at the toilette, ete., and include 
many amusing representations of English people. In Mor- 
gand’s Catalogue of 1887 an edition of 1827 (three years later 
than present copy) is priced at 2200 frances. The F. R. Halsey 
copy, with bookplate. An extra plate, No. 11, has been inserted. 


166. COSTUMES. Vernet (Carle). Collection de Cos- 
tumes [Militaires et autres]. Ouvrage commencé en 1814. 
57 full-page plates engraved by Debucourt after Vernet, finely 
colored (one of which is uncolored). Folio, half crushed mo- 
rocco. Paris: Bance, n. d. 


Very Scarce. The Declous copy, containing only 50 plates, 
sold for 2110 franes. 


167. COURRIER FACETIEUX (LE). Ou Recueil des 
meilleurs Rencontres de ce temps. Frontispiece. Small 8vo, 
full crimson levant morocco, lined sides, richly gilt floral back, 
gilt inside dentelles, gilt edges, by Hardy. 

Lyon: Paul Burckhardt, 1647 


First EDITION. VERY RARE. This edition, dated 1647, is 
three years earlier than the so-called first edition mentioned 
by Brunet and Graesse. The ‘‘Permission’’ is dated May 9, 
1647. The R. S. Turner copy, with bookplate. 


32 


168. CREBILLON (PROSPER JOLYOT DE). (uvres 
de Crébillon, avee les notes de tous les commentateurs. Edi- 
tion publi¢ée par M. Parrelle. Portrait. 2 vols. 8vo, half 
brown crushed levant morocco, gilt-tooled backs, gilt tops, 
uncut, by Bertrand. | Paris: Lefévre, 1828 


Large Papier Vélin copy. EXTRA-ILLUSTRATED by the inser- 
tion of 2 portraits of Crebillon, one engraved by Hopwood on 
India paper, the other engraved by Ficquet. The F. R. Halsey 
copy, with bookplate in each volume. 


169. DAUDET (ALPHONSE). Jack. Mceurs Contem- 
poraines. 2 vols. 12mo, full crimson crushed levant morocco, 
eilt panels, backs, and inside borders, silk doublures and end- 
leaves, gilt edges, original yellow wrappers bound in, by 
Affolter. Paris: EK. Dentu, 1876 


First Epition. Etched portrait of the author, by H. Tous- 
saint, inserted. 


170. DAUDET (ALPHONSE). Numa Roumestan, Meurs 
Parisiennes. 12mo, full brown crushed levant morocco, Jan- 
sen style, gilt inside borders, blue watered silk doublures and 
ends, gilt edges, uncut, original covers bound in, by Affolter. 

Paris, 1881 


First Epirion. One of 275 copies on Holland paper. 


“171. DAUDET (ALPHONSE). Contes choisis. Avec 7 
eaux-fortes par E. Burnand. 8vo, full crimson crushed levant 
morocco, gold lines on sides with scrolls at corners, back richly 
tooled in compartments, gilt inside borders, doublures and 
flys of fine floreated silk tapestry, gilt edges, uncut, original 
covers bound in, by Emile Rousselle. 

Paris: Librairie des Bibliophiles, 1883 


EpITIon Jouaust. One of 25 copies printed on China paper, 
with the etchings in two states, proofs before and after letters. 


172. DAUDET (ALPHONSE). L’Evangéliste, roman 
parisien. 12mo, full maroon crushed levant morocco Jansen 
style, gilt inside borders, light blue watered silk doublures 
and ends, gilt edges, uncut, original covers bound in, by 
Affolter. Paris, 1883 

First Epirion. One of a few copies printed on Holland 
paper. ; 


173. DAUDET (ALPHONSE). Fromont Jeune et Risler 
Ainé; mceurs parisiennes. Notice littéraire par Gustave Gef- 
froy. 12 compositions de Km. Bayard, gravées a l’eauforte 
par J. Massard. 2 vols. 8vo, full brown crushed levant mo- 
rocco, the sides with ornamental borders in compartments, 
with floral scrolls, back and inside borders gilt tooled, doub- 
lures and flys of embroidered silk, gilt edges, original covers 
bound in, by P. Ruban. Paris: Conquet, 1885 


One of 150 on large Japan paper, with the illustrations in 
two states, proofs before and after letters. Inserted is a 
portrait of Alphonse Daudet, etched, by H. Toussaint. 


33 


174. DAUDET (ALPHONSE). la Défense de Tarascon. 
16 illustrations after Draner, colored by hand. 12mo, full 
deep orange crushed levant morocco, gilt line border, green 
dragon in center of front cover, and red flower on back cover, 
green silk lining, gilt edges, wrapper bound in. With extra 
red silk cover. Paris, 1886 


One of 300 copies printed privately on Japan paper. With 
presentation inscription by the editor, L. Conquet. Etched 
portrait inserted. 


175. DAUDET (ALPHONSE). Tartarin sur les Alpes. 
Illustré par Aranda, de Beaumont, Montenard, de Myrbach, 
Rossi. 12mo, full crimson crushed levant morocco, triple line 
sides, gilt tooled back and inside borders, gilt edges, original 
covers bound in, by Emile Rousselle. Paris, 1886 


Edition Guillaume. One of 50 copies on Japan paper. In- 
serted is a portrait of Daudet etched by H. Toussaint. 


176. DAUDET (ALPHONSE). Tartarin de Tarascon. 
Many woodcut vignettes from designs by Girardet, Moniegut 
and others. 12mo, full crimson crushed levant morocco, gilt 
lines on sides, gilt tooled back and inside borders, gilt edges, 
original colored wrappers bound in, by Rousselle. 

Paris: Marpon et Flammarion, 1887 


JAPAN PAPER EDITION, only 100 copies printed. Etched por- 
trait by Dubouchet inserted. 


177. DAUDET (ALPHONSE). The 50 original designs 
for Sapho, of the Charpentier-Quantin edition, issued by the 
Compagnie générale d’impression et d’édition, in 1888. Ten 
are full-page wash-drawings by Rejchan (one of which is finely 
colored), and 40 are head- and tail-pieces, initials, culs de 
lamps, etc., both India ink and wash-drawings by G. Mon- 
taigut. Bound in a folio volume, full blue crushed levant 
morocco, with intertwined leaf sprays forming panels, gilt- 
tooled back, inside dentelle borders, gilt edges, by Emile Rous- 
selle. (Paris, 1888] 

Laid in is a fine portrait of Daudet on India paper, proof 
before all letters. 


178. DAUDET (ALPHONSE). Sapho: Mceurs Parisiennes. 
Diz illustrations de Rejchan, gravées a l’eau-forte par E. Abot 
et A. Duvivier, vignettes dans le texte par G. Montagut. Im- 
perial 8vo, full blue crushed levant morocco, gilt back in com- 
partments, ornamented on covers with panel of overlapping 
and entwined leaf sprays, inside dentelle border, gilt edges on 
the rough, original wrappers bound in, by Rousselle. 

Paris: Collection Charpentier, 1888 


One of 50 copies on LARGE JAPAN PAPER, with the vignettes 
printed in color on India paper; the etchings in two states, 
one of which is colored by hand. A proof portrait of the au- 
thor by Toussaint is inserted, and throughout the volume are 
21 ORIGINAL WATER-COLOR DRAWINGS, BY PAUL JAZET, in his 
best style. 


34 


179. DAUDET (ALPHONSE). Trente ans de Paris. A 
Travers ma Vie et mes Livres. Woodcut vignettes by Bieler, 
Montegut, Myrbach and others. 12mo, full brown crushed 
levant morocco, gilt inside borders, gilt edges, by Affolter. 

Paris: Marpon et Flammarion, 1888 
First EpiTion. Japan Paper copy, one of only 125 issued. 


180. DAUDET (ALPHONSE). Trente ans de Paris, a 
Travers ma Vie et mes Livres. Woodcut vignettes by Bieler, 
Montegut, Myrbach, and others. 12mo, full green crushed 
levant morocco, gilt-tooled sides, back and inside borders, 
leather doublures and end leaves, gilt top, uncut, by Zaehns- 
dorf. Paris, 1888 

Edition limited to 125 copies printed on Japan paper. Has | 
original colored wrappers bound in. ; 


181. DAUDET (ALPHONSE). Souvenirs d’un Homme 
de Lettres. Illustrations engraved by Ch. Guillaume after 
designs of Bieler, Montegut, Myrbach et Rossi. 12mo, full 
erushed crimson levant morocco, gilt back in compartments, 
triple fillet border on covers, gilt inside borders, doublures 
and flys of green moire silk, gilt edges, original wrappers 
bound in, by Rousselle. 

Paris: C. Marpon et E. Flammarion [1888] 


First Epirion. One of 50 copies on Large Japan paper. An 
etched portrait of the author, by Toussaint, in remarque proof 
state, is inserted. 


182. DAUDET (ALPHONSE). L’Immortel; meceurs 
parisiennes. Jllustrations de Bieler, Montegut, Myrbach et 
Rossi. 12mo, full green crushed levant morocco, Jansen style, 
gilt inside borders, crimson watered silk doublures and ends, 
gilt edges, uncut, original covers bound in, by Affolter. 

Paris, 1890 


Collection Guillaume. One of 25 copies on J apan paper. 


183. DAUDET (ALPHONSE). L’Arlésienne. Piéce en 
cing tableaux. Full-page and vignette wlustrations by Gam- 
bard et Marold. 18mo, full crushed maroon levant morocco, 
eilt floral sprays on back; tooled centre ornament on covers, 
gilt inside borders, gilt top, uncut, original wrappers bound 
in. | Paris: E. Dentu, 1892 


*“Petite Collection Guillaume. ’’ 


184. DAUDET (ALPHONSE). Rose et Ninette. Mceurs 
du Jour. Frontispiece by Marold, and vignette on title. 
12mo, full light blue crushed levant morocco, Jansen style, 
gilt inside borders, doublures and flys of salmon China silk, 
gilt edges on the rough, original wrappers bound in, by 
Affolter. Paris: Librairie E. Flammarion, n. d. [1892] 


First Epirion. One of 25 copies on Large Japan paper. 
. 35 


185. DAUDET (ALPHONSE). La Petite Paroisse: Mceurs 
Conjugales. 8vo, full blue levant morocco, Jansen style, gilt 
inside borders, doublures and flys of crimson moire silk, gilt 
edges on the rough, original wrappers bound in, by Affolter. 

Paris: Alphonse Lemerre, 1895 


First EDITION. One of 10 copies on Whatman paper. Etched 
portrait of the author, by Toussaint, remarque proof, inserted. 


186. DAUDET (ALPHONSE). Le Trésor d’Arlatan. 
Illustrations [en couleurs| de H. Laurent-Desrouseauc. 
12mo, full dark brown crushed levant morocco, Jansen style, 
erimson watered silk doublures and ends, gilt edges, uncut, 
original illustrated covers bound in, by Affolter. Paris, 1897 

One of 45 copies on Japan paper. 


187. DAUDET (ALPHONSE). Soutiens de Famille; 
moeurs contemporaines. 12mo, full green crushed levant mo- 
rocco, Jansen style, gilt inside borders, crimson watered silk 
doublures and ends, gilt edges, uncut, original covers bound 
in, by Affolter. Paris, 1898 


First EpitTion. One of 100 copies on Holland paper. 


188. DAUDET (ALPHONSE). Lettres de mon Moulin. 
Illustrations de José Roy et G. Fraipont. Royal 4to, full 
crushed crimson levant morocco, richly gilt sides and back of 
lines, scrolls, dots and insects, doublures and ends of floreated 
silk tapestry, wide gilt inside borders, gilt edges, uncut, 
original covers bound in, by Affolter. Paris, 1904 


One of 75 copies on Large Japan Paper, with the full-page 
plates in two states, both in color. 


189. DAUDET (ALPHONSE). La Comtesse Irma. Illus- 
trations et gravures en couleurs de Pierre Vidal. Imp. 8vo, 
full blue crushed levant morocco, gilt back in compartments, 
4-fillet border on covers, corner ornaments, doublures of gray 
levant morocco with richly tooled panel and borders, frosted 
end leaves with brocaded silk lnings, gilt edges, ongge 
wrappers bound in, by Affolter. ; 

Paris: Librairie de la Collection des Dix, n. d. 


One of 20 copies on Large Japan Paper, with the etchings 
in three states, two of which are remarque proofs, colored and 
uncolored. The etchings in the text are also hand-colored. 


190. DAUDET (LEON). Un Sauvetage. Illustrations de 
Ch. Fouqueray reproduites en couleurs par Fortier-Marotte. 
8vo, original covers, uncut. Paris: Collection des Dix [1907] 

_ One of 10 copies on Japan paper, with the illustrations in two 
states, black and colored. 


191. DAVID (FRANCOIS-ANNE). Histoire de Russie, 
représentée par figures accompagnées d’un precis historique 
par Blin de Sainmore. Worth 48 fine plates after Monnet, 


36 


engraved by David (proofs before letters). 3 vols. 4to, con- 
temporary Spanish calf, gilt, gilt edges. Paris, 1797-1806 


First Epirion. Large copy printed on Papier Vélin. The 
present copy bears imprint on the first volume two years earlier 
than that mentioned by Brunet, Graesse, Cohen and other 
bibliographers. The F. R. Halsey copy, with bookplate in each 
volume, Vol. II contains also the bookplate of Emmanuél 
Barberot D’autel. 


192. DAVILLIER (BARON CH.). L’Espagne. Illustrée 
de 309 gravures dessinées sur bois par Gustave Doré. Folio 
full orange crushed levant morocco, 4 filet border, gilt back 
and inside borders, uncut, gilt top, by Zaehnsdorf. Paris, 1874. 


One of a few copies printed on China paper. The F. R. 
Halsey copy, with bookplate. 


1938. DAYOT (ARMAND). Napoleon. Raconté par 1’Image 
d’aprés les Sculpteurs, les Graveurs et les Peintres. Nwmer- 
ous tllustrations. Small folio, full crushed green levant mo- 
roceo, with gilt filleted borders, each corner having the > 
crowned letter ‘‘N’’ and four royal bees, repeated twice on 
the back, inside dentelle borders, doublures and flys of green 
watered silk, gilt over uncut edges, original covers bound in, 
by Canape. Paris, 1895 


One of a few copies printed on China paper. 


194. DAYOT (ARMAND). L’?Image dela Femme. Numer- 
ous woodcuts, some im tints. Imp. 8vo, full blue crushed 
levant morocco, triple line on sides, back gilt tooled in com- 
partments, doublures of brown crushed levant, with gilt 
ornamental borders inlaid in blue morocco, gilt garlands and 
insects, flys of floreated silk, gilt edges, uncut, original vellum 
covers bound in, by Chambolle-Duru. [Paris], 1899 


One of 10 copies on Japan paper. 


195. DE BANVILLE (THEODORE). Gringoire. Comédie 
en un Acte, en Prose. Portrait and 14 plates by J. Wagrez, 
etched by L. Boisson. Royal 8vo, full crimson crushed levant 
morocco, doublures of blue levant gilt tooled in a Grolieresque 
pattern of interlacing fillets and floral scrolls, blue silk end 
leaves, gilt edges, by Affolter. Paris, 1899 


One of 30 copies on Japan paper, with the plates in three 
states. This copy printed for M. V. Renault. 


196. DE BANVILLE (THEODORE). Gringoire. Comédie 
en un Acte, en Prose. Portrait and 14 plates by J. Wagrez, 
etched by L. Bowson. Royal 8vo, full dark blue crushed 
levant morocco, narrow border panels formed by crossing 
double horizontal and perpendicular lines, with decorative 
tools in the corners, doublures of light brown levant morocco, 
gilt tooled gargoyle in the center, surrounded by blind and 
gilt circular and straight lines interspersed with gilt fleurons, 


blue silk end leaves, gilt edges, by Lortic. Paris, 1899 
One of 30 copies on Japan paper, with the plates in three 
states. . 


30 


197. DE BANVILLE (THEODORE). Les Princesses. 
Compositions de Georges Rochegrosse, gravées a l’eau-forte 
par E. Decisy. Royal 8vo, full dark blue crushed levant 
morocco, gilt interlacing fillet forming border, doublures of 
brown levant morocco, “with a rich conventional pattern of 
interlacing bands of dark brown morocco forming a large 
diamond and circles, and elaborate gilt floreated scrolls, blue 
silk end leaves, gilt edges, by Chambolle-Duru. Paris, 1904 

One of 20 copies on Japan paper, with the plates in three 
states, unfinished proof, remarque proof, and proof after letters, 


and a beautiful WATER-COLOR DRAWING by ROCHEGROSSE on the 
fly-leaf. 


198. DELORME (HUGUES). Quais et Trottoirs. Jllus- 
trated with 18 lithographs in colors by Heidbrinck. Royal 
8vo, full green levant morocco, gilt back in compartments, 3- 
fillet borders, doublures of maroon levant morocco, gilt panel 
with corner ornaments, flys of brocaded silk, gilt edges on 
the rough, original wrappers bound in, by Affolter. 

Paris: Imprime pour les cent Bibliophiles, 1898 
One of 115 copies. 


199. [DELORME (RENE).] Le Cabaret des Trois Vertus. 
Illustrations de Damel Vierge, gravées par Clement Bellenger. 
Small folio, cloth, leather label, uncut, original wrappers 
bound in. Paris: Librairie Ch. Tallandier, n. d. 

One of a limited issue on ‘‘ Perfection’’ paper. 


200. DELVAU (ALFRED). Les Cythéres Parisiennes. 
Histoire anecdotique de Bals de Paris. Avec 24 eaux-fortes 
et un frontispice de Felicien Rops et Emile Therond. 12mo, 
full crushed rose levant morocco, with emblematical tooling 
in the center of each cover, gilt inside borders, doublures and 
flys of silk, gilt edges, original covers bound in, by Ch. 
Meunier. Paris, 1864 


First Epirion. Scarce. Contains a frontispiece and 17 vi- 
gnettes etched by Rops, and 7 other etchings by Therond, all 
proofs before letters on India paper. 


201. DELVAU (ALFRED). Gérard de Nerval. Sa Vie et 
ses CHuvres. Frontispiece etching by G. Staal. 16mo, board 
sides, morocco back, uncut, original wrappers bound in. 

Paris: Librairie de Mme. Bachelin-Deflorenne, 1865 


Collection du Bibliophile Frangaise. 


202. DELVAU (ALFRED). Henry Murger at la Bohéme. 
Frontispiece etching by G. Staal. 16mo, board sides, levant 
morocco back, uncut, original wrappers bound in. 

Paris: Librairie de Mme. Bachelin-Deflorenne, 1866 


Collection du Bibliophile Frangaise. 
38 


203. DELVAU (ALFRED). Collection des romans de 
chevalerie ; mis.en prose francaise moderne, avec illustrations. 
Numerous woodcut headpreces and wmtials. 4 vols. imp. 8vo, 
full crimson straight-grain morocco, with gilt vizor and 
plumes in centre of the front cover, repeated on the back, gilt 
inside borders, doublures and ends of blue silk, gilt edges, 
original covers bound in, by Affolter. Paris, 1869 

Among the stories it contains are: Aucassin et Nicolette, 


Le Chevalier de la Mer; La Princesse de Trebisond; Le Roman 
de la Rose; Les Princes de 1’Amour, etc. 


204. DEMOUSTIER (C. A.). Lettres & Emilie sur La 
Mythologie. Engraved portrait, and the exquisite series of 
plates by Delvaux after the designs by Moreau, PROOFS BEFORE 
LETTERS. 2 vols. 8vo, full crimson levant morocco, gilt back 
in compartments, fillet and dentelle border on covers, marbled 
flys, doublures and linings of green moire silk, gilt edges on 
the rough, by Chambolle-Duru. 

Paris: Chez Ant. Aug. Renouard, 1809 


Choice copy of this esteemed work, on Grand Papier Vélin. 


205. [DENON (BARON VIVANT).] Point de Lende- 
main: Conte. Illustrated with 13 etchings by Paul Avril. 
8vo, full light brown crushed levant morocco, gilt compart- 
ments on back, covers ornamented with handsome scroll and 
floral panels, with festoons, love-birds, ete., gilt inside borders 
of floral festoons, doublures and flys of embroidered silk, gilt 
edges on the rough, original wrappers bound in, by Raparlier. 

Paris: Librairie P. Rouquette, 1889 


One of 13 copies on Large Japan paper, with the etchings in 
four states, one of which is colored by hand. Opposite the 
portrait is a charming ORIGINAL WATER-COLOR DRAWING by 
Avril. This work has been suppressed on several occasions by 
the government. | 


206. DESCARTES (RENE). Méditations Métaphysiques. 
| Notice sur l’auteur, par M. Michelot.] Engraved portrait by 
Bertonnier after Frans Hals. 12mo, full polished brown ealf. 

Paris: Renouard, 1825 


Fine little edition of Descartes’ two chief works. Bound in 
is his ‘‘Discours de la Methode.’? 


207. DESCAVES (LUCIEN). Flingot. Compositions et 
gravures a l’eau forte de Georges Jeanniot. Royal 8vo, origi- 
nal paper wrappers, uncut. Paris, 1907 


One of 10 copies printed on Japan paper, with the etchings 
in three states. 


208. DESGRANGES (J. POISLE). Rouget de Lisle et la 
Marseillaise. Frontispiece etching by G. Staal. 16mo, board 
side, levant morocco back, uncut, original wrappers bound in. 

Paris: Librairie de Mme. Bachelin-Deflorenne, 1864 
Collection du Bibliophile Frangais. 


39 


209. DE STAAL. Mémoires de Madame De Staal-De 
Launay. Avec une Préface par Mme. Le Baronne Double. 
Full-page etchings and numerous text vignettes, by Ad. La- 
lauze, in two states, proofs and before letters. Thick 8vo, full 
dark-blue crushed levant morocco, gilt-tooled with frame of 
scrolls on sides, tooled back and inside borders, doublures and 
fly-leaves of figured silk, gilt over rough edges, original printed 
wrappers bound in, by Lortie. Paris, 1890 


LIMITED LARGE PAPER EDITION, one of 50 copies on Papier 
Vélin de Cuve. EXTRA-ILLUSTRATED WITH WATER-COLOR DRAW- 
ING BY LALAUZE on half-title. 


210. DEYEUX (THEOPHILE). Le Vieux Chasseur. 
Illustrated with 53 lithograph plates by Benard. Royal 8vo, 
half calf (some pp. foxed). [Paris]: Houdaille, 1837 


Keepsake Edition. In this copy Plate 48 is wanting, but 
there are two copies of plate 49, and two un-numbered plates. 


211. D’EYLAC. la Bibliophile en 1891-1892; 1893; 1894. 
[Par Monsieur le Baron A. de Claye.| 3 vols. square 8vo, full 
crushed crimson levant morocco, triple line borders, gilt backs 
and inside borders, doublures and ends of green watered silk, 
silt edges, uncut, original covers bound in, by Emile Rousselle. 

Paris, 1893-1895 


One of 300 copies issued on Holland paper, of which only 
220 copies were for sale. Inserted is an etched portrait of the 
author. 


212. DIABLE A PARIS (LE). Paris et les Parisiens. 
Mceurs et Coutumes, Caractéres et portraits de habitants de 
Paris, ete. Texte par MM. George Sand, Charles Nodier, De 
Balzac, Gérard de Nerval, Arséne Houssaye, and others. 
Illustrated with several hundred wood engravings by Gavarnt. 
2 vols. royal 8vo, morocco back, cloth sides, gilt edges. 

Paris: Publie par J. Hetzel, 1845-46 . 


Fine clean copy of the First EDITION. 


213. [DICKENS (CHARLES).] De Heussey (Robert Du 
P.). L’Inimitable Boz: Etude Historique et Anecdotique sur 
la vie et l’ceeuvre de Charles Dickens. Portrat frontispiece 
and title vignette. Royal 8vo, half crimson levant morocco, 
gilt back, gilt top, uncut, by Blackwell. 

Paris: Maison Quantin, 1889 


LiMiTED EpITION. Only 25 copies printed on Japan paper. 
This is number one. 


214. DIDEROT (DENIS). Le Neveu de Rameau, Satire 
par Denis Diderot. Revue sur les textes originaux et annotée 
par Maurice Tourneaux. Portrait et illustrations par F. A. 
Milius. 8vo, full blue crushed levant morocco, triple line 
borders, gilt tooled back and inside borders, gilt edges, uncut, 
original covers bound in, by Reyman. Paris: Rouquette, 1884 


One of 350 copies printed on Papier Vergé, with the portrait. 
and etchings in two states, proofs before and after letters. 


40 


215. DIDEROT (DENIS). Jacques le fataliste et son 
Maitre. 12 dessins de Maurice Leloir gravés a l’eaw forte par 
Courtry, De Los Rios, Mongin, Teyssonniéres. Imperial 8vo, 
full blue crushed levant morocco Jansen style, doublures of 
eitron levant with richly gilt-tooled border in the manner of 
Derome, gilt edges, by Louise Reymann. 

Paris: Imprimé pour Les Amis des Livres, 1884 


One of 130 copies on Japan paper, for subscribers, with the 
plates in two, three and four states. 


216. DIDEROT (DENIS). La Religieuse. Illustrated with 
etchings by P. Arnould after P. Kauffmann. 18mo, cloth, 
leather label, gilt top, uncut. Paris :/P.\Arnould, nv d. 


With an etched portrait of the author by Epp ped after 
Vanloo, inserted. 


217. DIEHL (CHARLES). Théodora, Impératrice de 
Byzance. Illustrations [en couleurs| de Manuel Orazv. 
Square 8vo, full brown crushed levant morocco, back and 
sides richly gilt tooled, doublures of light brown morocco 
richly gilt and blind-tooled, flys of brown ribbed silk, gilt 
edges, uncut, eye covers bound in, by Lortie. 

Paris: Edition d’Art, 1904 


Peondiiity illustrated in colors. One of 30 copies on Japan 
paper, with an extra set of the illustrations in black on Japan 
paper, proofs before letters. 


218. DINET (E.). Rabia el Kouloub; ou, Le Printemps 
des Ceeurs. Légendes Sahariennes Recueilles par Sliman-Ben- 
Ibrahim. Traduites et Illustrées par E. Dinet. Plates and 
decorations in gold and colors. Square 8vo, full lavender 
erushed levant morocco, inlaid with bands of white and orange 
morocco terminating in heart-shaped ornaments in the corners, 
doublure of white morocco, with an inlaid Arabesque design 
of yellow, gray, purple, green, blue and red morocco, pink 
figured silk end-leaves, gilt edges, with an extra limp lavender 
morocco cover, by Affolter. [Paris], 1902’ 


L’Edition d’Art, printed on Japan paper, limited. An extra 
set of the uncolored plates bound in at the end. 


219. DINET (E.). Mlirages. Scénes de la Vie Arabe. 
Compositions [en couleurs| de EK. Dinet, commentées par 
Sliman Ben Ibraham. Royal 8vo, full dark olive crushed 
levant morocco, Jansen style, doublures of rose crushed levant. 
with arabesque border and centerpiece inlaid with five differ- 
ent colors of morocco, flys of silk tapestry, gilt edges, uncut,. 
original covers bound in, by Affolter. With wrappers of olive 
levant morocco triple line on side, gilt tooled. In a slip-case. 

Paris: Edition d’Art [1906] 
CHARMINGLY ILLUSTRATED IN COLORS. One of 40 copies om 
Japan paper, with an extra set of the illustrations in black. 


41 


220. DIX-NEUVIEME SIECLE (LE). Les Mceurs—Les 
Arts—Les Idées. With numerous woodcuts in the text and 
full-page wlustrations, some in tints, of portraits, historical 
scenes, etc. Imp. 8vo, full olive crushed levant morocco, triple 
line on sides, back gilt-tooled in compartments, doublures of 
maroon crushed levant morocco with richly tooled ornamental 
borders, marbled flies with lining of brocaded silk, gilt edges, 
voriginal vellum covers bound in, by Chambolle-Duru. 


One of only 10 copies on Japan paper. Paris, 1901 


221. DORAT (CLAUDE JOSEPH). Les Baisers, précedés 
du Mois de Mai, Poeme. Frontispiece, flewron on title, 23 
vignettes, and 22 culs-de-lampe, engraved by Aliamet, Baquoy, 
Binet, Delaunay, Lingée, De Longeuitl, Masquelier, Massard, 
Né and Ponce after Eisen and Mariller. 8vo, old polished 
green French morocco, back and sides gilt-tooled, gilt inside 
‘borders, gilt edges (a few margins slightly stained). 

La Haye, 1770 

Large Holland paper copy. First issue, with the title in red, 

and with the misprinted pages, having the fine impressions of 

the engravings only to be found when the book is ‘in that 

state. Styled by Cohen as the masterpiece of the 18th cen- 

tury; while he terms the engravings: ‘‘ravissantes illustra- 
tions.’’ The F. R. Halsey copy, with bookplate. 


222. DORAT (JOSEPH). Fables Nouvelles. With the 
exquisite series of full-page plates and vignettes by De Ghent, 
Delauney, Arrivet, Baquoy, de Longueil, Masquelier and 
others, after designs by Marillier. 2 vols. in one, tall 8vo, full 
dark blue polished levant morocco, gilt back in compartments, 
covers ornamented after the style of Derome, doublures of 
orange levant morocco, gilt panel, gilt over marbled edges, by 
Cuzin, with slip case and cover. 

A la Haye, et se trouve a Paris: Chez Delalain, 1773 
A HANDSOME COPY OF THE First ISSUE OF THE ORIGINAL EDI- 
TION, ON LARGE PAPER, MEASURING 232 MM., WITH THE ILLUS- 


TRATIONS IN BRILLIANT STATE. From the Library of F. 
Gauthier, with his engraved bookplate. RARE. 


223. D’ORLEANS (HENRI). la Bataille de Rocroy. 
Frontispiece, portrait, and 8 plates engraved by Adolphe La- 
lauze and printed in colors after the originals by Alphonse 
_Lalauze. Imperial 8vo, full red crushed levant morocco, gilt 
fleurons and three double lines forming an artistic border, 
richly gilt back, gilt inside border lines with floral tooling 
in the corners, green moiré silk doublure and end leaves, gilt 
top, uncut, original wrappers bound in, by Bretault, with 
extra half morocco cover and ease. Paris, 1899 


One of 104 copies on papier vélin du Marais, with the plates 
in two states, plain and colored. 


42 


224. DOUCET (JEROME). Anacréon. (Introduction et 
pieces choisies). Jllustré de 8 compositions de Lows-Edouard’ 
Fourmer, eaux-fortes de Pennequin. Royal 8vo, original 
wrappers, uncut. Paris: Librairie des Amateurs, 1903. 


One of 50 copies on Japan paper, with the illustrations in 
two states, one remarque proof, colored by hand. 


225. DOUCET (JEROME). Notre Ami Pierrot. Douze- 
Pantomimes. Profusely illustrated by Louis Morin. Folio, 
full brown levant morocco, back ornamented with grotesque 
masks of Pierrot, in compartments, triple fillet border on 
covers, doublure of azure levant morocco, inlaid with mask of 
Pierrot and crescent moon, and studded with silver stars, flys: 
of decorative paper, linings of brocaded silk, gilt edges, origi- 
nal wrappers bound in, by Affolter. 

Paris: Librairie Paul Ollendorff, n. d.. 
One of a special edition of 20 copies on Japan paper, signed 


by the author. The plates are in three states; one with text,,. 
hand-colored, one on Japan paper, and one on China paper. 


226. DREUX DU RADIER. L’Europe illustre, contenant 
l’Histoire abrégée des Ministres des grands Capitaines, des 
Magistrats, des Savants, des Artistes, et des Dames célébres: . 
en Europe, dans le XVe siécle, compris jusqu’a present. 
Ouvrage enrichi de portraits gravés par les soins du sieur 
Odieuvre. 6 vols. royal 8vo, contemporary ealf, gold lines on 
sides, gilt backs and inside borders, gilt edges (edges slightly 
worn). Paris: Odieuvre et Le Breton, 1755-65 


First Epition. Large 8vo copy. This collection contains 
600 portraits of eminent persons of various nations engraved 
by Ficquet, Lepicié, Schmidt, Fessard, Dupin, Roy, Edelnik, 
Sornique and many others, English Sovereigns after Vertue by 
Basan, from the commencement of the fifteenth century. With» 
good impressions of the plates and large margins. The Mat- 
thew Anderson—F. R. Halsey copy, with bookplate in each 
volume. 


227. DROZ (GUSTAVE). Monsieur, Madame & Bébé.. 
Etched frontispiece portrat of the author in proof state by: 
Leopold Flameng and numerous dallustrations by Edmond 
Morin. Imp. 8vo, full blue crushed levant morocco, gilt back- 
in compartments, covers with richly gilt corner ornaments, 
pointillé and fillet intersecting borders, doublures of citron 
levant morocco, gilt corner ornaments, with inlay borders of 
blue morocco, marbled flys, brocaded silk linings, gilt edges. 
on the rough, original wrappers bound in, by Ruban. 

Paris: Victor Havard, 1878 
One of 50 copies on Large China paper. 


228. DU CAMP (MAXIME). Une Histoire d’Amour. 
Portrait engraved by A. Lamotte and 8 illustrations by: 
Blanchard, engraved by Buland. 12mo, full orange crushed’ 


43 


levant morocco, gilt floral scolloped border, gilt inside border, 
flowered silk lining, gilt edges, original wrappers bound in, 


by Rousselle. Paris, 1888 
One of 200 copies on Japan paper, with the plates in three 
states. : 


229. DULAURENS (HENRI JOSEPH). Le Compére 
Matthiéu, ou les Bigarrures de l1’Esprit Humain. Illustrated 
with proof impressions of the plates by Chasselat, before 
letters. 3 vols. 8vo, full straight-grain morocco, gilt back, 
gilt inside and outside borders, gilt edges, by Bozeraine, jeune. 

Paris: Petris, 1796 


LARGE PAPIER VELIN COPY. VERY RARE. This work was con- 
demned and suppressed by the government. 


230. DUMAS (ALEXANDRE). Histoire d’un Casse- 
Noisette. Illustrations by Bertall. 2 vols. 12mo, original 
wrappers, uncut, each volume encased in China silk covers, 
and the two volumes enclosed in a green levant box, fashioned 
like a book, gilt inside borders, China silk doublures and 
lining, by Carayon. Paris: Puble par J. Hetzel, 1845 


First EpITIoN. Very fine copy. 


231. DUMAS (ALEXANDRE). Hermine—L’Amazone. . — 


“Small 4to, half crushed light blue levant morocco, original 
covers bound in, uncut edges, by Fontaine. Paris, 1888 
One of 25 copies on Japan paper. EXTRA-ILLUSTRATED with 


22 original water-color paintings, beautifully executed by H. 
P. Dillon. The F. R. Halsey copy, with bookplate. 


232. DUMAS (ALEXANDRE). Les Trois Mousquetaires, 
avee une lettre d’Alexandre Dumas fils. Compositions de 
Maurice Lelow et gravures sur bots de J. Huyot. 2 vols. 
imperial 8vo, full brown crushed levant morocco front panel 
with a strapwork design inlaid with bands of red morocco, a 
fleur-de-lys inlaid in the centre and twice repeated on the 
back, with crowned ‘‘L’’ and crowned monogram ‘‘A.V.,’’ at 
the corners and back, back panel with a similar design, gilt 
inside borders, gilt edges, uncut, original covers bound in, by 
S. David. Paris, 1894 


EDITION DE GRANDE LUXE. One of 150 copies on China paper. 


233. DUMAS (ALEXANDRE). Le Chevalier de Maison’ 
Rouge. Htchings by Gery-Bichard, woodcuts by Léveillé, 
after the designs of Julien Le Blant. 2 vols. imperial 8vo, 
full crushed maroon levant morocco, covers and back gilt- 
tooled with diamond design of heavy and stipple gilt lines, 
gilt inside borders, doublures and ends of brocaded silk, gilt 
over uncut edges, original covers bound in, by P. R. Raparlier. 

Paris: Emile Testard, 1894 


One of 35 copies on China paper (extra fort). The full-page 

- illustrations are in four states, remarque proofs both finished 
and in outline, proofs in bistre, and lettered impressions. 
The woodcuts in two states, proofs before and after letters. 
Inserted are 4 fine portraits by Deveria, Hopwood and Porreau 
(2 of which are on India paper). 


44 


234. DUMAS (ALEXANDRE). La Dame de Monsoreau. 
250 compositions de Maurice Leloir, gravées sur bois par 
J. Huyot. 2 vols. imp. 8vo, full blue crushed levant morocco 
with wide ornamental borders, corner and side compartments 
containing an emblematic double cross, doublures of maroon 
erushed levant, richly ornamented in gold, moire silk flys, 
gilt edges, uncut, original covers bound in, by Affolter. 

Paris, 1903 
EDITION DE GRANDE LuxE. One of 100 copies printed on 


China paper, with a duplicate set of the illustrations, proofs 
before letters. 


235. DUMAS (ALEXANDRE, Fils). Affaire Clemenceau— 
Memoire de l’Accusé. 8vo, half cloth, original yellow covers 
bound in, uncut edges. Paris: Michel Lévy Fréres, 1866 


First EDITIon. 


236. DUMAS (ALEXANDRE, Fils). Monsieur Alphonse. 
Piéce en Trois Actes. Tall 8vo, full brown crushed levant 
morocco, Jansen style, 10-fillet inside borders, marbled flys, 
doublures and linings of hght green gros grain silk, gilt edges 
on the rough, by Canape. Paris: Michel Lévy Fréres, 1874 

First EDITION. One of 5 copies on LARGE CHINA PAPER. 
Autograph presentation copy from the author, with inscription 


on half-title. Etched remarque proof portrait of the author 
by Toussaint, inserted. 


237. DUMAS (ALEXANDRE, Fils). Ilka: Pile ou Face. 
Souvenir de jeunesse. Le Songe d’une nuit d’été. Au Docteur 
J. P***, TJllustrated by Marold. 12mo, full blue levant mo- 
rocco, Jansen style, inside dentelle borders, doublures and 
flys of light blue China silk, gilt edges, original wrappers 
bound in, by Affolter. Paris: Calmann Lévy, 1896 


First Epirion. One of 125 copies on China paper. 


238. DUMAS (ALEXANDRE Fils). Péchés de Jeunesse. 
8vo, full blue straight-grain morocco, chastely gilt-tooled 
with broad borders on both panels, back in compartments, 
doublures and flys of yellow silk, gilt edges and inside 
borders, uncut, original covers bound in, by Canape. 

| Paris: Felleus et Dufour, 1847 


First Epirion. Inserted is a portrait of the author, etched 
by H. Toussaint. Fine copy. 


239. DUMAS (ALEXANDRE, Fils). La Dame aux 
Camélias. Préface de Jules Janin. Vignette on title and 
20 full-page woodcut-illustrations by Gavarm. Royal 8vo, 
half morocco, gilt back, gilt top, uncut. Paris: Havard, 1858 

First ILLUSTRATED EpiTion. The F. R. Halsey copy, with 
bookplate. 


45 


240. DUMAS (ALEXANDRE, Fils). L’Ami des Femmes, 
comédie en cing actes, en prose. 8vo, full brown crushed 
levant morocco, covers ornamented with gilt panel of lozenge 
design, with conventional figures in spaces, gilt inside borders, 
doublures and ends of brown watered silk, gilt edges. 

Paris: Cadot, 1864 


First EpiTion. Presentation copy from the author to 
Madame E. Doré with autograph inscription on the half-title. 


241. DUMAS (ALEXANDRE, Fils). Affaire Clemenceau— 
Memoire de l’Accuse. Imp. 8vo, full crushed maroon levant 
morocco, triple line border, gilt back and inside borders, gilt 
top, uncut edges, by Allo. Paris, 1866 


First EDITION. Special Edition of 100 copies printed on 
Grand papier de Hollande. 


242, DUMAS (ALEXANDRE Fils). L’Etrangére. Comédie 
en Cing Actes. Royal 8vo, half cloth, edges uncut, original 
glazed wrappers bound in. Paris: Calmann Levy, 1877 


SPECIAL EDITION, only 40 copies printed on Holland paper. 
‘HAS THE AUTOGRAPH SIGNATURE OF THE AUTHOR ON FLY-LEAF. 


248. DUMAS (ALEXANDRE, Fils). Un Cas de rupture. 
Illustrations [en couleurs| page a page par Eugene Courbow. 
Royal 4to, full blue crushed levant morocco, Jansen style, 
doublures of citron levant morocco with gilt dentelle border, 
oilt edges, original covers bound in, by Emile Rousselle. 

Paris: Quantin, 1892 


One of 40 copies on Large Japan paper, with the 100: finely 
colored illustrations in two states, in black before letters and 
in colors after letters. Published under the direction of Octave 
Uzanne. EXTRA-ILLUSTRATED by the insertion of a portrait of 
Dumas Fils etched by H. Toussaint and 8 OF THE ORIGINAL PEN- 


CIL AND PEN-AND-INK DRAWINGS BY E. CouRBOIN of the illus- 


trations contained in the book. 


244. DURER (ALBERT). Céuvre... reproduit et publié 
par Armand Durand; texte par Georges Duplessis. 108 dlus- 
trations on hand-made paper, mounted. Folio. In a cloth 
portfolio. Paris: Amand-Durand. [1857] 

The F. R. Halsey copy with bookplate. 


245. DURUY (VICTOR). Histoire des Romains, depuis 
les temps les plus reculés jusqu’a |l’invasion des Barbares. 
Nouvelle édition, revue et augmentée. Hmnrichie d’environ 
38,000 gravures dessinées d’aprés l’antique et de 100 cartes 
ou plans. 7 vols. imp. 8vo, full maroon crushed levant mo- 
rocco, gilt-tooled interlaced borders forming a central panel, 
gilt lined backs and inside borders, doublures and ends of 
green watered silk, gilt edges, original covers bound in, by 
Chambolle-Duru. Paris: Hachette, 1879-1885 


One of a small number printed on China paper. 
46 


EAE Sr ates neg actiocen ie 


GON, 


ee 


sate 


CLEOPATRE 


DS DE; 


Un Nu! 
| Number 


S) 


TIER’ 


GAU 


14] 


3 


246. DURUY (VICTOR). Histoire des Grecs, depnis les 
temps les plus reculés jusqu’a la réduction de la Gréce en 
province Romaine. Nouvelle édition revue, augmentée. 
Enriche d’environ 2,000 gravures dessinées d’apres l’antique 
et 50 cartes ou plans. 3 vols. imp. 8vo, full green crushed 
levant morocco, gilt interlaced borders forming a central 
panel, gilt lined backs and inside borders, doublures and end 
leaves of red watered silk, gilt edges, original covers bound 
in, by Chambolle-Duru. Paris: Hachette, 1887-1889 


One of a small number printed on China paper. 


247. EAU-FORTE EN 1875 (L’). Quarante Eaux-Fortes 
original et inédites par quarante des artistes les plus dis- 
tingués. Texte par Ph. Burty. 40 very fine etchings by forty 
of the best French etchers. Royal folio. In a portfolio. 

Paris: Cadart, 1875 

Artist’s copy, signed by the editor, with the impressions on 
thin Japan paper (mounted). A volume which fully repre- 
sents the standard of etching then attained in France. The 


drawings are full of spirit and of charm, and exhibit original- 
ity of thought. The F. R. Halsey copy, with bookplate. 


248. ENGRAVING. [L’Art de la gravure en taille douce, 
en maniere noire, gravure en pierres, maniere de crayon, sur 
fines medailles en cachets.| 79 full-page plates of fine engrav- 
ings. Folio, panelled calf, gilt, gilt edges, by Riviére and Son. 

N. p., Ded. 


249. ESPARBES (GEORGES D’.). La Légende de 
L’Aigle. Compositions de Francois Thévenot, gravées par 
Florian et Romagnol. Royal 8vo, handsomely bound in full 
straight-grain green levant morocco, with broad gilt-tooled 
ornamental borders, gilt back in compartments, gilt inside 
borders, doublures and flys of rose watered silk, gilt over un- 
cut edges, original covers bound in, by Canape R. D. [ Relieur- 
Doreur |. Paris: Collection des Dix, 1901 

One of 25 copies on China paper, with two extra sets of the 


woodcuts; one on China paper, the other printed by hand on 
Japan paper called ‘‘ pelure.’’ 


250. FABRE (FERDINAND). L’Abbé Tigrane, Candidat 
ala Papauté. Portrait after J. P. Laurens and 20 original 
etchings by E. Rudaux. 8vo, full purple crushed levant mo- 
rocco, gilt back in compartments, covers ornamented with a 
tooled cross in scroll designs, triple fillet borders, inside den- 
telle borders, doublures and flys of lavender moire silk, gilt 
edges, original wrappers bound in, by Rousselle. 

Paris: Librairie L. Conquet, 1890 


One of 150 copies on Large Japan paper, with the etchings 
in two states. 


47 


251. FABRE (FERDINAND). Sylviane. Jllustrations 
de George Roux, gravées sur bois par Baud et Hamel. 8vo, 
full crushed orange levant morocco with inlaid floral decora- 
tion in various colors of morocco, also birds and insects, gilt 
inside borders, silk tapestry doublures and flys, uncut edges, 
original covers bound in, by P. Ruban, 1894. Paris, 1892 


One of 40 copies on China paper, with some of the full-page 
illustrations in two states, in black and bistre. 


252. FAERNUS (GABRIEL). les Fables de Faérne. 
Traduites en vers Francois, par M. Perrault. Illustrated with 
fine woodcut vignettes and tail-pieces. 16mo, old sheep (slight 
tear in one leaf). 

A Amsterdam: Chez Gerard Onder de Linden, 1718 


Clean copy of the Second Perrault translation of these noted 
Fables. 


253. FAVRE (M. DE). Les Quatre Heures de la Toilette 
des Dames, Poéme Erotique en Quatre Chants. Frontispiece, 
vignette, 4 plates and 4 tail-pieces engraved by Arrwet, Hal- 
bou, Legrand, Leroy, and Patas after Leclerc. Royal 8vo, 
full blue levant morocco, gilt back in compartments, triple 
fillet borders, gilt inside borders, rich embroidered silk doub- 
lures and flys, gilt edges on the rough, by Chambolle-Duru. 

Paris: Chez Jean-Francois Bastien, 1779 


One of the tail-pieces contains a portrait of the Princess de 
Lamballe. 


254. FELLENS (CH.). Les Droits du Seigneur sous la 
Féodalité. Droits de Jambage, Cuissage, Main morte, Bor- 
delier, ete. With numerous vignettes (which were prohibited 
in 1877). 2 vols. 12mo, cloth, original covers bound in, uncut 
edges. Paris: Lambert, 1882 


255. FEMINIES. MHuit chapitres inédits dévoués a la 
Femme, a |’Amour, a la Beauté. Par Gyp, Abel Hermant, 
Henri Lavedan, Marcel Sewob & Octave Uzanne. Illustrated 
with frontispieces in colors after Félicien Rops. Royal 8vo, 
full salmon crushed levant morocco, gilt back, gilt borders on 
covers, marbled flys, brocaded silk linings, doublures of green 
levant morocco, inlaid carnations of lavender morocco, with 
outer borders of blue inlaid morocco, gilt edges on the rough, 
original wrappers bound in, by Meunier, with special half 
levant limp cover. 

Paris: Imprime pour les Bibliophiles Contemporains, 1896 


One of a small number of copies on Japan paper, issued to 
members. There is a duplicate set of the plates, uncolored, and 
the pages are printed within decorative borders of various tints. 


256. FENELON (FRANCOIS DE LA MOTTE). les 
Aventures de Télémaque, avec des notes géographiques et 
litteraires. Portrait and map. CK&uvres Diverses. 3 vols. 8vo, 


48 


* 


half brown crushed levant morocco, gilt-tooled backs, gilt 
tops, uncut, by Bertrand. Paris: Lefevre, 1824 


Large Papier Vélin copy. EXTRA-ILLUSTRATED by the in- 
sertion of 27 plates, viz.: 3 portraits of Fénélon engraved by 
St. Aubin, Delvaux and Savart, and 24 plates after Moreau 
the younger engraved by Simonet De Ghendt, Girardet, etc., 
from the Renouard edition. The F. R. Halsey copy, with book- 
plate in each volume. 


257. FENELON (FRANCOIS DE LA MOTTE). Les 
Aventures de Télémaque. Fragment du livre premier, mis 
en vers francais par Fr.-Cl. Chenu. 16mo, full green calf, 
oilt inside borders, gilt edges, uncut, by Trautz-Bauzonnet. 

Paris, 1854 


Vignette on title. Only 25 copies were issued of this frag- 

- ment by the son of the translator to be distributed among his 

intimate friends. None for sale. The F. R. Halsey copy, with 
bookplate. : 


258. FERTIAULT (F.). Les Amoureux du Livre. Son- 
nets d’un Bibliophile, Fantaisies, Commandements du Bibtio- 
phile, Bibliophiliana, Notes et Anecdotes. Préface du Bibtio- 
phile Jacob (Paul Lacroix). 16 eaux-fortes du Jules Chevrier. 
8vo, full crimson crushed levant morocco, gilt-tooled dentelle 
borders on the sides, gilt back and inside borders, gilt edges, 
uneut, by Emile Rousselle. Paris: Claudin, 1877 


First Epirion. Limited. EXxTRA-ILLUSTRATED by the inser- 
tion of a set of the full-page illustrations on Japan paper, 
proofs before letters, an ORIGINAL FRONTISPIECE drawn in pen- 
and-ink by Més and the portraits of Fertiault and the Due 
D’Aumale, both on Japan paper. 


299. FEUILLET (OCTAVE). Julia de Tréceur. Illus- 
trated with frontispiece and 15 vignettes engraved by Clapés 
after Henriot. 12mo, full ight blue crushed levant morocco, 
eilt and floral inlays in compartments on back, front cover 
ornamented with rococo design and inlaid floral sprays, inside 
dentelle border, doublures and flys of blue moire paper, gilt 
edges on the rough, original wrappers bound in, by Raparlier. 

Paris: Calmann Lévy, 1885 


One of 225 copies on Papier Vélin du Marais, with the etch- 
ings in three states. 


260. FEUILLET (OCTAVE). Le Village. Scéne Pro- 
vineiale. Préface de Mme. Octave Feuillet. Portrait, full- 
page plate and 2 vignettes, by Boisson. 8vo, full crimson 
erushed levant morocco, triple fillet borders, doublures of 
dark blue levant morocco, richly tooled panel, with corner 
ornaments, blue China silk flys, gilt edges on the rough, origi- 
nal wrappers bound in, by Affolter. 

Aux Dépens de la Socidté Normande du Livre Tilustré, 1901 

One of 143 copies on Papier V élin. 


49 


261. FEVAL (PAUL HENRI CORETIN). Le Premier 
amour de Charles Nodier. Illustrations de H. Vogel gravées 
sur bois par E. Florian. Avant-propos de Maurice Tourneux. 
12mo, full crushed olive levant morocco, sides with gilt-tooled 
ornamental border of lines and scrolls, doublures of brown 
erushed levant morocco, gilt lines, scrolls and floral sprays, 
flys of floreated silk tapestry, gilt edges, uncut, original covers 
bound in, by Affolter. Paris: Rouquette, 1900 


One of only 150 copies printed, with a duplicate set of the 
illustrations, proofs before letters on India paper. 


262. FIEVEE (JOSEPH). la Dot de Suzette (ou His- 
toire de Mme de Senneterre, racontée par elle-méme), avec 
notice biographique inédite. Illustrations by V. Foulquser in 
3 states, artist’s proofs, and proofs before and after letters. 
8vo, boards, roan back, uncut, original covers bound in. 

Paris, 1892 


One of 115 copies printed for the Société des Amis des 
Livres. 


263. FLAUBERT (GUSTAVE). Madame Bovary, Meeurs 
de Province. 12 etchings by Abot and Mordant, after designs 
by Albert Fourie, each plate in two states. Small 4to, full 
erimson crushed levant morocco, panels and back gilt tooled 
with floral sprays, gilt inside border, gilt edges, by Rousselle. 

Paris: Quantin, 1885 


EDITION EN GRAND ForRMAT, limited to 100 copies 0n Japan 
paper. HKXTRA-ILLUSTRATED by the insertion of 6 full-page 
water-color drawings by Més, and 7 etchings on China paper 
by Boilvin. 


264. FLAUBERT (GUSTAVE). Hérodias. Compositions 
de Georges Rochegrosse gravées a l’eau-forte par Champollion. 
Préface par Anatole France. 8vo, full green crushed levant 
morocco, Jansen style, doublures of dark brown levant mo- 
rocco, with elaborate Egyptian design, composed of 9 different 
colored moroccos, flys of silk tapestry, gilt edges on the rough, 
original covers bound in, by David. 

Paris: Librairie des Aiateums 1892 
One of 20 copies on Grand Papier du Japon, with the etch- 
ings in three states, and an original water-color drawing by 


-Rochegrosse on leaf preceding the half-title. A Proof etched 
portrait of Flaubert by Toussaint, is inserted. 


265. FLAUBERT (GUSTAVE). Un Cceur Simple. 
Illustré de vingt-trois compositions par Emile Adam, gravées 
a l’eau-forte par Champollion. Préface par A. de Claye. 
Royal 8vo, full ight blue crushed levant morocco, Jansen 
style, doublures of citron levant morocco, with chiselled de- 
sign of poppies, daisies and bluets on inside front cover, that 


50 


on the back cover being sprays of poppies, flys of silk tapestry, 
rough gilt edges, original wrappers bound in, by Raparlier. 
Paris: Librairie des Amateurs, 1894 
One of 20 copies on Grand Papier du Japon with the etch- 
ings in three states. On blank leaf preceding the half-title is 
an ORIGINAL WATER-COLOR DRAWING BY EMILE ADAM, signed. 
An etched portrait by Monzies, on India paper has been 
inserted. 


266. FLAUBERT (GUSTAVE). la Legende de Saint 
Julien |’Hospitalier. Préface par Marcel Schwob. JKiched 
portrait of the author, in two states, by Toussaint, and original 
water-color by L. O. Merson, inserted. With the 26 text allus- 
trations by Merson, each wn three states, two being remarque 
proofs (one unfinished). Royal 8vo, full calf, hunting design 
ehiselled on front cover, with deer head, arrow, acorns, oak 
leaves, dagger, &c., all very finely wrought in centre panel, gilt 
lined inside borders, doublures and flys of gros-grain silk, gilt 
edges, bound by Leon Gruel. With plush-lined cover and 
ease. Paris, 1895 

Large Japan Paper copy, number 3 of only 200 issued. 


267. FLAUBERT (GUSTAVE). A Bord de la Cange. 
Neuf compositions de A. Robaudi, gravées a l’eau-forte par C. 
Chessa. 12mo, full dark blue levant morocco, gilt back in 
compartments, triple gilt fillet borders, doublures of crimson 
erushed levant morocco, with handsome gilt-tooled frame, bro- 
eaded silk flys, full gilt edges, original wrappers bound in, by 
Affolter. Paris: Librairie des Amateurs, 1904 


One of 60 copies printed on Japan paper, with the plates in 
three states. Each leaf is mounted on its separate hinge. 


268. FLAUBERT (GUSTAVE). Madame Bovary. IJllus- 
trations by Alfred de Richemont, etched by C. Chessa. Pré- 
face par Léon Hennique. Thick 4to, full brown crushed 
levant morocco, tooled with ornamental borders of tripple 
interlacing lines, doublures of hLght brown levant morocco, 
gilt outer dentelle border, inner border of lines and scroll 
work, light brown moire silk end leaves, gilt edges, by Affolter. 

, Paris, 1905 
One of 80 copies on Japan paper, with the plates in three 
states. 


269. FLAUBERT (GUSTAVE). Bouvard et Pécuchet. 
Etched illustrations by Charles Huard, the full-page plates 
printed in colors. 2 vols. 4to, full brown crushed levant mo- 
rocco, elaborately tooled in a geometrical and trellis design of 
parallel lines surrounded by a floriated border, doublure of 
green morocco with parallel and interlacing line border, 
tapestry silk linings, gilt edges, by Affolter. Original covers 


bound in. Paris ny d: 
One of an edition limited to 30 copies. Contains an original 
water-color and an original pencil drawing of two of the char- 

acters of the story, signed by Charles Huard. 


(See Illustration. ) 
51 


270. FLAUBERT (GUSTAVE). Salammbé. Portrait of 
the author by H. Toussaint and 10 etched plates by Mercier 
and others from designs by A. Poirson. Small folio, full erim- 
son erushed levant morocco, gilt-tooled with floral scrolls on 
back and sides, panels and inside borders, gilt edges, by Rous- 
selle, with original wrappers bound in. 

Paris: Maison Quantin, n. d. 


GRAND Format EDpDITION, limited to 50 copies printed 
throughout on Japan paper, with all the plates in two states, 
one on Japan paper before letters and one on Holland. HExtrRa- 
ILLUSTRATED by the insertion of seven etched plates by Pierre 
Vidal on China paper. 


271. FLERS (ROBERT DE). Ilsée, Princesse de Tripoli. 
EHtched portrat of Mucha, 132 lithographs, head- and tail- 
pieces finely executed in colors by A. Mucha. Royal 4to, full 
olive green crushed levant morocco, Jansen style, doublures 
and flys of figured silk tapestry, inside borders of olive green 
levant, with floral sprays inlaid in colors at each corner, gilt 
edges, uncut, original ornamental covers bound in, by P. 
Ruban (1897). Paris: Edition d’Art, 1897 


One of 25 copies on Japan paper, with an extra set of the 
plates on China paper, proofs before letters, uncolored. Only 
252 copies were issued of this book, and plates destroyed. 


cr 
ic 


SECOND SESSION 
Tuesday Evening, November 21, 1916, at 8:15 o'clock 


LOTS 272-547 


272. FLORIAN (J. P. CLARIS DE). Fables de Florian. 
Illustrées par Viclor Adam. Précédées d’une Notice par 
Charles Nodier, et d’un Essai sur la Fable. 8vo, full red 
morocco, gilt back, covers richly decorated with scroll and 
fillet panel design, gilt edges, by Simier (loose in covers). 

Paris: Delloye, Desme et Cie, 1838 


273. FORE-EDGE PAINTING. Boccaccio (Giovanni). 
I] Deecamerone con Vita scritta da Matteo Villani. Portrait 
of Boccaccio by Demautort, titles after Moreau le Jeune, 
engraved by Aveline. 3 vols. 16mo, contemporary green 
morocco, gilt, with a fine fore-edge painting on each 
volume, gilt edges, by [Derome, as catalogued by Sotheby]. 

Londra, 1768 


The paintings on the fore-edges are 3 finely executed views, 
representing Florence and the Arno, London and the Thames 
and Paris on the Seine. 


274. FOURNIER (EDOUARD). L’Esprit dans l’Histoire; 
recherches et Curiosités sur les Mots Historiques. 16mo, full 
polished ealf, gilt back, fillet and pointille borders, gilt top, 
uncut, by Riviere. Paris: EK. Dentu, 1883 


275. FOURNIER (EDOUARD). L’Esprit des Autres: 
Recueilli et Raeconté. Small 8vo, full polished ealf, gilt 
back, gilt top, uncut, by Riviére. Paris: E. Dentu, 1886 


276. FRANCE (ANATOLE). Alfred de Vigny. Etude. 
Frontispiece etching by G. Staal. 16mo, board sides, mo- 
rocco back, uncut, original wrappers bound in. 

Paris: Librairie Bachelin-Deflorenne, 1868 
Collection du Bibliophile Frangais. 


277. FRANCE (ANATOLE). Les Poémes Dorés. 12mo, 
full crimson crushed levant morocco, gilt back in compart- 
ments, gilt fillet border on covers, doublures of brown 
erushed levant morocco, with handsome tooled design, flys 
of brocaded satin, gilt edges on the rough, original wrap- 
pers bound in, by Affolter. Paris: Alphonse Lemerre, 1873 

First EDITION, EXTREMELY SCARCE, 


53 


278. FRANCE (ANATOLE). Le Crime de Sylvestre 
Bonnard, Membre de |’Institut. 12mo, cloth, leather label, 
gilt top, uncut, original blue wrappers bound in. 

Paris: Calmann Levy, Editeur, Ancienne Maison Michael 
Lévy Fréres, 1881. 


THE EXTREMELY RARE FIRST EDITION, WITH THE ORIGINAL 
BLUE WRAPPERS of which we are unable to locate any previous 
sale at auction, Not in the collection of France’s works in the 
Hoe sale. Fine copy. 


279. FRANCE (ANATOLE). Notice Historique sur Viv- 
ant Denon. FIRST EDITION. 8vo, cloth, leather label, 
original wrappers bound in. Paris: P. Rouquette et Fils, 1890 


280. FRANCE (ANATOLE). L’Elvire de Lamartine. 
Notes sur M. & Mme. Charles. With facsimile. Square 
12mo, original wrappers, uncut, enclosed in specially made 
fawn satin covers, with inside lining of pink satin. Ina 
case. Paris: H. Champion, 1893 

First EDITION. Very Scarce. Not in Hoe. 


281. FRANCE (ANATOLE). Les Opinions de M. Jéré6me 
Coignard, recueillies par Jacques Tournebroche. 12mo, full 
crushed crimson levant morocco, gilt back in compartments, 
gilt fillet borders, inside borders, doublures and flys of 
dark green moire silk, gilt edges on the rough, original 
salmon wrappers bound in, by Rousselle. 

Paris: Calmann Lévy, 1893 


One of 20 copies printed on Japan paper. 


282. FRANCE (ANATOLE). La Rotisserie de la Reine 
Pédauque. 12mo, cloth, original covers bound in, uncut 
edges. Paris, 1893 


First EDITION. One of 40 copies on Holland paper. Inserted 
is a portrait of the author on Japan paper, etched by Loys 
Delteuil. 


283. FRANCE (ANATOLE). Le Lys Rouge. 12mo, cloth, 
uncut, original covers bound in, by Durvand. Paris, 1894 


First EDITION. One of 30 copies printed on Japan paper. 
Portrait of the author, etched by Delteuil, inserted. 


284, FRANCE (ANATOLE). Le Jardin d’Epicure. Hitched 
portrait with Remarque, by Deltail. FIRST EDITION. 12mo, 
cloth, leather label, uncut, original wrappers bound in. 

One of 50 copies printed on Holland paper. Paris, 1895 


285. FRANCE (ANATOLE). Le Puits de Sainte Claire. 
Etched portrait of the author by Deltail. FIRST EDITION. 
12mo, cloth, leather label, uncut, original wrappers bound in. 

One of 55 copies printed on Holland paper. . Paris, 1895 


54 


286. FRANCE ANATOLE). L’Orme du Mail. FIRST 
EDITION. 12mo, full crushed crimson levant morocco, gilt 
back in compartments, gilt fillet borders, inside border of 
conventional shell and scroll design, doublures and flys of 
silk tapestry, gilt edges on the rough, original wrappers 
bound in, by David. Paris, 1897 

One of 50 copies printed on Holland paper. 


287. FRANCE (ANATOLE). La Leeon bien apprise. 
Illustrations by Leon Lebégue, and text in reproduction of 
his original engrossing. Small 4to, full dark green levant 
morocco, gilt inside fillet borders, gilt edges, original wrap- 
pers bound in, by Canape. 

Paris: Pour les Bibliophiles Indépendente, 1898 


One of 200 copies printed. The illustrations have been bril- 
liantly colored by hand, and at the end is bound a duplicate set 
of the plates, plain, on China paper. An etched portrait of the 
author, by Deltail, in proof state, autographed by the etcher, is 
inserted, 


288. FRANCE (ANATOLE). Pierre Noziére. FIRST 
EDITION. 12mo, cloth, leather label, uncut and unopened, 
original wrappers bound in. Paris, 1899 

One of 25 copies printed on Japan paper. 


289. FRANCE (ANATOLE). Clio. Tllustrations’ (en 
couleurs) de Mucha. 8vo, full maroon crushed morocco, gilt 
back in compartments, gilt fillet borders, doublures of green 
crushed levant morocco, elaborate fillet interlaced borders, 
with corner and side ornaments, marbled flys, with linings 
of silk tapestry, gilt edges on the rough, original wrappers 
bound in, by Chambolle-Duru. 

. [Paris]: Calmann Lévy, 1900 
First EDITION. One of 100 copies printed on Japan paper. 


290. FRANCE (ANATOLE). Thais. Compositions de 
Paul-Albert Leurens. Gravures a la l'eau-forte de Léon 
Boison. Royal 8vo, full brown crushed levant morocco, in- 
laid with a conventional floral design of orange in the cor- 
ners with connecting bands and border of the same, gilt 
tooled outlines, back in six compartments similarly deco- 
rated, doublure of light brown morocco, inlaid Grolieresque 
pattern of dark brown and double line silk border, silk end 
leaves, gilt edges, by Chambolle-Duru. Paris, 1900 


One of 40 copies on Papier de Chine ou Velin, with the text 
illustrations in three states and the full-page plates in four 
states, including one printed in bistre. 


291. FRANCE (ANATOLE). Balthasar et la Reine 
Balkis. Aquarelles originales @apres Henri Caruchet. 8vo, 
full blue levant crushed moroceo, gilt and inlaid back in 
compartments, covers inlaid with maroon morocco, in de- 
signs of a three-quarter circle surrounding a gilt halo, de- 


aYs) 


sign at top center being a star with gilt rays, gilt and inlaid 
inside borders, with doublures and lining of brocaded silk, 
gilt edges, by David. Paris: Librairie L. Conquet, 1900 
One of 50 copies printed on Japan paper, with an extra un™ 
eolored set of theillustrations. Each leaf is printed within a 
different colored border, one of which forms the basis of the 

inlaid cover design. 


292. FRANCE (ANATOLE). L’Affaire Crainquebille. 
Illustrated with 62 compositions of Steinlen, engraved by 
Deloche, E. and F.. Florian, Gusman, Mathieu, Perrichon, 
etc. Ato, full light brown crushed levant morocco, gilt fillet 
borders in compartments on back, covers ornamented with 
entwined fillet borders, doublures of green levant morocco, 
ornamented with a double interlaced strap-work border, in- 
laid with olive and brown moroccos, terminating at corners 
in broken circles, marbled flys, with ribbed silk linings, gilt 
edges on the rough, original wrappers bound in, by Cham- 
bolle-Duru. | Paris: Edouard Pelletan, 1901 


One of 13 copies on antique Japan paper, with a duplicate set 
of the illustrations on China paper, and an ORIGINAL WATER- 
COLOR DRAWING BY STEINLEN, 


293. FRANCE (ANATOLE). Histoire de Dona Maria 
d’ Avalos et de don Fabricio, Due d’Andria. Manuscrite et 
illuminée par Leon Lebeque. 4to, full dark green crushed 
levant morocco, beautifully tooled in double line interlacing 
bands and floral scrolls, doublures of scarlet morocco with 
elaborate pattern of interlacing green bands and borderand 
gilt tooled floreated scrolls, green silk end leaves, gilt edges, 
by Chambolle-Duru. Paris, 1902 


One of 25 copies on Japan Paper, with a double set of the socal 
rations and illustrations, colored and plain. 


294. FRANCE (ANATOLE). Le Procurateur de Judée. 
14 designs by Eugéne Grasset engraved (on wood) by Ernest 
Florian and printed in tints. 4to, full brown crushed levant 
morocco, gilt line borders, doublures of olive green morocco, 
with elaborate interlacing line tooling, red silk end leaves, 
gilt edges, by Chambolle-Duru. Paris, 1902 


One of 29 copies on Hand-made paper, with the designs in 
five states, four of the trial impressions on China paper. 


295. FRANCE (ANATOLE). Le Procurateur de Judée. 
Engraved throughout with etchings, by Louis Muller, after 
designs by Gorguet. 12mo, full brown crushed levant mo- 
rocco, gilt back, in compartments, gilt borders, with corner 
ornaments, doublures of dark brown crushed levant mo- 
rocco, with large conventional design and interlaced scrolls, 
gros-grain flys of brown silk, gilt edges on the rough, origi- 
nal wrappers bound in, by Chambolle-Duru. 

Paris: Société des Amis des Livres, 1902 
One of 180 copies issued. 


56 


296. FRANCE (ANATOLE). Madame de Luzy. Diz 
compositions dessinées et gravées par Ad. Lalauze. 8vo, full 
brown crushed levant morocco, gilt back in compartments, 
gilt fillet borders; doublures of lilac levant morocco, with 
handsome gilt tooled panels of floral sprays, flys of brocaded 
silk, gilt edges on the rough, original wrappers bound in, 


by Affolter. Paris: Librairie des Amateurs, 1902 
One of 60 copies on Japan paper, with the plates in three 
states. 


297. FRANCE (ANATOLE). Mémoires d’un Volontaire. 
Illustrated with original water-color frontispiece, signed by 
Adrien Moreau; and with 26 text and full-page etchings by 
Xavier Lesueur after Moreau, each with 2 full-page re- 
marque duplicates, one in oulline. Royal 8vo, full dark-red 
erushed levant morocco, gilt back, gilt borders enclosing 
sprays of laurel inlaid in blue and green levant, gilt inside 
borders, silk doublures and end-leaves, gilt edges, by 
Canape. Paris: Librairie des Amateurs, 1902 


LARGE JAPAN PAPER COPY, only a small number issued with 
the plates in three states and double title. AN ORIGINAL WATER- 
COLOR DRAWING, by Adrien Moreau, precedes the half-title. 


298. FRANCE (ANATOLE). Histoire Comique. tch- 
ings in dry-point by Hdgar Chahine. 4to, full brown 
erushed levant morocco, tooled with an interlacing border 
of four parallel lines, doublures of light brown morocco, 
finely tooled border of interlacing and dotted lines with 
elaborate floriated scrolls in the corners, brown silk end- 
leaves, gilt edges, original wrappers bound in, by Cham- 
bolle-Duru. Paris, n. d. 


One of 20 copies on China paper, with an extra set of plates. 
before letters outside the text. 


299. FROISSART (JEHAN). Les Chroniques de J. Frois- 
sart. Edition abrégée avec texte rapproché du Frangais 
Moderne par Mme. de Witt, née Guizot. Illustrated with 11 
chromolithographs, 12 illumined letters, 2 maps, 33 full-page 
engravings and 252 engravings in the text after the monu- 
ments and manuscripts of the period. Imp. 8vo, full crimson 
erushed levant morocco, gilt compartments on back, triple 
fillet borders, gilt edges, inside dentelle borders, doublures 
and flys of green moire silk, by Rousselle. 

Paris: Librairie Hachette et Cie, 1881 


Choice copy of this handsome and desirable edition, one of 
100 copies on Papier Velin de Cuve. 


300. GAILLERDET (F.) AnD DUMAS (A.). La Tour de 
Nesle. Drame en Cing Actes et Neuf Tableaux. 0 full- 
page plates and 24 vignette head- and tail-pieces etched and 
Jinely printed in colors after designs by A. Robida. Royal 
8vo, full brown crushed levant morocco, gilt double line 
panel border with small fillets in the corners, back gilt in 


57 


compartments, doublures of green levant morocco, tooled in 
an elaborate Grolieresque design of interlacing bands and 
floriated scrolls, brown silk lining, gilt edges, by Chambolle- 
Duru. Paris, 1901 


Edition limited to 115 copies on Papier Filigrane des Pape- 
teries du Marais et de Sainte-Marie, 


301. GALERIE THEATRALE. Collection de 144 por- 
traits en pied des principaux Acteurs et Actrices qui onts 
illustré la Scene Franegaise depuis 1552 jusqu’a nos jours. 
With 144 full-length figures beautifully colored and allumi- 
nated after engravings of celebrated artists. 2 vols. royal 
4to, half russia, gilt tops, uneut. Paris: A. Barraud, 1873 


Limited to 90 copies. The only edition containing 84 text 
illustrations, in addition to the portraits in colors, and engraved 
title. One of the finest works on Theatrical costume ever pub- 
lished. The F. R. Halsey vopy, with bookplate in each volume. 


302. GANDON (ANTOINE). Les Trente-Deux Duels 
of Jean Gigon. Histoire d’un enfant trouvé. Portrait. 
12mo, full crushed crimson levant morocco, gilt back with 
emblematic tooled compartments, covers with fillet borders, 
having tooled design of crossed sabres in centre, and tooled 
emblems in corners, gilt inside borders, gilt edges on the 
rough, original wrappers bound in, by Rousselle. 

Paris: Librairie Nouvelle, 1860 
First EDITION. WITH 15 ORIGINAL WATER-COLOR DRAWINGS 
OF FINE QUALITY BY A. BLIGNY, executed as head- or tail-pieces, 


and signed by the artist, the pictures illustrating various scenes 
and duels in the life of Jean Gigon. 


303. GAUTIER (HIPPOLYTE). L’An 1789: Evénements, 
Meeurs, Idées, uvres et Caracteres. Profusely illustrated 
with plates, text vignettes, and maps, a few of each being in 
colors. Thick royal 4to, full crushed crimson levant mo- 
rocco, gilt tooled on back and all borders, edges gilt, by 
Emile Rousselle; original gilt wrappers bound in. 

Paris: Libraire Charles Delagrave, ca. 1890 


304. GAUTIER (THEOPHILE). Mademoiselle de Mau- 
pin-Double Amour. 2 vols. 8vo, full crushed red levant 
morocco, Jansen style, gilt inside borders, gilt edges, by 
Cuzin. Paris, 1835-36 

FIRST EDITION, Fine copy. 


305. GAUTIER (THEOPHILE). La Comédie de la Mort. 
Frontispiece by L. Boulanger. 8vo, full dark brown crushed 
levant morocco, gilt back, with skull and cross-bones in 
compartments, panels of blind-tooling with 2 two-line fillet 
borders, skull and cross-bones at corners of the panel, gilt 
inside borders, gilt over marbled edges, by Belz-Niedree. 

Paris: Desessart, 1838 


An immaculate copy of the very rare First EDITION. With 
bookplate of F. R. Halsey. 


58 


306. GAUTIER (THEOPHILE). Emaux et Camées. 
Hitched portrait inserted. 12mo, lavender levant morocco, 
gilt inside borders, doublures and flys of green China silk, 
gilt edges on the rough, original wrappers bound in, by 
Durvand. Paris: Eugene-Didier, 1852 

Choice copy of the First EDITION, 


307. GAUTIER (THEOPHILE). Honoré de_ Balzac. 
Edition Revue et Augmentée. With etched portrait by LE. 
Hedouin, and facsimile letters. 12mo, half cloth, uncut, 
original wrappers bound in. 

Paris: Poulet-Malaissis et de Broise, 1859 


308. GAUTIER (THEOPHILE). L’Eldorado ou For- 
tunio. Ji full-page plates by F. Milius, in two states, etch- 
mgs on Japan and vellum paper, and the 81 vignettes in two. 
extra states before letters, an black and in bistre on India 
paper. Royal 8vo, full crimson crushed levant morocco, 
gilt back in compartments, covers richly tooled with a 
frame of scroll and floral design, gilt inside borders, doub- 
lures and flys of dark green moire silk, gilt edges on the 
rough, by Lortic. 

Paris: Imprime pour les Amis des Livres, 1880 


One of 115 copies. A remarque proof portrait by Burney has 
been inserted. The 81 vignettes are by Avril. 


309. GAUTIER (THEOPHILE). Mademoiselle De Mau- 
pin. Double Amour. Notice Bibliographique par M. Charles 
de Lovenjoul. Frontispiece portrait of the author by Bur- 
ney after Nanteurl, 16 plates by Champollion, after Toudouze, 
2 extra plates by Roulard after Jeanniot and Champollion 
after Toudouze, half titleand 3 vignettes, all in two states. 
2 vols. royal 8vo, full dark blue crushed levant morocco, 
back and sides tooled with interlacing fillets and leaf scrolls, 
gilt inside border of interlacing bands, dark red silk lining 
and end-leaves, gilt edges, by Chambolle-Duru. Paris, 1883 


One of 150 copies printed on Large Japan paper, with the. 
plates in two states. 


310. GAUTIER (THEOPHILE). Militona. Un portrait 
et dix compositions de Adrien Moreau, gravés par A. La- 
motte. 8vo, full crushed salmon levant morocco, gilt panelled 
backs in compartments, covers richly decorated with a panel 
of scrolls and fillet borders, with outside ornaments, gilt 
inside borders, doublures and flysof rich broecaded silk, gilt. 
edges on the rough, original wrappers bound in, by Cham- 
bolle-Duru. Paris: L. Conquet, 1887 


One of 150 copies printed on Large Japan paper, with the. 
plates in two states, before and after letters. 


311. GAUTIER (THEOPHILE). Emaux et Camées. 
Préface by Maxime du Camp. JTllustrated with 112 designs 
by Gustave Fravpont. 12mo, full crushed citron levant. 
morocco, gilt back in compartments, gilt fillet and dotted. 


59 


borders, dainty gilt inside borders, doublures of crimson 
erushed levant morocco, gilt over marbled edges, by Cuzin. 
Paris: Librairie L. Conquet, 18387 


Autograph presentation copy from the publisher to M. Cuzin, 
the binder. One of 200 copies printed on Japan Paper, with a 
full-page WATER-COLOR DRAWING on leaf following title, by 
G. Fraipont. 


312. GAUTIER (THEOPHILE). Le Roi Candaule. JI- 
lustre de vingt et une compositions par Paul Avril. Préface 
par Anatole France. Royal-8vo, full brown levant morocco, 
gilt and inlaid back, in compartments, covers ornamented 
with a wide border of conventional Egyptian design within 
inner and outer fillet and blank inlay frame, the front cover 
containing a central ornament in gold, silver, and inlay of 
the King’s accoutrements, doublures of embroidered silk, 
with inlaid border, dentelle edges, embroidered silk flys, 
gilt edges on the rough, original wrappers bound in, by 
Meunier. Paris: Librairie des Amateurs, 1893 

One of 20 copies printed on Japan paper, wide margins, with 
the plates in three states. An original water-color drawing by 


Paul Avril, and an engraved portrait of the author by Lamotte, 
in proof state, inserted. 


313. GAUTIER (THEOPHILE). Le Petit Chien de la 
Marquise. Préface par Maurice Tourneux. Vingt et un 
dessins de Lows Morin. 12mo, full light green levant 
morocco, dainty scroll design with Crown in gilt on front 
eover, gilt inside border, with doublures and flys of silk 
tapestry, gilt over rough edges, original wrappers bound in, 
by Raparlier. Paris, 1893 


One of a limited edition on Papier Vélin Teinte. 


314. GAUTIER (THEOPHILE). Une Nuit de Cléopatre. 
Illustrée de vingt-et-une compositions par Paul Avril. Pré- 
face par Anatole France. 8vo, full levant olive morocco, 
centre panel of front and back covers of inlaid calf, with 
chiselled Egyptian design, in gold, silver, and colors, doub- 
lures and flys of silk tapestry, gilt edges on the rough, 
original, wrappers bound in; special levant wrapper, by 
Meunier. Paris: Librairie des Amateurs, 1894 


One of 20 copies printed on Japan paper, with the etchings 
in three states. An etched portrait of the author, by Ad. 
Lalauze, in proof state, is inserted, and preceding the half-title 
is an ORIGINAL WATER-COLOR by PAUL AVRIL, ; 


(See Illustration), 


315. GAUTIER (THEOPHILE). Jean et Jeanette. TI- 
lustre de vingt-quatre compositions par Ad. Lalauze. Pré- 
face by Léo Claretie. 8vo, full dark green crushed levant 
morocco, gilt back, with emblematic tooled compartments, 
triple fillet borders on covers, doublures of steel-blue levant 
morocco, with a handsome panel design, emblematic tooled 


60 


corner ornaments, marbled end-papers with silk tapestry 
lining, gilt edges on the rough, original wrappers bound in, 
by Mercier Sr. de Cuzin. 

Paris: Librairie des Amateurs, 1894 


Orie of 80 copies printed on Japan paper with large margins, 
the etchings being in three states. An ORIGINAL WATER-COLOR 
DRAWING by LALAUZE has been inserted, also an etched proof 
portrait of Gautier by Lalauze. 


316. GAUTIER (THEOPHILE). La Chaine D’or, Pré- 
face par Marcel Schwob. Tilustrations by Georges Roche- 
grosse exquisitely colored by hand and illuminated, with an 
extra set of the proof illustrations, uncolored and without 
the text ; etched portrait of the author on Japan Paper in- 
serted. Royal 8vo, full olive crushed levant morocco, 
doublure of light brown levant morocco with a draped gilt 
chain, having an intertwining floral design of inlaid blue 
and red blossoms and green leaves, inside back cover with 
small spray of purple flowers in center, brocade silk end- 
leaves, gilt edges, by Canape. Paris, 1896 

One of 200 copies signed by the illustrator. 


317. GAUTIER (THEOPHILE). Omphale. Histoire 
Rococo. Illustrations by Ad. Lalauze. Préface by A. de 
Claye. 12mo, full blue crushed morocco, gilt back in com- 
partments, front cover ornamented with a gilt frame of 
rococo design, back cover having a large central design, 
within asimple border; doublures of cream levant morocco, 
with a rich frame design in gold, embroidered silk flys, full 
gilt edges on the rough, by Raparlier. 

Paris: A. Ferroud, 1896 


One of 50 copies on Japan paper, with wide margins, and the 
plates in three states. An etched portrait of the author in 
proof state is inserted. 


318. GAUTIER (THEOPHILE). La Mille et Deuxiéme 
Nuit. Jllustrée de neuf compositions par Ad. Lalauze. 
Préface par L. Gastine. S8vo, full dark green crushed 
levant morocco, gilt back in compartments, gilt fillet and 
pointille border, with central ornament in gilt on each 
cover, doublures of salmon crushed levant morocco, richly 
decorated with panelled design, brocaded satin flys, gilt 
edges on the rough, by Affolter. 

Paris: Librairie des Amateurs, 1898 


One of 100 copies on Japan paper, wide margins, with the 
plates in three states, 


319. GAUTIER (THEOPHILE). Celle-ci et Celle-la, ou 
la jeune France passionnée. Avant-propos de Maurice 
Tourneux. Jilustrations de Francois Courboin. 8vo, full 
dark blue straight-grain morocco, richly gilt back, cover 
design of frame composed of fillet and pointille toolings, 
with corner and side ornaments, handsome gilt inside 
borders, doublures and flys of light blue moire silk, gilt 


61 


edges on the rough, original wrappers bound in, by Mercier 
Sr. de Cuzin. Paris: Librairie A. Rouquette, 1900 


LARGE PAPER Copy, one of 125 printed on Hand-made paper, 
with the illustrations in three states, that in the text being 
printed in two colors; the other two being a proof and a finished 
etching, with remarques, 


320. GAUTIER (THEOPHILE). Le Roman de la 
Momie. 42 illustrations by Alex. Lunois, engraved by 
Leon ‘Boisson. Royal 8vo, full green erushed levant 
morocco, elaborately tooled with triple line border and 
small inlays of orange, brown, blue, and yellow, in an 
oriental design of lotus leaves, doublure of orange levant 
morocco, gilt-tooled and inlaid with blue and green in a 
scroll design, tapestry silk end-leaves, gilt edges, by Affolter. 

Paris, 1901 
One of 70 copies on Japan paper, with the plates in two 
states, one being remarque proofs. 


3821. GAUTIER (THEOPHILE). La Morte Amoureuse. 
Compositions de P.-A. Laurens, gravées en couleurs par 
Hugéne Decisy. Royal 8vo, full dark brown crushed levant 
morocco, inlaid interlacing bands of green morocco, gilt- 
tooled outline and small ornaments, doublures of dark green 
morocco, with an elaborately gilt-tooled Grolieresque de- 
sign, brown silk lining, gilt edges, by Chambolle-Daru. 

[Paris], 1904 

One of 90 copies on Imperial Japan Paper, with the illustra- 

tions in three states, plain and colored proof before letters, 
and colored impressions with the text. 


322. GAUTIER (THEOPHILE). Le Capitaine Fracasse. 
Publié avee un avant-propos par Mme. Judith Gautier. 
EKtchings from the designs of Charles Delort by Mongin. 3 
vols. 8vo, full crimson crushed levant morocco, gilt backs 
in compartments, covers decorated with an inlaid narrow 
open blue border, with lozenge toolings, corners emblemat- 
ically tooled with masks and foils, gilt inside borders, 
doublures and flys of brocaded silk, edges gilt on the rough, 
original covers bound in, by David. 


One of 20 copies printed on Large China paper, with the 
etchings in two states, before and after letters, and in addition, 
a set of the wood engravings after Doré, engaged by Jonnerd, 
Hildebrand and others. 


323. GAVARNI (HIPPOLYTE GUILLAUME SULPICE 
CHEVALIER). Collection des Giuvres de Gavarni. 1633 
humorous full-page, original designs, some im colors, some 
mounted, and some printed on china paper. 15 vols. royal 
4to and folio, boards morocco backs. Paris, n. d. 


Among the works are: Souvenirs du Bal, Les Etudiants, 
Paris le Soir, Le Salon, Les Maris, L’argent, Les Lorettes, Le 
Carnival de Paris, Paris le Matin, Patois de Paris, Les Actrices, 
Les enfants terribles, Piano, Les Anglais chez eux, Aux Amours, 
L’Ecole des Pierrots, and about 60 others. The F. R. Halsey 
copy, with book plate in each volume. 


62 


HISTOIRE 


DE 


Gil BLAS 
DE SANTILLANE. 


TOME PREMIER, 


A PARIS. 


Chea Prmrre Rispou, Quay des 
Auguftins , ala Defcentedu Pont Neuf , 
a PImage faint Loitis. 


M, DCG XIV. 
vec Approbations & Privilege da R J 


LE SAGE’s GiL BLAS 
Genuine First Edition 
[Number 438 | 


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324. GEOFFROY (GUSTAVE). La Servante. Woodcut 
illustrations by Geo. Dupuis. Imperial 8vo, full purple 
crushed levant morocco, gilt border of interlacing fillets, 
doublures of olive levant, gilt fillet borders, with a small 
conventional flower inlaid in blue and green in the corners of 
the center panel, brocade silk end-leaves, gilt edges, 
original wrappers bound in, by Affolter. ead seen Ct 


One of 20 copies on Large Japan paper, with the triple set of 
plates, one being before letters. 


325. GERARD (ROSEMONDE). Les Pipeaux. 12mo, 
original wrappers, uncut, in full crimson levant morocco 


covers. Paris: Alphonse Lemerre, 1889 
First EDITION. 


326. GERUZEZ (PAUL). A Pied, a Cheval en Voiture. 
Illustrated with numerous drawings by Crafty. 8vo, half 
brown pig-skin, emblematic tooling on back, uncut, original 
covers bound in, by Curvans. [Paris]: Calmann Lévy, 1895 

One of 125 copies printed on Japan paper. 


327. GESSNER (SALOMON). Mort d’Abel, Poeme de 
Gessner. Traduit par Hubert. Frontispiece portrait and 
5 plates after Monsiau engraved in stipple and beautifully 
printed in colors. Folio, contemporary marbled ealf, gilt, 
gilt edges. Paris, 1793 

One of a few copies printed on vellum paper, with the plates 


proofs before letters. Extremely rare. Engraved portrait of 
the author by St. Aubin laid in. 


328. GESSNER (SALOMON). (CKuvres. TJllustrated with 
beautiful impressions, before letters, of the engravings by 
Triere, Limonet, Petit, and others after Moreau. 4 vols.in 
two, 8vo, full contemporary dark green straight-grain mo- 
rocco, gilt backs in compartments, with elaborate cover 
decorations of scrolls and pointillé toolings, gilt inside 
borders, with doublures and flys of pink moire silk, gilt, 
gilt edges, by Hering, with his ticket. 

Paris: Ches Antoine-Augustin Renouard, 1799 


LARGE PAPER COPY, AND FIRST EDITION with these excellent 
plates. On the fore-edge of volume 1, under the gilt, is a 
water-color drawing, illustrating an ‘‘Idylle” from the book, 
representing a shepherd rescuing a lamb from the stream; 
under the gilt of volume 2 is depicted in rich coloring, the 
Sacrifices of Cain and Abel, illustrating ‘‘ La Mort d’Abel.”’ 

These fore edge paintings are much superior to the ordinary 
picturing on book edges. The name of the artist, Harris, is at 
the foot of the painting of volume 1. 


329, [GILL (ANDRE).] La Muse A Bibi. Frontispiece. 
12mo, full crushed orange levant morocco, richly gilt 
tooled, with a lyre inlaid in brown morocco in the center of 
the front cover, the back with a windmill inlaid in black 
morocco, gilt inside borders, doublures and flys of floriated 


63 


silk tapestry, edges gilt on the rough, original covers — 
bound in, by Affolter. Paris, 1881 


One of 100 copies on large Holland paper. EXTRA-ILLUS- 
TRATED with 55 very interesting pen-and-ink drawings, some 
in colors, finely executed by Maurice Gaboriau. Autograph 
inscription on the half-title by the artist: ‘‘Souvenir of our 
happy nights at the Chat Noir.” [Translated.] Inserted are 

_also 3 fine etched plates. 


330. GINESTE (RAOUL). Sois de Paris. Dessins de 
Minarts gravés sur bois par Paillard. 8vo, full crimson 
levant morocco, gilt back with 5 inlaid flowers in compart- 
ments; covers with fillet and interlaced borders, with 
corner floral sprays, flowers inlaid; doublures of olive 
levant morocco, with handsome interlaced frame design, 
brocaded silk flys, full gilt edges on the rough, original 
covers bound in, by Affolter. 

Paris: Imprimé pour Henri Beraldi, 1903 


One of 188 copies printed on Papier Velin de Cuve de Pape- 
teries du Marais, 


331. GONCOURT (EDMOND ET JULES DE). Les 
Maitresses de Louis XV, Lettres et Documents inédits. 
2 vols. 8vo, full crushed crimson levant morocco, gilt backs 
in compartments, covers with handsome gilt frame design, 
inside borders, giltover marbled edges, by Chambolle-Duru. 

Paris: Librairie de Firmin Didot Fréres, Fils et Cie, 1860 

EXTRA-ILLUSTRATED by the insertion of 60 portraits. There are 
proofs before letters of the portraits of Jean Baptista Massillon, 
by Roger; Marie Leczinka, in red and black ; Madame de 
Mailly, in red and black; Mlle. de Charolois, in red and black; 
Madame de Chateauroux, in red and black, on Japan and India 
paper; Madame de Maintenon, on Japan paper; Madame Du- 
barry, on Japan paper; Madame Dubarry by Cazenave after 
Lebrun; Louis XV by Ceroni after Pettitot ; Benjamin Franklin 
by M. Mion, with a series of portraits by Roger after Croizier. 
Choice copy. 


332. GONCOURT (EDMOND ET JULES DE). L’Art 
du Dix-Huitiéme Siecle. illustrated with many fine etched 
and other plates by the authors after originals by the artists — 
represented. 4to, full crimson crushed levant morocco, gilt 
tooled back, outside and inside borders, gilt edges, by 
David. Paris: E. Dentu, 1875 


Watteau, Chardin, Boucher, La Tour, Greuze, Les Saint- 
Aubin, Cochin, Moreau, Debucourt, Fragonard, Prudhon. 
Edition limited to 200 copies. 


333. GONCOURT (EDMOND ET JULES DE). L’Amour 
au dix-huitiéme siécle. Ornamental borders, etched frontis- 
piece and 2 rgnettes after Boilvin. Square 12mo, full dark 
blue levant morocco, gilt back in compartments, covers 
ornamented with gilt frame of flowers and scrolls, fillet and 
pointillé borders, gilt inside borders, gilt edges on the 
rough, by Rousselle. Paris: E. Dentu, 1875 

One of a very few copies printed on China paper. Etched 
portraits of the authors, in proof state, are inserted. 


64 


334. GONCOURT (EDMOND ET JULES DE). Sophie 
Arnould. D’aprés sa Correspondance et ses Mémoires 
inédits. Hitched portrait and vignettes by Flameng, and 
facsimile letter of Sophie Arnould ; text printed within 
ornamental borders. Small 4to, full dark blue crushed 
levant morocco, gilt back, with emblematic tooling in com- 
partments; covers handsomely decorated with gilt frame 
effect, gilt inside borders, full gilt edges, by Rousselle. 

Paris: E. Dentu, 1877 
One of a very small issue printed on China paper. Proof 


etched portraits of the authors, on China paper are inserted, 
also an engraved portrait of Sophie Arnould. 


335. GONCOURT (EDMOND ET JULES DE). La 
Lorette. Avec wn dessin de Gavarni gravé par Jules de 
Goncowrt. Square 16mo, brocaded silk, uncut edges, 
original covers bound in, by Carayon. Paris, 1883 


First EpITION. Rare. One of a limited number printed on 
Holland paper. EXTRA-ILLUSTRATED with 9 original and char- 
acteristic water-color drawings, finely executed by J. Berado. 


336. GONCOURT (EDMOND eEt JULES DE). Renée 
Mauperin. 10 full-page etchings by James Tissot, each in 
two states, one on Holland and one on thin Japan paper, 
signed by Tissot. Imperial 8vo, full brown crushed levant 
morocco, cartouche on each cover inlaid in black and red 
morocco with gilt flowers and scrolls, ribbed back, inside 
borders with heavy gilt lines and small inlaid corner flowers, 
doublures and flys of green gros-grain silk. 

Paris: Charpentier, 1884 
LIMITED EDITION, only 30 copies issued thus with double set 
of plates, one set signed by the artist. Inserted is an A. L. S. 


of Jules de Goncourt relating to his work, ‘Societe frangaise 
pendant la Revolution.” 


337. GONCOURT (EDMOND Et JULES DE). Germinie 
Lacerteux. 10 plates etched by L Muller from design by 
Jeanniot. Small folio, full crushed crimson levant mo- 
rocco, the back, sides, and inside borders richly gilt-tooled 
with floral scrolls, gilt edges, by Rousselle. 

Paris: Maidon Quantin, 1886 


GRAND FORMAT EDITION, limited to 100 copies printed on Ja- 
pan paper. EXTRA-ILLUSTRATED with 2 portraits of Jules and 2 
of Edmond DeGoncourt and 2 portraits of both together, onea 
lithograph by Gavarni, in two states. With bookplate of F. R. 
Halsey. 


338. GONCOURT (EDMOND eEt JULES DE). La 
Femme au Dix-Huitiéme Siécle. Nouvelle édition, revue, 
augmentée. With numerous copper- plate reproductions, by 
Dujardin. Thick 4to, full light blue levant morocco, gilt- 
tooled panel in Louis XVI style, gilt inside border, gray 
moiré silk doublures and end leaves, gilt over uncut edges, 
by Raparlier. Paris, 1887 

Edition limited. 
65 


339. GONCOURT (EDMOND Et JULES DE). Madame 
de Pompadour. Illustrated with many full-page and folding 
portraits and views, and with two plates im colors. Inlaid 
on thin paper are portraits, one each of Jules and Edmond 
Goncourt. Ato, full blue levant morocco, heavily gilt on 
back and side, doublures and end-leaves of flowered silk, 
gilt edges, by Rousselle. Paris: Firmin-Didot, 1888 

Japan Paper Edition. 


340. GONCOURT (EDMOND EtT JULES DE). Armande. 
With numerous full-page and vignette illustrations by 
Marold. 18mo, full crushed olive levant morocco, gilt floral 
spray on back, small gilt-tooled centre ornament, gilt inside 
and outside borders, gilt top, uncut, original wrappers 
bound in. Paris: E. Dentu, 1892 


‘* Petite Collection Guillaume,” 


341. GONCOURT (EDMOND eEt JULES DE). Les 
Aventures du Jeune Baron de Knifausen. Hitched illustra- 
tions by Louis Morin. Royal 8vo, full orange crushed 
levant morocco, double interlacing line borders, doublures 
of dark lavender morocco, with a handsomely tooled border 
of floriated scrolls and double lines, brocade silk end leaves, 
gilt edges, by Affolter. Paris [1904] 


One of 20 copies on Japan paper, with the plates in three 
states, unfinished proofs, remarque proofs, and unlettered 
proofs. 


342. GOUDEAU (EMILE). Paysages Parisiens. Heures 
et Saisons. Hitched and woodcut illustrations by Auguste 
Lepére. Royal 8vo, full crimson crushed levant morocco, 
sides and back decorated with a branch of chestnut leaves 
and burrs in green and brown morocco, gilt inside border, 
doublures and end leaves of gray figured silk, gilt edges, 
original wrappers bound in, by Ruban. Paris, 1892 

One of 188 copies on Papier Velin. 


343. GOUDEAU (EMILE). Tableaux de Paris. Paris 
qui Consomme. Fifty full-page plates, printed in colors 
after designs by Pierre Videl, some heightened by hand in 
water-colors. Imperial 8vo, full brown crushed levant mo- 
rocco, back cover inlaid with figures of bats, front cover 
with lyre, grapes, game, fruit, gas lamp, inlaid in levant of 
various colors, inside borders with figures of birds, doublures 
and flys of figured silk tapestry, gilt on uneut edges, by Ch. 
Meunier, 1896, with original wrappers bound in. 

Paris: Henri Beraldi, 1893 


LIMITED EDITION. Only 188 copies printed on Papier Velin 
des Vosges. Presentation copy, inscribed by H. Beraldi. 


344. GOUDEAU (EMILE). Poémes Parisiens. Many 
woodcut vignettes by H. Paillard after designs by Ch. Jouas. 
Royal 8vo, full crimson crushed levant morocco, gilt-tooled 


66 


and lined back and borders, green crushed levant doublures, 
gilt-tooled in shield design with stipple and laurel border 
on uncut edges, by Lortic. In case. 

Paris: Henri Beraldi, 1897 


FIRST EDITION. Only 138 copies printed on China paper. 
The original wrappers are bound in. 


345. GOURDAULT (JULES). L’Italie. Illustrée de 450 
gravures sur bois. Folio, full dark red levant morocco, 
gilt back in compartments, a 5-fillet border with outside 
burnished border, gilt inside borders, gilt top, uncut, by 
Zaehnsdorf. Paris: Librairie Hachette et Cie, 1877 

First EDITION. One of a small number printed on Large 
China paper. 

346. GOZLAN (LEON). Q&uvres. Portrait of author, 
etched by Rajon. 3 vols. 16mo, full ernshed olive levant 
morocco, Jansen style, gilt inside borders, doublures and 
end leaves of gray watered silk, gilt edges, original covers 
bound in, by Affolter (backs slightly faded). Paris, 1873-1880 


One of 20 copies on China paper. 


347. GRAND-CARTERET (JOHN). XIXe. Siécle (en 
France). Classes, Moeurs, Usages, Costumes, Inventions. 
Costume and other plates printed in colors and many full- 
page and text portraits and plates after designs by the prin- 
cipal artists of the century. Small folio, full polished blue 
levant morocco, gilt tooled on back, gilt inside borders, 
gilt edges, by Emile Rousselle, with original wrappers 
bound in. Paris, 1893 


LIMITED EDITION. One of only 25 copies with the entire text 
and many of the illustrations printed on China paper, 


348. GRIFFIGNY (MADAME DE). Lettre d’une Péru- 
vienne. A set of the illustrations only. Royal 8vo, full 
crushed crimson levant morocco, gilt back in compartments, 
gilt inside and outside borders, gilt top, uncut, by Riviere. 

[Paris, 1797] 


The illustrations consist of a portrait by De Launay and 8 
engravings by Le Fevre, on Large Paper, PROOF IMPRESSIONS 
BEFORE LETTERS, with a set of the ordinary impressions on 
Large Paper. 

Perhaps unique in this state. Cohen only cites the proof 
issue in 12mo., 


349. GUICHES (GUSTAVE). La Pudeur de Sodome. 
Frontispiece gravé a leau-forte par Félicien Rops. Folio, 
original parchment wrappers, uncut. 

Paris; Maison Quantin, 1888 
One of 825 copies printed on Holland paper. 


350. [GUIDE (PHILIBERT).] La Colombiere et Maison 
Rustique de Philibert Hegemon. 12mo, full crimson crushed 
levant morocco, gilt back with tooled acorns in compart- 
ments, richly tooled covers, with a central cartouche within 
gilt panel and borders, decorated with acorns, thistles, roses, 


67 


and daisies, inside dentelle borders, gilt edges, by Duru. 


In morocco slip-case. Paris: Chez Jamet Mettayer, 1583 
The extremely rare ORIGINAL EDITION, containing the ‘‘ Can- 
tiques” and ‘‘Paraphrase sur l’Oraison dominicale.” ‘The 


Double-Desque-Halsey copy, with bookplates. 


351. GUIZOT (FRANCOIS P.G.). L’Histoire de France 
depuis les Temps les plus Reculés jusqu’en 1789. Racontée 
a mes Petits-Enfants par M. Guizot. Finely illustrated with 
numerous full-page and text portraits and views engraved 
on wood after designs by De Neuville. 5 vols. imperial 
8vo, full crimson crushed levant morocco, gilt tooled backs 
and inside borders, outside borders with gilt lines, gilt 
edges, by Marius Michel. Paris: Hachette, 1872-76 

Beautiful copy with large margins, printed throughout on 
China paper. 

352. HALEVY (LUDOVIC). Marcel. 18mo, original 
wrappers, uncut, preserved in specially made covers of red 
China silk. Paris: A la Librairie Illustre [1876] 


353. HALEVY (LUDOVIC). Trois coups de Foudre. 
10 Dessins de Kauffmann graves par T. de Mare. 16mo, 
full blue crushed levant morocco, decorated with a repre- 
sentation of forked lightning, gilt inside borders, flowered 
silk doublures and end leaves, gilt over uncut edges, by 


Ch. Meunier. Paris, 1886 

LIMITED EDITION on papier vergé de Marais. EXTRA-ILLUS- 

TRATED with 8 original water-color drawings by Somm, a por- 

trait of Halevy etched by H. Toussaint, and an original ink 
drawing of a caricature, at the end of the volume. 


354. HALEVY (LUDOVIC). L’Abbé Constantin. Jllus- 
tré par Madame Madeleine Lemaire. 4to, full crushed 
citron levant morocco, back, panels and inside borders 
richly gilt tooled in scrolls, flowered silk doublures and flys, 
gilt edges, original covers bound in, by Lortic Fils. Ina 
case. Paris: Boussod, Valadon et Cie, 1887 


One of 200 copies on Japan paper, with two extra sets of the 
plates before letters, en camaieu on Whatman paper, and in 
bistre on Japan. EXTRA-ILLUSTRATED with a fine ORIGINAL 
-WATER-COLOR DRAWING on Japan paper, signed, by Madeleine 
Lemaire. Laid inis A. N.S. 2 p. from Madame Lemaire regard- 
ing her painting of L’ Abbé Constantin. 


3855. HALEVY (LUDOVIC). Karikari. Aquarelles d’aprés 
Henriot. 16mo, half green levant morocco, uncut. 
Paris, 1888 


Japan paper copy of an edition not for sale. With the Halsey 
bookplate. 


356. HALEVY (LUDOVIC). Mariette. 40 compositions 
de Henry Somm. 8vo, full blue crushed levant morocco, 
gilt-tooled floral borders and back with enlays of red mo- 
rocco, gilt inside borders, orange silk linings and end 
leaves, gilt edges, by P. R. Raparlier. Paris: L. Conquet, 1893 


One of 100 copies on Japan paper, with the illustrations in 
two states. Inserted is a portrait of L. Halévy, etched by H. 
Toussaint, signed in pencil, 


68 


357. HALEVY (LUDOVIC). La Famille Cardinal. Jlus- 
trations by Charles Leandre, etchings by L. Muller and 
woodcuts by A. Leveille. Imperial 8vo, full olive crushed 
levant morocco, gilt rustic border, with inlaid figure of 
‘Harlequin’ in centre of front cover and jester’s wand on 
back cover, back decorated with red flowers, head of a fawn, 
ete.; gilt inside border, with flowered silk doublures and 
end-leaves, gilt top, uncut, wrappers bound in, by Meunier. 

Paris, 1893 

One of 75 copies on Imperial Japan paper, with the etched 

plates in four states and the woodcuts in two. A remarque 

proof portrait of M. Halévy, etched and signed by H. Toussaint, 
has been inserted. 


358. HAMILTON (COMTE ANTOINE). (C£uvres. With 
8 portraits by Roger and St. Aubin, and 4 fine plates after 
Moreau le jeune, engraved by De Ghent, Triere and St. 
Aubin. 3 vols.; Suite des Quatre Facardens et de Zeneyde, 
contes d’Hamilton termines par M. de Levis. 1 vol. 
Together 4 vols. 8vo, contemporary English straight-grain 
green morocco, gilt-tooled sides and backs, gilt edges and 
inside borders, by C. Murton. Paris: Renouard, 1812 


EXTRA-ILLUSTRATED by the insertion of 52 fine and rare por 
traits engraved by Haines and others, all proofs before letters 
on India paper. The portraits of Hamilton and of the Duc de 
Grammont in two states. 


359. HAMILTON (COMTE. ANTOINE). Mémoires 
du Comte De Grammont. Préface de H. Gausseron. 
Fine portrait of Hamilton and 33 other etchings by L. 
Boisson after designs by C. Delort, each in two states, 
both before letters. Imperial 8vo, full blue crushed levant 
morocco, gilt back, the covers decorated with lines, 
crowns and floral tooling, doublures of crimson levant inlaid 
with a border of knotted ribands, end-leaves of embroidered 
silk tapestry, gilt uncut borders, with wrappers bound in, 


by Ch. Meunier, 1897. Paris, 1888 
LARGE JAPAN PAPER EDITION. Oneof abont 35 published in 
this state. 


360. HARAUCOURT (EDMOND). L’Effort: La Madone, 
L’ Antéchrist, L’Immortalité, La Findu Monde. Illustrations 
colored and some illumined by Lunois, Courboin, Schwabe 
and Seon. 4to, fullsalmon levant morocco, back inlaid with 
stalks of lilies, inlaid, front cover richly inlaid with poppy 
flowers and leaves, silver butterflies here and there, inlaid 
border in dark brown imitation of thorns; back cover con- 
tains sprays of lilies and poppies, inlaid, with leaves and 
silver butterflies, border same as front cover, inside borders 
inlaid with conventional pattern, marbled flys, doublures 
and linings of rich embroidered satin, gilt edges on the 
rough, original wrappers bound in, by Meunier. 

A Paris: Publie pour Les Societaires de l’Academie des 
Beaux Livres, 1894. 

Limited edition. This copy for G, Lamouroux, 


69 


361. HAY (MARIE). Madame Dame Dianne de Poy- 
tieres, Duchesse de Valentinois. A monograph. With 
numerous fine full-page reproductions. Royal 4to, original 
vellum, uncut edges. Lond. 1900 

One of 20 copies on Japan paper signed by the author. 


362. HEILLY (GEORGES D.). Madame E. De Girardin 
(Delphine Gay), sa Vie et ses Huvres. Frontispiece etching 
by G. Staal. 16mo, cloth sides, moroceo back, gilt top, 
uncut, original wrappers bound in. 

Paris: Librairie Bachelin-Defiorenne, 1869 


The twelfth and final volume of the Collection du Bibliophile 
Frangais. 


363. HENNIQUE (LEON). La Mort du Due D’Enghien. 
9 large plates (each in four states), and 34 other illustrations, 
some in text (each in two states). Royal 8vo, full purple 
levant moroéco, gilt tooled back, sides with gilt band of five 
diagonal lines, knotted at corners, with sprays of laurel, 
gilt inside borders, doublures and flys of green watered silk, 
gilt edges, by Canape. Paris: Emile Testard, 1895 


Imperial Japan Paper copy, one of only 12 issued, with quad- 
ruple set of the etchings. This copy is No. 9. 


364. HENNIQUE (LEON). Deux Patries. Drame en 
Cinq Tableaux, dont un Prologue. 10 etchings by Leon 
Boisson from designs by Bertrand, each intwo states, onein 
text and one remark proof on full-page. Royal 8vo, full 
erushed green levant morocco, back and sides gilt tooled 
and lined, doublures of crushed brown levant, gilt tooled, 
with inlaid border of green levant, end-leaves of flowered 
silk, gilt edges, by Affolter. Paris, 1903 


JAPAN PAPER EDITION, only 100 copies issued. 


365. HENNIQUE (LEON). Benjamin Rozes. Iillustra- 
tions el gravures de Vadasz. 8vo, original paper covers, 
uncut. Paris: Librairie de la Collection des Dix [n. d.] 


One of 10 copies printed on Japan paper, with the etchings in 
three states. 


366. HEREDIA (J. M. DE). La Nonne Alferez. Wath 
illustrations engraved by Privat-Richard after the designs 
of Daniel Vierge. 16mo, full crushed dark purple levant 
morocco, blind-tooleds, doublures of dark blue levant back- 
ground in which is inlaid a conventional design in four 
different colored morocco, marbled flys, with brocaded silk 
linings, gilt edges on the rough, original wrappers bound in, 
by Mennier. Paris: Alphonse Lemerre, 1894 


One of 50 copies printed on China paper. The present copy 
indicated as the author's. Inserted is a visiting card of the 
author on which he has inscribed: ‘‘ Cher Monsieur et ami, 
voulez-vous avoir la gracieusete de montrer vos admirable re- 
liures anciennes Gd mon ami Chi. Meunier, lVexcellent relieur ?’” 


70 


367. HEREDIA (J. M. DE). La Nonne Alferez. With 
illustrations by Privat-Richard after the designs of Daniel 
Vierge. 16mo, full crushed levant morocco, gilt floral 
sprays on back, covers decorated with 25 small floral sprays, 
gilt inside borders, gilt edges, original wrappers bound in, 
by Rousselle. Paris: Alphonse Lemerre, 1894 

One of 50 copies printed on Japan paper. 


368. HEREDIA (J. M. DE). Les Trophées. First EDI- 
TION. Royal 8vo, full orange levant morocco, gilt-tooled 
line and floral design on sides, gilt inside border, green 
silk doublures and end leaves, gilt top, other edges uncut, 
wrapper bound in, by David. Paris, 1893 


One of 50 copies on Japan paper. Presentation copy from the 
author to Lucien Muhlfeld, with his autograph inscription on 
half-title; an A. L. S. of the author, 1 p. 8vo, to the same, and 
an original autograph poem by Heredia, 4 verses, entitled ‘‘ Le 
Chermodon ” on a fly-leaf at the back. 


369. HERMANT (ABEL). Le Cavalier Miserey—21le 
Chasseurs. 12mo, half brown levant morocco, original 
covers bound in, uncut. Paris, 1887 


First EDITION. One of 10 copies printed on Holland paper. 
EXTRA-ILLUSTRATED WITH 27 ORIGINAL WATER-COLOR DRAW- 
INGS on the margins, finely executed by E. Gatget. 


370. HERMANT (ABEL). Les Confidences d’une Aieule. 
(1788-1863.) Illustrations de Louis Morin. 18 plates, each 
an four states. China, Japan and plate paper, black and 
colored; and about 100 other illustrations, each in three states, 
in text and on China and Japan paper. Royal 8vo, full 
blue crushed levant morocco, gilt tooled back and lined 
panel borders, doublures of brown levant, inlaid and gilt 
tooled with birds, nests, scrolls, &c., flys of flowered silk 
tapestry, gilt on uncut edges, by Affolter. Paris, 1900 

One of fifty copies on Japan paper. 


371. HERO ET LEANDRE, Poéme Nouveau en Trois 
Chants. Traduit du Gree, sur un Manuscrit Trouvé a Castro, 
auquel on a joint des Notes Historiques. With 8 plates in 
colors, engraved by P. L. Debucourt, and a frontispiece, 
uncolored. Folio, full dark blue straight-grain morocco, 
handsomely tooled with an outer dentelle border, inner line 
border, with fan-shape decoration in corners and a center 
of gilt scroll and dot work in form of a diamond, giltiinside 
border, pale blue silk lining, gilt over rough edges, by 
Canape. Paris, 1801 


A beautiful example of French color printing. The frontis- 
piece and plates 3-4-5-7 are in first state, before Debucourt 
signature, and plates 1-2-6-8 are in second state, proofs before 
letter, but with the signature. 

(See Illustration. ) 


71 


372. HERVIEU (PAUL ERNEST). Flirt. Illustré par 
Madame Madeleine Lemaire. [With portofolio containing 
extra set of plates.| 2 vols. 4to, wrappers, uneut, and porto- 
folio boards. Paris: Boussod, Valadon et Cie, 1890 


One of 100 copies on Japan paper, with two extra sets of 
the plates in grey on Whatman paper, and in bistre on: Japan 


paper. 


373. HORACE. Odes et Epodes. Chant Séculaire. Tra- 
duction nouvelle par le Comte de Séguier. Jllustrations im 
gold and colors by Méaulle after the aquarelles by Meyer, 
pages printed within sepia decorative borders. 16mo, full 
crushed brown levant morocco, gilt floral sprays on back, 
tooled centre ornament on covers, gilt inside borders, gilt 
edges, original wrappers bound in, by Rousselle. 

Chefs d’Giuvres Antiques. Paris: A. Quantin, 1883 


374. HOUDENC (RAOUL DE). Meraugis de Portlesguez. 
Roman de la Table Ronde. Publié pour la premiére fois par 
H. Michelant. With facsimiles of the minatures in the original 
manuscript. Large 8vo, full green crushed levant morocco, 
richly gilt-tooled on sides, back and inside borders, doublures 
and flys of blue moire silk, gilt edges, by Lortic. Paris, 1869 


Unique example printed throughout on vellum. With the 
armorial bookplate of W. H. Crawford, of Cork. In green mo- 
rocco slip-case. 


375. HOUSSAYE (ARSENE). Princesses de Comédie et 
Déesses d’Opéra. Portraits, Camées, Profils, Silhouettes. Hn- 
graved frontispiece. 8vo, cloth, leather label, gilt top, uncut, 
original wrappers bound in. Paris: Henry Plon, 1860 

First EpIrion. 


376. HOUSSAYE (ARSENE). Histoire du 4le. Fauteuil 
de L’Académie Franeaise. Engraved portrait of Moliere, by 
Geoffrey. 8vo, full green polished levant morocco, gilt inside 
borders, red silk doublures and flys, gilt edges, original wrap- 
pers bound in, by Affolter. Paris, 1861 


FINE COPY, EXTRA-ILLUSTRATED WITH PORTRAITS of all the 
fifty-five distinguished writers, &c., contained in this History, 
including many fine etched, engraved and lithographed plates, 
French and English. Descartes, Pascal, Moliere, Rochefou- 
cauld, Louis XIV, Napoleon I, Abbe Prevost, J. B. and J. J. 
Rousseau, and others. 


377. HOUSSAYE (HENRY). Aspasie, Cléopatre, Théo- 
dora. Illustratwe tinted and gilt vignettes by A. Giraldon. 
Royal 8vo, full dark olive crushed levant morocco, broad panel 
border of gilt lines and scroll tooling; gilt inside border with 
doublures of red silk, gilt top, uncut, wrappers bound in, by 
Bretault. With extra half morocco cover and ease. 

Paris, 1899 


One of 32 copies with an extra set of the plates, untinted, on 
China paper. Printed for ‘‘Les Amis des Livres.’’ 


72 


378. HUBNER (BARON DE). Promenade Autour du 
Monde, 1871. 316 full-page and text illustrations, by De Neu- 
ville, Weber, Bollanger and many others. Ato, full green 
crushed levant morocco, gilt lined borders and back, gilt inside 
borders, gilt top, uncut, by Zaehnsdorf. 

Paris: Hachette & Co., 1877 
CHINA PAPER Copy. With bookplate of F. R. Halsey. 


379. HUGO (VICTOR). MHernani; ou L’Honneur Castil- 
‘lan, Drame. Représenté sur le Théatre-Franeais le 25 février 
1830. 8vo, full red levant morocco, Jansen style, gilt inside 
borders, gilt edges, by Thibaron. 

Paris: Mame et Delaunan-Vallée, 1830 


First EpirioN. With 8 pp. of advertisements. 


380. HUGO (VICTOR). Notre-Dame de Paris. Woodcut 
after T. Johannot. 2 vols. 8vo, full calf gilt and blind-tooled, 
with a gilt cartouche on each panel. Paris: Gosselin, 1831 


First EDITION. Presentation copy from the author with auto- 
graph inscription on the half-title: ‘‘A. M. Anton Thouret, 
offert par l’auteur. Vr. H.’’ Inserted is A. L. S. of Victor 
Hugo to Mr. Thouret, proprietor of the ‘‘Revolution,’’ 1 p. 
8vo, with address, closely written, dated March 18, in -the 
morning [1831] saying in part: ‘‘Your letter gave me great 
pleasure and I hasten to send you the only copy which is at 
the present time in my possession [referring to the above 
book]. Be so kind as to let me know if you need a copy for 
your paper. I presume that Mr. Gosselin [Publisher of this 
book] niggardly as he is, will not refuse to forward a copy 
of the second edition, which is now being bound,’’ etc. (Trans- 
lation.) 


3881. HUGO (VICTOR). Les Feuilles d’Automne. Vignette 
on title after Tony Johannot, engraved by Porret. 8vo, full 
brown crushed levant morocco, doublures of green straight- 
grain levant morocco, with gilt tooled ornamental borders, 
end leaves of brown watered silk, gilt top, uncut, original 
covers bound in, by Champs. Paris: Renduel, 1832 

First EpIrion. Fine copy. 


382. HUGO (VICTOR). Le Roi S’Amuse Drame. Vignette 
title after Johannot on India paper. 8vo, red levant morocco, 
Jansen style, gilt tooled inside borders, gilt edges, by Thibaron. 

First Eprrion. Paris: Renduel, 1832 


383. HUGO (VICTOR). uvres Complétes, 1819-1834. 
Littérature et Philosophie Mélées. First Epirion. 2 vols. 
8vo, full dark-red straight-grain morocco, backs and borders 
gilt with lines and corner scrolls, gilt inside borders, doub- 
Jures and flys of dark red watered silk, gilt tops, other edges 
uncut, original yellow wrappers bound in, by Champs. 

VERY FINE Copy. Paris: Eugene Renduel, 1834 


73 


3884. HUGO (VICTOR). Les Rayons et les Ombres. (Vol. 
VII of Guvres completes de’ V. Hugo. Poésie.) 8vo, full 
light blue crushed levant morocco, Jansen style, gilt-tooled in- 
side borders, gilt top, uncut, by Marius Michel. Paris, 1840 


First EDITION printed on Papier Vélin. EXTRA-ILLUSTRATED 
by the insertion of a portrait of Victor Hugo, etched by Ch. 
Courtry after the bust of David d’Angers on China paper 
proofs before letters; portrait of Charles X, engraved by 
Montaut; portrait of David d’Angers, and the engraved plate 
‘‘Le Rencontre’’ engraved by Geoffroy after Steinheil. Con- 
tains also a fine bookplate of Alfred Piat engraved by Stern. 


385. HUGO (VICTOR). Notre-Dame de Paris. Edition 
illustrée d’aprés les dessins de MM. E. de Beaumont, L. Bou- 
langer, Daubigny, T. Johannot, Meissonier, C. Roqueplan, 
Steinheil, etc. 55 full-page plates, and numerous woodcuts in 
the text. Imp. 8vo, half maroon morocco back gilt and tooled 
in a gothic design [after a window of the Saint-Chapelle, 
Paris], original covers bound in, uncut, by V. Champs. 

Paris, 1844 


386. HUGO (VICTOR). Les Orientales (d’aprés 1’Edition 
originale). IJllustrées de 8 compositions de M.M. Gerome et 
Benjamin Constant, gravées a l’eau forte part M. de Los Rios. 
Royal 4to, bound in full parchment, sides with red lines, back 
with an original water-color and pen-and-ink drawing, uncut, 
by Carayon. Paris: Imprimé pour les Amis des Livres, 1882 


SpeciAL Copy. One of 135 copies issued on Japan paper 
for subscribers, this copy being the one of M. Jules Silvestre 
de Sacy. Published with the illustrations in two states and 
one plate in 3 states. EZEXTRA-ILLUSTRATED with a set of all the 
plates; 3 extra impressions of the plate ‘‘Chanson de Pirates’’ 
(making this plate in 6 states) and 2 extra impressions of the 
plate ‘‘Sara la Baigneuse’’ (making it in 5 states). 


387. [HUGO (VICTOR).] le Livre d’or de Victor Hugo. 
Par 1’élite des artistes et des écrivains contemporains. Direc- 
tion de Emile Blémont. With numerous fine ialustrations by 
Bonnet, Henner, Laurens, Scott, Lelowr, Doré, Moreau, Duez, 
Cormon and many others. 4to, full crimson morocco, gilt, gilt 
back and inside borders, gilt top, uncut. Paris: Launette, 1883 


One of 200 copies printed on Japan paper, with the photo- 
gravure plates proofs before letters. 


388. HUGO (VICTOR). Notre Dame de Paris. Jllustra- 
tions by Luc-Olwier Merson. 2 vols. royal 4to, full brown 
crushed levant morocco, backs and sides blind-tooled, centres 
with a gothic design taken from a window of the Sainte- 
Chapelle, Paris, gilt inside borders, dark green doublures and 
end leaves of watered silk, gilt edges, by P. R. Raparlier. 

Paris, 1889-90 


MAGNIFICENT Copy. One of only 10 copies on Japan paper, 
with all the etchings in two states. Laid in are numerous 
woodcut and other clippings. 


74 


389. HUMBERT (AIME). Le Japon illustré. Owuvrage 
contenant 476 vues, scenes, types, manuments et paysages, une 
carte et cing plans, dessinées par E. Bayard Catenacci, Ciceri, 
Neuville, Rapine Therond, and others. 2 vols. in one, royal 
4to, full crushed orange levant morocco, gilt, gilt inside 
borders, gilt top, by Zaehnsdorf. Paris, 1870 


One of only a few copies printed on China paper. The F. R. 
Halsey copy, with bookplate. 


390. HUYSMANS (J.-K.). Certains, G. Moreau—Degas— 
Cheret— W histhler—Rops—Le Monstre—Le Fer—, ete. 12mo,. 
full crimson crushed levant morocco, gilt-tooled inside borders, 
doublures of green silk, gilt edges, uncut, original covers: 
bound in, by P. Affolter. Paris, 1889 

First Epirion. One of 15 copies on Japan paper. Presenta- 


tion copy from the author to Edmond de Goncourt, with his. 
autograph inscription. 


391. HUYSMANS (J.-K.). A Van-l’eau. Eau-forte de 
A. Delatre. 16mo, full citron crushed levant morocco, Jansen: 
style, gilt inside borders, doublures and ends of blue silk, gilt 
edges, uncut, original covers bound in, by Affolter. 

Paris, 1894 


One of 10 copies on Japan paper, with the portrait in 2 
states. 


392. HUYSMANS (J.-K.). En Route. First EDITIon. 
12mo, full crushed crimson levant, gilt tooled inside borders,. 
doublures and end leaves of blue silk, gilt over uncut edges, 
by P. Affolter. Paris, 1895. 


_ One of 12 copies on Japan paper. Presentation copy from 
the author to Edmond de Goncourt, with autograph inscription. 
Inscribed also by E. de Goncourt in red ink. 


393. HUYSMANS (J.-K.). La Cathédrale. Square 12mo, 
full crushed lavender morocco, Jansen style, gilt inside 
borders, gilt over rough edges, original covers bound in, by 
Durvand. Paris, 1898: 


First Epir1on. One of 100 special copies printed on Hol- 
land paper, having a filigree design by Louis Chevalier, title,. 
and head- and tail-pieces printed in red, an etched portrait of 
the author by Eug. Delatre and an illuminated frontispiece. 
by Pierre Roche, on vellum. 


394. HUYSMANS (J.-K.). Le Quartier Notre-Dame. IJllus- 
trations et gravures de Ch. Jouas. Royal 8vo, full maroon 
levant morocco, gilt fillet borders in compartments on back, 
' govers ornamented with a double set of 3-fillet borders, inter- 
twined at corners, forming squares at each corner, doublures. 
of dark green levant morocco, handsomely tooled with a 5- 
fillet panel and a similar outside border, with hexagonal. 


75 


corner designs locking the two, marbled flys, ribbed purple 

silk linings, gilt edges, original wrappers bound in, by 
Chambolle-Duru. 

Paris: Librairie de la Collection des Dix [1905] 

One of 10 copies on Large Japan paper, with the etchings in 

three states, ALL PROOFS BEFORE LETTERS. There are two im- 


pressions of the front cover, and the woodcut portrait of the 
author is in two states, on India and Japan papers. 


395. IMBERT (BARTHELEMY). Historiettes; ou Nouv- 
elles en Vers. Beautiful title designed and engraved by 
Moreau, and frontispiece and 4 charming vigneties by 
Masqueluer and Née, after Moreau. 2 vols. 8vo, full crushed 
red levant morocco, gilt-tooled back and inside borders, gilt 
edges. Amsterdam [Paris, Delalain], 1774 


First Epirrion. Large Holland paper copy. Very scarce. 


396. JACQUE (CHARLES-EMILE). Vingt sujets com- 
posés et gravés a l’eau forte par Ch. Jacque. 20 fine etchings, 
brilliant impressions on India paper, proofs before letters 
(mounted). Folio, cloth. [Paris: Delatre, 1850] 

The F. R. Halsey copy, with bookplate. 


397. JACQUEMART (ALBERT) anp LE BLANT (ED- 
MOND). Histoire Artistique, Industrielle et Commerciale de 
la Porcelaine; accompagnée de recherches sur les sujets et 
emblémes qui la décorent, les marques et inscriptions qui 
font reconnaitre les fabriques d’ou elle sort, ete. Hnrichie de 
26 planches gravées a l’eau-forte par Jules Jacquemart. Folio, 
full red levant morocco, gilt inside borders, gilt edges, by 
Duru et Chambolle. Paris, 1862 

Inserted is A. L. S. of Albert Jacquemart, 2 pp., 8vo, with 
stamped envelope, dated Paris, June 31, 1880, to Leopold 
Double. Laid in are numerous illustrations in black and colors 
relating to Porcelain, mostly from magazines. 

There are 28 etchings in this volume, and as each plate 
bears a number, the title-page is probably in error in recording 
twenty-six. The L. Double—F. R. Halsey copy, with bookplates. 


398. JACQUEMIN (RAPHAEL). Iconographie Générale 
et Méthodique du Costume du IVe au XI Xe Siécle (315-1815). 
Collection gravée a l’eau forte d’aprés des documents authen- 
tiques et inédits. Avec introduction et table méthodique. 200 
planches colorvée au pinceau contenant 420 figures. Folio, 
half crushed red levant morocco, gilt back, gilt top. 

Paris: L’Auteur [1868] | 


The original edition of this fine work on all the costumes 
from the fourth to the nineteenth century, with the 200 large 
plates colored by hand. 

The F. R. Halsey copy, with bookplate. 


76 


399. JANIN (JULES). L’Ane Mort. LHdition «llusirée 
par Tony Johannot. Imperial 8vo, full dark red straight- 
grain morocco, back with shield-shaped ornaments, sides gilt- 
tooled in arabesque design, borders with heavy gilt lines, 
doublures and end-leaves of watered silk, gilt edges, by 
Durvand. Paris: Ernest Bourdin, 1842 


Large PAPER Copy, with many illustrations in text, engraved 
portrait of the author and full-page plates by Hebert and others 
after Johannot. Original wrappers bound in. 


400. JANIN (JULES). L’Amour des Livres. Ktched por- 
trait of the author mserted by G. Staal. 16mo, full crushed 
crimson levant morocco, back and sides gilt-tooled with border 
of six parallel lines knotted at corners, inside borders gilt with 
garlands of flowers, doublures and end-leaves of brocaded silk 
tapestry, gilt edges, by Ch. Meunier, original printed wrappers 
bound in. Paris, 1866 


First EpiTion. Only 200 copies printed on papier vergé. 
This copy has an AUTOGRAPH POEM BY THE AUTHOR on half- 
title, signed. 


401. JAPANESE ART. GONSE (LOUIS). L’Art Japon- 
ais. With numerous plates, some beautifully printed im 
gold and colors, and text illustrations of Japanese paintings, 
bronzes, worries, etc. 2 vols. folio, pictorial silk, uncut. 

Paris, 1883 

One of 100 copies printed on Japan paper, with the etchings 

and heliogravure plates in two states; proofs before and after 

letters, one on Japan paper. Contains 64 full-page engravings, 

30 of which are in chromo-lithography, 13 etchings, 21 helio- 

gravure plates, and about 700 facsimiles of seals, autographs, 
etc. The F. R. Halsey copy, with bookplate in each volume. 


402. JOKAI (MAURICE). Réve et Vie. Traduction de 
Prince Bojidor Karageorgevitch. Full-page and vignette illus- 
trations by Marold. 18mo, full crushed lavender levant mo- 
rocco, gilt floral spray on back, small tooled centre ornament 
on covers, gilt inside and outside borders, original wrappers 
bound in. Paris: E. Dentu, 1894 


‘¢Petite Collection Guillaume. ’’ 


403. JULLIEN (ADOLPHE). La Comédie a la Cour. 
Les Théatres de Société Royale pendant le Siécle Dernier. 
Many portraits and illustrations, in two states (one m red 
before letters). 4to, full green crushed levant morocco, gilt- 
tooled panels and back, doublures of pink crushed levant, 
richly gilt-tooled and inlaid in a design of garlands, flowers 
and scrolls, end-leaves of flowered silk, gilt on uncut edges, by 
Ruban, 1896. ; Paris, ca. 1896 


LimiteD EpiTion on Holland Paper. EXTRA-ILLUSTRATED 
with 55 etchings and engravings, including 2 folding views, 
portraits of Louis XV., Pompadour, Marie Antoinette, 
D’Argenson, Fontenelle, and others, some the scarce originals 
of the woodcuts used in this volume. 


fi 


404. KELLER (G.). Roméo et Juliette au Village. Full- 
page and vignette illustrations by Lwagi Rossi and Mitts. 
18mo, full dark green crushed levant,moroceo, gilt floral spray 
on back, small tooled centre ornament on covers, gilt inside 
borders, original wrappers bound in, by Rousselle. 

Paris: Librairie L. Borel, 1895 


One. of 25 copies printed on Japan paper. ‘‘ Collection 
Chardon Bleu.’’ 


405. KRESS (0O.). Les Mystéres de la Génération et La 
Vie Sexuelle du L’Homme. Etude de Médécine Populaire. 
Illustrated with many text vignettes and a few plates m 
colors. Large 8vo, cloth, gilt. Berne, n. d. 


406. LA BORDE (JEAN BENJAMIN DE). Choice de 
Chansons mises en musique, par M. de La Borde, premier 
valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. 
With the rare portrait of La Borde, called ‘‘a la lyre,’’ en- 
graved by Masquelier, after Denon; 4 engraved titles by Née 
and Masquelier, after Moria, Mile. Vendome, Le Bouteux and 
Le Barbier, dedication engraved by Masquelrer, after Moreau, 
and 75 plates engraved by Née and Masquelier, after Le 
Bouteux, Le Barbier and St. Quentin, the text and the music 
of the whole work engraved by Moria and Mlle. Vendome. 
4 vols. royal 8vo, full crimson crushed levant morocco, gilt 
triple line on sides, gilt-tooled back, inside gilt-tooled borders, 
gilt edges, by Chambolle-Duru. Paris: chez de Lormel, 1773 


The RARE ORIGINAL EDITION. Contains the portrait of 
Laborde ‘‘a la lyre’’ which is very often missing as it was 
engraved a year after the printing of the book. An exquisite 
copy of one of the prettiest books of the eighteenth century, 
taking rank with the Fermiers-Géneraux edition of La Fon- 
taine’s Contes de Nouvelles. The F. R. Halsey copy, with book- 
plate in each volume. 


407. LA BRUYERE (JEAN DE). Les Caractéres de la 
Bruyére, suivis des Caractéres de Théophraste, traduits du 
grec par leméme. 2 vols. 8vo, half brown crushed levant mo- 
rocco, gilt-tooled backs, gilt tops, uncut, by Bertrand (small 
worm hole in hinge of first vol.) Paris: Lefévre, 1824 


Large Papier Vélin copy. EXTRA-ILLUSTRATED by the inser- 
tion of 3 portraits of La Bruyére (one of which is on India 
paper) engraved by Hopwood, Savart and Taurel, and a por- 
trait of Rabelais engraved by Savart. The F. R. Halsey copy, 
with bookplate in each volume. 


408. LA BRUYERE (JEAN DE). les Caractéres de La 
Bruyére. Etched portrast of the author, and 17 other etchings 
by V. Foulquer, each in two states, one on China paper and 
one in text. Imperial 8vo, full brown crushed levant morocco, 
gilt and lined back, panels and inside borders, doublures and 
flys of green moire silk, gilt edges, by David. Tours, 1867 


LIMITED EDITION, only 223 copies on all papers. 
78 


409. LACROIX (PAUL) ann SERE (FERDINAND). 
Le Moyen Age et la Renaissance, histoire et description des 
moeurs et usages, du commerce et de 1’industrie des sciences, 
des arts, des htteratures et des beaux-arts en Europe. Dessins 
facsimile par M. A. Rivaud. Colored frontispiece and other 
dlustrations, many in colors. 5 vols. 4to, full crushed maroon 
morocco, gilt lines on sides and backs, gilt inside borders, gilt 
tops, by Zaehnsdorf. Paris, 1848-1851 

First Epirions. A very beautiful set, the engravings ex- 
hibiting specimens of curious objects of Medieval Art from all 
parts of Europe. With upwards of 300 fine plates, many exe- 


euted in gold, silver and colors. The F. R. Halsey copy, with 
bookplate in each volume. 


410. LACROIX (PAUL). XVIIIe Siécle. Lettres, Sciences 
et Arts. France 1700-1789. With 16 plates beautifully 
printed im gold and colors and 250 other illustrations en- 
graved on wood (20 of which are full-page plates on India 
paper) from paintings, drawings, engravings, tapestries, 
objects of art, etc. Imp. 8vo, full brown crushed levant mo- 
rocco, richly gilt-tooled back and inside borders, gilt edges, 
original covers bound in, by Emile Rousselle. 

Paris: Firmin Didot, 1875 
First EpITion. One of 650 copies on Large Paper. 


411. LACROIX (PAUL). XVIIIe Siécle. Institutions, 
Usages et Costumes. France 1700-1789. With 21. plates 
beautifully printed wm gold and colors and 350 other illus- 
trations engraved on wood (the full-page illustrations on 
India paper) from contemporary paintings, drawings and 
engravings. Imp. 8vo, full brown crushed levant morocco, 
richly gilt-tooled back and inside borders, gilt edges, original 
covers bound in, by Emile Rousselle. 

Pariss-Hirmin Didot, +1875 


First EpItion. One of 650 copies printed on Large Paper. 
Laid in are numerous portraits and other clippings. 


412. LACROIX (PAUL). XVIIIe Siécle. Institutions, 
Usages et Costumes. France 1700-1789. Jllustré de 21 
chromolithographies et 850 gravures sur bois d’aprés Watteau, 
Vanloo, Rigaud, Boucher, Lancret, J. Vernet, Hisen, Gravelot, 
Moreau, Saint-Aubin, etc. 4to, full red morocco, filleted 
borders on sides with a fleur-de-lys at each corner, repeated 
five times on the back, gilt inside borders, gilt edges. 

Paris, 1875 


First Epirion. One of 55 copies on China paper. The F. R. 
Halsey copy, with bookplate. 


418. LACROIX (PAUL). XVIlIe Siécle. Institutions, 
Usages et Costumes. France, 1590-1700. Illustrated with 16 
chromolithographs and 300 engravings on wood (20 of which 
are full-page plates on India paper), after the monuments of 


79 


the art of the period. Imp. 8vo, full crushed olive levant 
morocco, gilt-tooled back and inside borders, gilt edges, origi- 
nal covers bound in, by Hmile Rousselle. | 

Paris: Firmin Didot, 1880 


First Epition. One of 500 copies printed on Large Paper. 


414. LACROIX (PAUL). XVIle Siécle. Lettres, Sciences 
et Arts. France, 1590-1700. Illustrated with 17 chromolitho- 
graphs and 300 engravings on wood (16 of which are full- 
page plates on India paper) after the monuments of the art 
of the period. Imp. 8vo, full crushed olive levant morocco, 
gilt back and inside borders, gilt edges, original covers bound 
in, by Emile Rousselle. Paris, 1882 

First Epirion. One of 500 copies printed on Large Paper. 


415. LACROIX (PAUL). Directoire, Consulat et Empire. 
Mceurs et Usages, Lettres, Sciences et Arts. France, 1795- 
1815. Illustrated with 12 chromolithographs and of 410 en- 
gravings on wood, after Ingres, Prudhon, David, Isabey, Gros, 
Sergent, Bonet and many others. Imp. 8vo, full dark purple 
crushed levant morocco, richly gilt-tooled back and inside 
borders, gilt edges, original covers bound in, by Emile Rous- 
selle. | Paris: Firmin Didot, 1884 

First Epition. One of 500 copies printed on Large Paper, 
with the full-page engravings on India paper. 


416. LA FAYETTE (MADAME DE). la Princesse de 
Cléves. 4 vols in 2. 12mo, full citron levant morocco, lines 
on sides, backs gilt-tooled with roses, inside borders, gilt 
edges, by Trautz-Bauzonnet. : 
| Paris: Chez Claude Barbin, 1678 
First EDITION, with the final blank leaf Siv. Very fine copy, 


with wide margins. The Génard—Henri Bordes—F. R. Halsey 
copy, with bookplates. 


417. LA FAYETTE (MADAME DE). la Princesse de 
Cléves. Préface par Anatole France. Un portrat et douze 
compositions de Jules Garmer gravés par A. Lamotte. 8vo, 
full blue crushed levant morocco, richly gilt center and orna- 
mental border, gilt back, doublures of red levant handsomely 
decorated in the manner of Le Gascon, floral embroided silk 
end leaves, gilt edges, by Affolter. 7 Paris, 1889 


One of 75 copies on Imperial Japan paper, with an extra 
set of plates, proofs on India paper. 


418. LA FIZELIERE (ALBERT DE). Histoire de la 
Grinoline au temps passé. Suivie de la Satyre sur les 
Cerceaux, Paniers, etc., par le Chevalier de Nisard, et de 
l’indignité et l’extravagance des Paniers par un prédicateur. 
12mo, full lavender crushed levant morocco, gilt back in com- 
partments, cartouche on covers, with double fillet borders, 
inside borders, gilt edges on the rough,. original colored 
wrappers bound in, by Rousselle. Paris: A. Aubry, 1859 


First Epirion. Fine copy. 
80 


419. LA FONTAINE (JEAN DE). Les Amours de Psiche 
et de Cupidon. 8vo, full crushed orange levant morocco, gilt 
back and inside borders, gilt edges, by Trautz-Bauzonnet. 

Paris: Claude Barbin, 1669 


FINE copy of the original First Epirion, with the Privilege 
du Roi. 


420. LA FONTAINE (JEAN DE). (uvres. Nouvelle 
édition, revue, mise en ordre, et accompagnée de notes par 
C. A. Walckenauer. 6 vols. 8vo, half brown crushed morocco, 
gilt tooled backs, gilt tops, uncut, by Bertrand. 

Paris: Lefévre, 1827 


Large Papier Vélin copy. Extra-illustrated by the insertion 
of 6 portraits of Lafontaine (one of which is engraved by 
Fiquet). 24 plates after Moreau le jeune, engraved by Bose, 
Delignon, Delvaux, de Ghendt, Mariage, Pigeot Triere, de Vil- 
liers fréres et Villerey issued in 1812-1814 (many are proofs 
before letters), and 89 fine vignettes by Duplessis—Bertaux 

- proofs before letters on India paper. In all 119 plates. The 
F, R. Halsey copy, with bookplate in each volume. 


421. LA FONTAINE (JEAN DE). Fables. Notices par 
M. Poujoulat. 50 gravures et un portrait a l’eau forte par V. 
Foulquier. Imperial 8vo, full crimson crushed levant morocco, 
gilt tooled back and inside borders, gilt top, uncut, by All6. 

Tours: Mame et Fils, 1875 
One cf 300 copies printed on Papier Vergé. 


422. LA FONTAINE (JEAN DE). Les Amours de Psyché 
et de Cupidon, suivies d’Adonis. Nouvelle edition. Ornée 
de 26 figures de Borel, gravées en couleurs par Vigna-Vigneron. 
Préface de Jules Claretie. 2 vols. imperial 8vo, boards, uncut. 

Paris: Theophile Belin, 1899 


One of 350 copies, with the plates in three states, outline 
before letters, bistre, and colored. 


423. LA HARPE (M. DE). Tangu et Félime, poéme en 
IV Chants. TYvtle engraved by Marillier and 4 pretty plates, 
also after Marilher by Dambrum, de Ghendt, Halbou and 
Ponce, all brilliant impressions. 8vo, full red crushed levant 
morocco, gilt triple line sides, gilt-tooled back and inside bor- 
ders, gilt edges, by Chambolle-Duru. Paris [1780] 

ONE OF THE RARE COPIES ON LARGE PAPER. A charming 
book, in the finest condition. The copy of Georges Danyou, 
with bookplate. 


424, LAMARTINE (ALPHONSE DE). Jocelyn. Episode. 
Avec dessins de Besnard, gravés par De Los Rios; portrait 
gravé par Champollion. 8vo, full crushed green levant mo- 
rocco, triple line on borders, back gilt-tooled with roses and 
lyres, gilt lined, inside borders, doublures and ends of red 
silk, gilt edges, uncut, by AII6. 

| Paris: Librairie des Bibliophiles, 1885 
One of 20 copies on Grand Papier Whatman, with each of 
the nine plates and portrait in two states, proofs before and 
after letters. 
81 


425. LAMARTINE (ALPHONSE DE). Graziella, avee 
une Préface par L. de Ronchaud. Dessins de Bramtot, graves 
par Champollion. 8vo, full crushed green levant morocco, 
triple line on borders, back gilt-tooled with roses and lyres, 
gilt lined inside borders, doublures and ends of red silk, gilt 
edges, uncut, by All6. Paris: Librairie des Bibliophiles, 1886 


One. of 20 copies on Grand Papier Whatman, with each of 
the six plates in two states, proofs before and after letters. 


426. LA ROCHEFOUCAULD (FRANCOIS (VI) DUC 
DE). Reflexions: ou Sentences et Maximes Morales. Vignette 
on title, and engraved frontispiece by Stph. Prcart. 16mo, 
full crushed crimson levant morocco, gilt back in compart- 
ments, gilt fillet border design, with centre scroll ornament, 
oilt inside borders, gilt over marbled edges, by Motte. 

A Paris: Chez Claude Barbin, 1665 


Fine copy of the First Epirion. In this copy the pagina- 
tion is continuous to 150. Maxim CXLIX is in the uncor- 
rected state, as are also lines 3 and 4 of page 74, and Maxim 
CLXITII. The remainder of the differences mentioned in 
‘¢Petit’’ are here in the corrected state. 


427. LAS CASES (COMTE DE). Mémorial de Sainte- 
Héléne; suivi de Napoléon dans ]’Exil, par MM. O’Méara et 
Antomarchi, et de l’historique de la translation des restes 
mortels de L’Empereur Napoléon aux Invalides. With 2 
frontispreces, 27 full-page plates after Charlet, Sandoz, David 
Steuben, etc., engraved by Hebert, Smith, Williams, Harrison 
and others, on India paper, and 500 text illustrations by Char- 
let. 2 vols. royal 8vo, full dark green levant morocco, gilt- 
tooled with a border of crowned eagles, letter ‘‘N,”’ bees and 
scrolls, backs tooled in compartments with the letters ‘‘N’’ re- 
peated 4 times, broad gilt inside borders, crimson watered silk 
doublures and flys, gilt edges, original covers bound in, by 
Durvand. Paris: Bourdin, 1842 


Inserted are a portrait of Las Cases after Delorme on India 
paper, and a portrait of Charlet after Benjamin. With the 
prospectuses for 1842 containing advertisements of Bourdin 
publications. 


428. [LAURENS (ABBE DU).] La Chandelle D’Arras, 
Poéme en XVIII Chants. Précedée d’une Notice de 1’ Auteur. 
19 full-page plates engraved by Tassaert after Desras.  8vo, 
full polished calf (slightly worn). Paris, 1807 


EXTRA-ILLUSTRATED with an etched frontispiece by Felicien 
Rops. The author was unfrocked for his writings and after- 
wards led a vagabond life, finally dying in prison. 


429. LAURENT (J. P. DE L’ARDECHE). Histoire de 
l’Empereur Napoléon. Profusely illustrated with full-page 
and vignette woodcuts. Royal 8vo, full green straight-grain 
morocco, back and covers emblematically tooled, 4-fillet inside 


82 


borders, doublures and flys of crimson China silk, gilt edges on 
the rough, by Canape. Paris: J. J. Dubochet et Cie, 1840 


Choice copy, with the full-page illustrations colored by hand. 
A lithograph portrait of the illustrator is inserted. Contains 
44 military costume plates engraved on wood after Bellange. 


430. LAVEDAN (HENRY). Leurs Sceurs. .With numer- 
- ous text rllustrations by Robaudi. 12mo, full blue crushed 
levant morocco, gilt back in compartments, covers richly deco- 
rated with an open scroll border, the interspaces filled with 
emblems of love, gilt inside borders, doublures and flys of red 
China silk, gilt edges on the rough, original wrappers bound 
in, by Affolter. 

Paris: Librairie de 1’Edition Nationale, Emile Testard, 1896 

No. 2 of 25 copies on Japan paper. 


431. LEBAILLY (ARMAND). Madame de Lamartine. 
Etched frontispiece by G. Staal. 16mo, board sides, levant mo- 
rocco back, uncut, original wrappers bound in. 

Paris: Librairie de Mme. Bachelin-Deflorenne, 1864 
Collection du Bibliophile Francais. 


432. LEBAILLY (ARMAND). Hégésippe Moreau. Docu- 
ments Inédits. Frontispiece etching by G. Staal. 16mo, board 
sides, morocco back, uncut, original wrappers bound in. 

Paris: Librairie de Mme. Bachelin-Deflorenne, 1864 
Collection du Bibliophile Franeais. 


433. LEBRUN (M.). Galerie des Peintres Flamands, Hol- 
landais et Allemands. With 201 engraved plates, fine impres- 
sions. 3 vols. folio, contemporary scored russia gilt, with a 
squirrel stamped in the center of each panel, gilt edges 
(shghtly rubbed and some plates very slightly stained), re- 
backed. Paris, 1792-96 


First Epirion. Mr. Le Brun, husband of Vigée Lebrun, 
besides being a great dealer in paintings was a well-known 
artist. The pictures which form this beautiful collection are 
reproductions of those originals by Hals, Holbein, Rembrandt 
and about 125 other paintings that passed through his hands 
and which he had engraved by Blot, Bretin, Couché, David, 
Dambrun, Gaucher, De Longueil, Spline, Zentner, Simonet, 
Duncker and many others. (Cohen, p. 422. Galerie des 
Peintres Flamands.) The F. R. Halsey copy, with bookplate in 
each volume. 


434. LEMAITRE (E.). Le Livre d’Amour. Saint-Beuve 
et Victor Hugo. Lettre-préface d’Arséne Houssaye.  8vo, 
full dark brown straight-grain morocco, gilt ornamental bor- 
ders on sides, gilt back, gilt inside borders, doublures and flys 
of red China silk, uncut edges, original covers bound in, by 
Canape. Reims, 1895 


One of 100 copies on Papier Van Gelder Zonen de Holland. 
EXTRA-ILLUSTRATED by the insertion of 3 portraits etched by 
Monzies and Martinez, proofs before letters on China paper. 


83 


435. LEMAITRE (JULES). Contes Blanes: La Cloche.— 
La Chapelle Blanche—Mariage Blane. Jllustrations a 
l’Aquarelle de Mile. Blanche Odin. Square 8vo, light brown 
crushed levant morocco, with a broad border of morocco of a 
lighter shade, inlaid with a decoration of blue, purple and pink 
blossoms and foliage of various shades of green, doublures of 
white kid, inlaid with a sprig of blue flowers in front and 
lavender blossoms in back, end leaves of pink tapestry silk, 
gilt edges, by Affolter. Paris, 1900 


One of 210 copies on vellum paper, with a duplicate set of 
the outline designs at the end. 


436. LEMAITRE (JULES). Myrrha. Vierge et Martyre. 
Preface par L’Auteur. 14 etchings by Lesueur after designs 
by L. HE. Fourmer, 12 being in 3 states (text wmpression and 
remarque proofs). . Royal 8vo, full purple crushed levant 
morocco, gilt-tooled scrolls on back and sides, doublures of 
green levant with gilt tooled floral borders, flys of brocaded 
‘silk, gilt edges, by Affolter. Paris, 1903 


LARGE PAPER copy, only 100 so printed on Imperial Japan 
paper. Contains an ORIGINAL PENCIL DRAWING by Fournier, 
signed. . : 


437. LERNE (EMMANUEL DE). Reines Légitimes et 
Reines d’Aventure. Précédées d’un Dialogue des Mortes sur 
les Vivantes, par Arséne Houssaye. Hngraved frontispiece. 
8vo, full blue levant morocco, Jansen style, gilt inside borders, 
doublures and flys of crimson China silk, gilt edges on the 


rough, original wrappers bound in, by Affolter. 
Paris: Henri Plon, 1867 


First EpITioN. EXTRA-ILLUSTRATED by the insertion of 14 
scarce portraits, including: Clothilde by Desrochers, Agnes 
Sorel, PROOF ON INDIA PAPER, by Cazenave, Marguerite de 
Valois, by Duflos, Diane de Poitiers, PROOF by Casenave, Cath- 
erine de Medicis, Gabrielle d’Estrées, Leonora Galagai, by 
Francois, Madame de Montbazon,.by Ceroni, Anne d’Autriche, 
Louise de la Valliere, by Chaulet, Mme. de Montespan, by 
Ceroni, Marie Leczinka, proor, Mme. de la Sabliere by Johan- 
not, Mme. de Maintenon, by Desrochers. 


438. LE SAGE (ALAIN-RENE). Histoire de Gil Blas de 
Santillane. 34 copperplate engravings, of which 8 are signed 
by Dubercelle, 4 vols. 12mo, full crimson crushed levant 
morocco, triple line borders, gilt-tooled floral backs, gilt inside 
borders, gilt edges, by Chambolle-Duru. 

' Paris: Pierre Ribou, 1714-1725 

EXTREMELY RARE First Epirion; Vol. one having the date 
1714. Only 2 copies with this imprint known. The Privilege 
du Roy was given on the 20th Feb. 1715 and appears in the 
second volume, the first volume of this copy being issued with- 
out the ‘‘Approbation et Privilege du Roy’’ Le Petit in his 
Bibliographie des ‘‘Editions originales’’ and Cohen in 
‘‘Guide de 1’Amateur de Livres’’ say, that only two copies 
are known with this imprint of 1714, one of which was sold 


84 


at the Lignerolles sale for 1000 francs. Morgand prices a 
copy with the 1715 imprint and having 33 engravings at 1000 
franes, and the Hoe copy (also 1715 imprint) and with only 
32 engravings, brought $240.00. The present is a beautiful 
copy with wide margins and fine impressions of the complete 
set of 34 engravings, which most of the copies do not have. 
Title-page of the third volume reads ‘‘ Edition Nouvelle,’’ but 
it is the First Edition, all copies having this misstatement on 
the title. 
(See Illustration. ) 


439. LE SAGE (ALAIN-RENE). Histoire de Gil Blas de 
Santillane. Avec des notes historiques et litteraires par M. Le 
Comte Francois de Neufchateau. With portrait of Le Sage 
engraved by Roger and a map by Barbié de Bocage. 3 vols. 
Svo, half brown crushed levant morocco, gilt-tooled backs, gilt 
tops, uncut, by Bertrand. Paris: Lefévre, 1825 


Large Papier Vélin copy. The F. R. Halsey copy, with book- 
plate in each volume. 


440. LE SAGE (ALAIN-RENE). Les Avantures de Mon- 
sieur Robert Chevalier, dit de Beauchéne, capitaine de fili- 
bustiers dans la nouvelle France. 6 plates by Scotin after 
Bonnard. 2 vols. 12mo, full polished calf, gilt backs and in- 
side borders, gilt edges (writing on half title of Vol. 1). 

First Eprrion. Very scarce. Paris: EK. Ganeau, 1732 


441. LE SAGE (ALAIN-RENE). Le Diable Boiteux 
précédé d’une notice sur Le Sage, par M. Jules Janin. With 
140 illustrations from designs by Tony Johannot. Imp. 8vo, 
full crushed red levant morocco, gold lines on sides of panels, 
richly gilt-tooled back, inside borders of wide dentelle, gilt top, 
uncut, by Chambolle-Duru. Paris: Bourdin, 1842 


One of a few copies printed on China paper. Rare. 


442. LE SAGE (ALAIN-RENE). Histoire de Gil Blas de 
Santillane. Avec des notes historiques et littéraires par M. 
Le Comte Francois de Neufchateau. Portrait of Le Sage by 
Roger and map by Barbié du Bocage. 3 vols. 8vo, full green 
morocco, gilt-tooled on sides, back and inside borders, gilt 
edges (backs slightly faded). Paris: Lefévre, 1825 


EXTRA-ILLUSTRATED by the insertion of 133 plates, viz.: 24 
fine plates after Smirke (proofs before letters on India paper) 
engraved by Romney, Fox, Scott, Pye, Engleheardt, etc., 100 
charming plates after Bornet, Charpentier and Duplessi- 
Bertaux, engraved under the direction of Hubert; 9 plates after 
Desenne, engraved by Caron, Ch. Johannot, Bein, Adam, Pre- 
vost and others (proofs before letters). 


443. LE SAGE (ALAIN-RENE). Turcaret. Jllustrated 
with 5 charming vignettes by Gaujean after the designs of 
Valton. 12mo, full green crushed levant morocco, gilt back in 
compartments, triple fillet borders, inside dentelle borders, gilt 
edges on the rough, original wrappers bound in, by Rousselle. 

Paris: Maison Quantin, n. d. 
One of a small number printed on Papier Vierge de Marais. 


85 


444, LPIMAGE. 1896-1897. Revue litteraire et artistique. 
Ornée de figures sur bois. 4to, full green crushed levant mo- 
rocco, Jansen’s style, inside richly gilt-tooled with dentelle 
borders, doublures and end-leaves of crimson watered silk, gilt 
edges, uncut, with the 12 original covers bound in, by S. 
David. Paris: Floury, 1896-7 


One of 100 copies printed on China paper with all the illus- 
trations in two states and 12 extra plates in 3 states. Numer- 
ous fine illustrations by Auriol, Boutet de Monvel, Cheret, 
Dunki, Helleu, Merson, Morin, Mucha, Renouard, Steinlen, 
Vierge, Willette and others. Text by P. Adam, Barrés, Ber- 
aldi, Mirbeau, Huysmans, Zola, P. Louys, Daudet, Courteline 
and others. 


445. LONGUS. Les Amours Pastorales de Daphnis et 
Chloé; escrites en Gree par Longus, et translatées en Francois 
par Jacques Amyot. With 30 beautiful copper-plate engrav- 
ings by Philippus, including the curious plate, **Les petits 
pieds.’’ Crown 8vo, black crimped morocco, gilt-tooled back, 
inside gilt borders, gilt edges, uncut, by Riviére. | 

Lille: Lehoueg, 1792 


A beautiful copy. Printed on pale blue_paper, engravings 
on white paper. The F. R. Halsey copy, with bookplate. 


446. LONGUS. Daphnis et Chloé. Notices par A. Pons. 
Vignettes in color after the designs of Scott, pages printed 
within red decorative borders. 16mo, full crushed brown 
levant morocco, gilt floral sprays on back, tooled centre orna- 
ment on covers, gilt inside borders, gilt edges, original wrap- 
pers bound in, by Rousselle. Paris: A. Quantin, 1878 


Petits Romans Antiques. 


447. [LOTI (PIERRE).] Aziyadé. Stamboul, 1876-77. 
Extrait des Notes et Lettres d’un Lieutenant de la Marine 
Anglaise entré au service de la Turquie le 10 Mai 1876 tué 
sous les murs de Kars, le 27 Octobre 1877. 12mo, full green 
levant morocco, gilt back in compartments, handsome gilt 
panel on covers, gilt inside borders, doublures of brocaded silk, 
marbled flys, with brocaded silk linings, gilt edges on the 
rough, original wrappers printed in violet bound in, by 
Chambolle-Duru. Paris: Calmann Lévy, 1879 


First EDITION, with etched portrait of the author by Man- 
chon, inserted. 


448. LOTI (PIERRE). Le Mariage de Loti.—Rarahu— 
par l’auteur de Aziyadé. 12mo, full brown crushed levant 
morocco, Jansen style, gilt inside borders, doublures and ends 
of embroidered silk, gilt edges, original covers bound in, by 
Affolter. Paris eine 


First Epit10Nn with this title. Inserted is a fine portrait of 
Loti, etcher’s remarque proof. ; 


86 


449. LOTI (PIERRE). : Fleurs d’ennui: Pasquala Ivano- 
viteh; Voyage au Monténégro; Suleima. 12mo, full blue 
erushed levant morocco, Jansen style, gilt inside borders, 
orange watered silk doublures and ends, gilt edges, original 
covers bound in, by Affolter. Paris, 1883 


First EDITION. One of 20 copies on Holland paper. Scarce. 


450. LOTI (PIERRE). Japoneries D’Automne. 12mo, 
full maroon crushed levant morocco, Jansen style, gilt inside 
borders, doublures and flys of blue watered China silk, gilt 
edges on the rough, original wrappers bound in, by Affolter. 

Paris: Calmann Lévy, 1889 


First Epirion. One of 25 copies on Japan paper. 


451. LOTI (PIERRE). Le Roman d’un Enfant. 12mo, 
full dark blue crushed levant morocco, Jansen style, orange 
watered silk doublures and ends, gilt edges, original covers 
bound in, uncut, by Affolter. Paris, 1890 


First Epirion. One of 75 copies on Holland paper. 


452. LOTI (PIERRE). Fantome d’Orient. Royal 8vo, 
full orange crushed levant morocco, inlaid border of deep 
brown, gilt scroll corners, center medallion of brown, with gilt 
star and crescent surrounded by scroll tooling, gilt inside 
border, brocade silk lining, gilt over uncut edges, original 
‘wrappers bound in, by Meunier. 

Paris: Calmann Lévy, éditeur, 1891 

The First Epition of which only 50 copies were issued on 
Holland paper by the Société des Amis des livres de Lyon. 
Inserted is an etched portrait of the author, and on the half- 


title and last page are two fine ORIGINAL WATER-COLOR DRAW- 
INGS by Ph. Tassier, signed. 


453. LOTI (PIERRE). Le Livre de la Pitié et de la Mort. 
First Epirion. 12mo, full dark olive crushed levant morocco, 
triple line border, back gilt with small blue flowers in com- 
partments, gilt inside floral border, figured silk lining, gilt 
over uncut edges, original wrappers bound in, by Affolter. 

Paris: Calmann Lévy, 1891 


One of 75 copies on Holland paper. EXTRA-ILLUSTRATED 
WITH 24 ORIGINAL PEN-AND-INK AND WATER-COLOR DRAWINGS 
by Lucien Lefévre, on margins, half-titles, flys, etc. 


454. LOTI (PIERRE). Matelot. Illustrated by Myrbach. 
First Epition. 12mo, full brown crushed levant morocco, 
gilt inside border, green silk lning, gilt edges, wrappers 
‘bound in, by Affolter. Paris, 1893 


First Epirion. One of 30 copies on Japan paper. 


455. LOTI (PIERRE). L’Exilée. 12mo, full crushed 
maroon levant morocco, Jansen style, gilt inside borders, 
doublures and ends of blue watered silk, gilt on uncut edges, 
original covers bound in, by Affolter. Paris, 1893 

First Epirion. One of 75 copies on Holland paper. 


87, 


456. LOTI (PIERRE). Le Désert. 12mo, full crushed 
maroon levant morocco, Jansen style, gilt inside borders, 
doublures and flys of light blue watered silk, gilt edges on 
the rough, original orange wrappers bound in, by Affolter. 

Paris: Calmann Lévy, 1895 


First Epirion. One of 75 copies on Holland paper. 


457. LOTI (PIERRE). Jérusalem. 12mo, full crushed 
dark olive levant morocco, Jansen style, gilt inside borders, 
doublures and ends of green watered silk, gilt on uncut edges, 
original covers bound in, by Affolter. Paris, 1895 

First EpITion. One of 75 copies on Holland paper. 


458. LOTI (PIERRE). Ramuntcho. 12mo, full blue 
crushed levant morocco, triple fillet panel in compartments. 
on back, 38-fillet border on covers, inside dentelle borders, 
marbled flys, with doublures and linings of brocaded silk, gilt 
edges on the rough, original wrappers bound in, by David. 

Paris: Calmann Lévy, 1897 


First Epirion. One of 65 copies on Holland paper. 


459. LOTI (PIERRE). Figures et Choses qui passaient. 
12mo, full maroon crushed levant morocco, Jansen style, gilt 
inside borders, doublures and ends of light blue watered silk, 
gilt over rough edges, original covers bound in, by Affolter. 

Paris, 1898 


First Epirion. One of 75 copies on Holland paper. 


460. LOUYS (PIERRE). Aphrodite: Meurs Antiques. 
12mo, original wrappers, uncut, with green China silk out- 
side covers, enclosed in a handsome brown levant morocco box, 
book-shaped, Jansen style, gilt inside border and lined with 
green China silk, by Carayon. 

Paris: Société du Mercure de France, 1896 


First Epirion. VERY Scarce. One of 10 copies printed on 
China paper. 


461. LOUYS (PIERRE). Aphrodite. Many text. dlustra- 
tions, and other full plates in three states, one in red and one 
on India paper, by A. Calbet. Thick narrow 8vo, full crushed 
levant morocco, inlaid with levant of various colors in design 
of irises, shells, leaves and dolphins, gilt and inlaid inside 
borders, doublures and flys of flowered silk tapestry, gilt 
edges, by Ch. Meunier. In case. Paris, 1896 


LIMITED EDITION, one of 73 copies on Japan paper. 


462. LOUYS (PIERRE). Aphrodite: Meurs Antiques. 
Finely illustrated with text vignettes and full-page plates by - 
Edouard Zier. Royal 8vo, full crimson crushed levant mo- 
rocco, gilt inside borders, doublures and flys of grey gros- 
grain silk, gilt on uncut edges, by Chambolle-Duru. 

| Paris, ca. 1900 


LimitEep EpiTion. No. 19 of 25 examples printed on Imperial 
Japan paper. 


88 


463. LOUYS (PIERRE). La Femme et le Pantin. Romam 
Espanol. Heliogravure frontispiece. 8vo, full crimson crushed. 
levant morocco, gilt lettered back and tooled inside borders, 
doublures and flys of watered silk, gilt over rough edges, by 
S. David. Paris, 1898 


One of 40 copies on Holland Van Gelder paper, with wide 
margins. 


464, LOUYS (PIERRE). La Femme et le Pantin. Jllus- 
trations de P, Roig, decoration de Riom (colored by hand). 
Square 8vo, full olive crushed levant morocco, gilt dentelle 
and line borders, panels decorated with an inlaid fillet of red 
morocco and gilt floral scroll, doublure panels of orange levant 
morocco, with an inlaid border band of purple, brocade silk 
end leaves, gilt edges, original wrappers bound in, by Canape. 
; Paris, 1903 


One of 30 copies on Japan paper, with an extra set of the 
uncolored plates without the text. 


465. LOUYS (PIERRE). Les Aventures du Roi Pausole. 
8vo, full green crushed levant morocco, doublure of buff color 
morocco, inlaid with a repeated design of cherries and leaves 
in red and green, silk end leaves, gilt top, uncut, by Kieffer. 

Paris, 1901 

Profusely EXTRA-ILLUSTRATED WITH 413 ORIGINAL WATER- 

COLOR AND INK DRAWINGS on the margins of every page, and 

on the fly-leaves, signed ‘‘Edyck.’’ One of 15 copies on 
Whatman paepr. 


466. LOUYS (PIERRE). Les Aventures du Roi Pausole. 
Nouvelle Edition. Jllustrée de compositions en couleurs par 
Pierre Vidal. 4to, original covers, uncut. In cloth portofolio. 

Paris: A. Blaizot, 1906 


One of 50 copies on Japan vellum, with duplicates of the 
plates in black, on China paper. 


467. LOUYS (PIERRE). La Maison sur le Nil; ou Les 
Apparences de la Vertu. Illustrations de Paul Gervais. 
Ariane ou Le Chemin de la Paix Eternelle. Illustrations de 
George Rochegrosse. 2 vols. royal 8vo, grey mottled ealf, 
uncut. Paris: Charles Meunier, 1904 


One of 125 copies on Papier Vélin Blanc with the 20 fine 
colored illustrations in 2 extra states, on India paper. 


468. LOUYS (PIERRE). Les Chansons de Bilitis. 33 
illustrations by Raphaél Collin, engraved by Ch. Chessa. Ato, 


original wrappers, uncut. Paris, 1906 
One of 40 copies on Japan paper, with the etchings in three 
states. 


469. LOVENJOUL (CHARLES DE). Histoire des 
(Huvres de H. De Balzac. 8vo, cloth, uncut edges, original 
covers bound in, by Durand. Paris, 1879 

First Epition. Presentation copy from the author to Mr. 
Noél Parfait with characteristic inscription on the half-title. 


89 


470. LUCANUS (M. ANNAEUS). La Pharsale de Lucain, 
‘ou Les Guerres civiles de Cesar & de Pompée. En Vers Fran- 
ecois par Mr. de Breboeuf. Engraved title-page. 18mo, full 
red straight-grain morocco, gilt back in compartments, gilt 
fillet border with inner panel and corner ornaments, handsome 
gilt inside border on doublures of polished red morocco, full 
gilt edges, by Thouvenin. A Leide: Chez Jean Elsevier, 1658 


First EuLzevir EpiTion. A fine copy of this splendid speci- 
men of the Elzevir Press in a handsome binding. 


471. LUCIEN. Dialogues des Courtisanes. Traduction et 
notices par A.-J. Pons. Illustrations in gold and colors by H. 
Scott and F. Meaulle, pages printed within blue decorative 
borders. 16mo, full green levant morocco, gilt floral sprays 
on back, tooled centre ornament on covers, gilt inside borders, 
gilt edges, by Rousselle. Paris: A. Quantin, 1881 


Petits Chefs-d’Ciuvres Antiques. 


472. LUCIUS. L’Ane. Traduction de Paul-Louis Courier. 
Illustrations in gold and colors by Powirson, pages printed 
within blue decorative borders. 16mo, full crushed blue levant 
‘morocco, gilt floral sprays on back, tooled centre ornament on 
covers, gilt inside borders, gilt edges, original covers bound in, 
by Rousselle. Paris: Maison Quantin, 1887 

Petits Chefs d’Giuvres Antiques. 


473. [LUNOIS.] Un Cas de Jalousie. Illustrated with 19 
fine lithographic vignettes, by A. Lunots. Royal 8vo, full 
orange crushed levant morocco, gilt tooled line borders, each 
corner with scrolls enclosing inlaid sun-flower surmounted by 
nest and birds, back with roses inlaid, gilt lined inside borders, 
doublures and end-leaves of green moire silk, gilt edges, by 
Raparlier. In ease. Paris: L. Conquet, 1896 


Limited and numbered edition on Japan paper throughout. 


474. MAILLARD (FIRMIN). Les Passionnés du Livre. 
8vo, full brown levant morocco, Jansen style, gilt inside bor- 
ders, with doublures and flys of blue China silk, gilt edges, by 
Affolter. Paris: Emile Rondeau, 1896 


One of 25 copies printed on Japan paper, with two title- 
pages, printed in red and black. 


475. MAISTRE (XAVIER DE). Voyage Autour de ma 
Chambre. Par M. le Chev. X*** ***, 12mo, full light brown 
levant morocco, Jansen style, gilt inside borders, doublures 
and flys of light blue China silk, gilt edges, by Chambolle- 
Duru. A. Turin, 1794 


CHOICE COPY OF THE VERY RARE ORIGINAL EDITION. Not in 
Hoe, and rarely offered for sale. 


90 


476. MAISTRE (XAVIER DE). Voyage Autour de ma 
Chambre. Engraved title and head-pieces by Spenceley, por- 
trait, and half-title vignettes and tail-pieces, with initials 
printed in red. 12mo, boards, vellum back, uncut and un- 
opened. A Cambridge: de 1’Imprimerie de Riverside, 1901 

Limited edition. Laid in is a typewritten letter from the 


publishers to Mr. Halsey, relative to the date of the First 
Edition of the work. 


477. MAIZEROY (RENE). Au Régiment. Square 12mo,. 
three-quarters crimson crushed levant morocco, back gilt-tooled 
with armorial emblems, gilt top, uncut edges, original covers 
bound in, by Lanscelin. Paris: Havard, 1885. 

First EpITion. One of a few copies on Holland paper. 
EXTRA-ILLUSTRATED WITH 25 ORIGINAL WATER-COLOR DRAWINGS 
beautifully executed by A. Bligny, representing life in the 
French army. The water-colors are exceptionally fine. 


478. MALHERBE (FRANCOIS DE). Cuvres choisies de 
Malherbe, avec des notes de tous les commentateurs. Edition 
publiée par L. Parrelle. 2 vols. 8vo, half brown crushed 
levant morocco, gilt-tooled backs, gilt tops, uncut, by Bertrand. 

Paris: Lefévre, 1825. 


Large Papier Vélin copy. The F. R. Halsey copy, with book- 
plate in each volume. 


479. [MALO (CHARLKES).] Livre Mignard, ou la Fleur 
des Fabliaux. HEngraved title and 6 plates by Rouargue, all 
beautifully colored by hand. 12mo, fine old red French mo- 
rocco, extra, gilt and inlaid back, covers richly tooled and 
inlaid with mosaic designs, of vari-colored morocco, full gilt. 
edges. Paris: Louis Janet [1826] 


This is a reprint of ‘‘Livre d’Amour’’ issued in 1821, but 
contains one more plate than was in that edition. 


480. MARBOT (GENERAL BARON DE). Austerlitz! 
21 alustrations etched and printed in colors by Léon Boisson 
after the originals by Alex. Lunois. Imperial 8vo,- full green 
erushed levant morocco, gilt line border, with the Napoleon 
erest in the corners, doublures of light brown levant morocco, 
the gilt bee in centers of side borders, crest in the corners, and 
crowned eagle in center medallion, red brocade silk end leaves, 
gilt edges, with original wrappers bound in, by Affolter. 

Paris, 1905. 


One of 200 copies de Grande Luxe, on Papier Vélin a la 
Forme. 


481. MARCOY (PAUL). Voyage a Travers 1’Amérique 
du Sud, de l’Océan Pacifique a 1’Océan Atlantique. Jllustré 
de 626 vues, types et paysages, par E. Riou, et accompagné de: 


91 


20 cartes gravées sur les dessins de l’Auteur. 2 vols. large 4to, 
full: crimson levant morocco, Jansen style, gilt inside borders, 
gilt tops, uncut, by Chambolle-Duru. 

Paris: Librairie de L. Hachette et Cie, 1869 


First Epirfon. One of a small number printed on Large 
China paper. 


482. MARGUERITE DE NAVARRE. Les Nouvelles 
de Marguerite, Reine de Navarre (Heptameron Franeais). 
Frontispiece (repeated m Vols. IT and III), engraved by 
Evwchler after Dunker, 73 fine plates by Guttenberg, Hen- 
riquez, De Launay, De Longewl, Le Roy, Halbou and Mes- 
dames Duflos and Thiebault, after Freundenberg, 72 vignettes 
and 72 tau-pieces by Eichler, Piller, Richter and Dunker after 
the latter; all brilliant wmpressions. 3 vols. 8vo, full blue 
erushed levant morocco, triple gold line on sides, with the arms 
of Marguerite Queen of Navarre in the centre of each cover, 
initial ‘‘M’’ and crown in each corner, back gilt tooled in 
eompartments with initial, crown and fleur-de-lys, gilt inside 
borders, gilt edges, by Masson-Debonnelle (2 half-titles in 
facsimile). 

Berne: Chez la Nouvelle Société Typographique, 1780-81 

The rare issue with a basket of flowers engraved on title- 

page. Printed on thick Holland paper. ExXxTRA-ILLUSTRATED 

by the insertion of 3 portraits of the Queen of Navarre (one 

of which is on India paper) and 7 fine etchings by Leopold 

Flameng. The F. R. Halsey copy, with bookplate in each 
volume. 


483. MARGUERITTE (PAUL). A la Mer. Wath allus- 
trations engraved by Gaspé, Piselli, etc., after the designs of 
Henry A. Zo. Imp. 8vo, original parchment wrappers, uncut, 
deckle-edge. Paris: Librairie de la Collection des Dix, n. d. 

One of 10 copies printed on Japan paper, with the plates 
in three states, one of the sets being on India paper. The 
extra sets of plates are in a separate portfolio. 


484. MARIVAUX (PIERRE CARLET DE). Le Jeu de 
1’Amour et du Hasard. Comédie en trois actes. With etchings 
by E. Pennequin after the designs of Maurice Lelow. Royal 
8vo, full blue crushed levant morocco, gilt back, with fleurons 
in compartments, gilt fleurons in corners of covers, triple 
fillet borders, doublures of brown levant morocco, with wide 
double fillet borders, interlaced, with corner ornaments, 
marbled flys with gros-grain silk linings, gilt edges on the 
rough, original engraved covers bound in, by Chambolle-Duru. 

Paris: Librairie des Amateurs, A. Ferroud, 1905 

One of 25 copies on Japan paper, with the etchings printed 
in sanguine in three states, 2 of which are on Japan paper 
ancien. An original WATER-COLOR DRAWING in Leloir’s best 
style appears in each of these 25 copies. One state of the 
etchings is signed by Pennequin. 


92 


485. MARMONTEL (JEAN FRANCOIS). Contes Moranx, 
par M. Marmontel, de 1’Academie Franegaise. JIJllustrated with 
portrait of Marmontel by St. Aubin, after Cochin, an engraved 
title by Duclos repeated in each volume and 23 plates after 
Gravelot engraved by Voyé, Rousseau, Baquoy, Legrand, 
Lemire, Le Veau, de Longewl and Pasqwer. 3 vols. 8vo, full 
green crushed levant morocco, triple line on borders, gilt 
backs and inside borders, gilt edges, by Cuzin. 

Paris: Merlin, 1765 


The rare First Issue of the best edition, to be distinguished 
by the errata after the table of contents. 


486. MARMONTEL (JEAN FRANCOIS). Les Incas, ou 
la Destruction de 1’Empire du Pérou. Illustrated with frontis- 
piece and 10 plates, after Moreau. 2 vols. 8vo, contemporary 
red French morocco, gilt backs, gilt inside and outside borders, 
full gilt edges. Paris: Chez Lacombe, 1777 


Clean, crisp copy of the First EDITION, with the plates in 
beautiful impressions. The fine old binding is probably by 
Derome. There is a slight tear in the top margin of one 
leaf. 


487. MARMONTEL (JEAN FRANCOIS). Le Neuvaine 
de Cythére, avee notice par Charles Monselet. IJllustrée du 
portrait de l’auteur et de neuf vignettes dessinées par Fesquet. 
Royal 8vo, full crimson crushed levant morocco, gilt fleurons 
in compartments on back, cover richly tooled with floral and 
scroll ornaments, with flying birds; gilt inside borders, doub- 
lures and fleurons of brocaded silk, gilt edges on the rough, by 
Allo. Paris: A. Barraud, 1879 

One of 135 copies printed on Royal China paper. 


488. MARTIN (BON-LOUIS-HENRI). Histoire de France 
depuis les temps les plus reculés jusqu’en 1789. Quatriéme 
Edition. 17 vols. 8vo, half red crushed levant morocco, gilt 
backs, gilt tops, uncut, by Bertrand. Paris, 1865 


A fine copy of one of the most famous works on the His- 
tory of France. It obtained the Grand Prix Gobert in 1859. 
EXTRA-ILLUSTRATED by the insertion of 327 portraits and views 
and two folded maps, many of which are rare, brilliant engrav- 
ings, by Dupin, Hopwood, Blanchard, Rigaud, Outhwaite, Will, 
Dupuis and many others (some unlettered proofs). 


489. MASSON (FREDERIC). Joséphine. Imperatrice et 
Reine. With an exquisite frontispiece in colors and 41 full- 
page plates of historical scenes, portraits, etc. 4to, full green 
straight-grain morocco, with a gold-tooled border on the 
covers, gilt back, with the crowned eagle in gold, inside bor- 
ders, doublures and flys of green silk, gilt edges, uncut, origi- 
nal covers bound in, by A. Cuzin. Paris: Goupil et Cie, 1899 

First Epirion. One of 150 copies printed on Japan paper, 
with a duplicate set of the illustrations in bistre. 


93 


490. MASSON (FREDERIC). L’Impératrice’ Marie- 
Louise. Frontispiece in colors and 51 full-page plates and 
vignettes. Thick 4to, full straight-grain olive green morocco, 
richly decorated covers with Napoleonic bees in central panel, 
wide ornamental borders, back richly gilt-tooled in compart- 
ments, doublures and flys of green China silk, wide gilt inside 
borders, gilt edges on the rough, gilt edges, uneut, original 
covers bound in, by Affolter. Paris: Goupil et Co., 1902 


First Eprtion. One of 150 copies on Japan paper, with a 
duplicate set of the plates in bistre. 


491. MASSON (FREDERIC). Napoleon et son Fils. 
With a fine frontispiece in colors after the original, and numer- 
ous fine full-page facsimiles of portraits, historical scenes, etc. 
Ato, full green crushed levant morocco, with a gold-tooled bor- 
der of oak leaves in the Empire style on the covers and back, 
doublures of crimson crushed levant, with gold-tooled dentelle 
border, flies of light green brocaded silk, gilt edges, uncut, 
original covers bound in, by Affolter. Paris: Goupil, 1904 


One of 130 copies on Japan paper, with a duplicate set of 
the plates in bistre. 


492. MASSON (FREDERIC). Napoléon et les Femmes. 
27 full-page illustrations m colors, and 10 tinted vignettes, 
with duplicate set in bistre on brown paper. Royal 8vo, origi- 
nal wrappers, uncut edges. In a ease. 

Paris: Goupil & Cie, 1906 
One of 50 copies on Japan paper, with author’s signature. 
The duplicate plates are in a portfolio. 


493. MAUCLAIR (CAMILLE). Le Poison des Pierreries. 
Compositions de Georges Rochegrosse gravées a l’eau-forte en 
couleurs par E. Decisy. Lettre-Préface de l’auteur. 4to, full 
blue crushed levant morocco, gilt back in compartments, cover 
decorated with an open double fillet border, interlaced, form- 
ing lozenges of various shapes, outer border of 4-fillets; doub- 
lures of brown levant morocco richly covered with conven- 
tional fan-shaped gilt tooling, doublures of broeaded silk, gilt 
over rough edges, original covers bound in, each leaf mounted 
on separate hinge, by Affolter. 

Paris: Librairie des Amateurs, A. Ferroud, 1903 
One of 30 copies printed on Japan paper, with the plates 
in three states, two of which are colored by hand. On the leaf 


following title is an ORIGINAL WATER-COLOR DRAWING, signed, 
by Rochegrosse. 


494. MAUCLAIR (CAMILLE). Ames Brétonnes. Trois 
Contes. Beautifully illustrated in colors by J. Wély. 8vo, 
original covers, uncut. Paris: Piazza, 1907 

One of 30 copies on Japan paper, with a duplicate set of the 
plates in black. 


94 


495. MAUCLAIR (CAMILLE). Trois Femmes de Flandre. 
Illustrations by H. Cassiers, colored by hand. Small 4to, full 
dark green crushed levant morocco, with small inlaid design 
of narrow brown and light green bands in center of cover, 
doublures of red morocco, bordered with interlacing bands of 
green and brown, green silk end leaves, gilt edges, pictorial 
wrappers bound in, by Chambolle-Duru. Parise n.d. 


One of 30 copies on Japan paper, with an extra set of un- 
colored plates on vellum paper bound in at the end. 


496. MAUPASSANT (GUY DE). Des Vers. 12mo, full 
erimson crushed levant morocco, gilt scrolls on back, sides and 
inside borders, doublures and flys of flowered silk, gilt edges, 
original yellow wrappers bound in, by Rousselle. 

Paris: G. Charpentier, 1880 


First Epirion. Exceedingly scarce, especially with the 
wrappers. Inscribed in the author’s autograph, ‘‘a Monsieur 
Victor Fournel. Hommage de l’auteur. Guy de Maupassant.’’ 
Etched portrait of the author by H. Toussaint inserted. 


497. MAUPASSANT (GUY DE). Clair de Lune. TJllus- 
trated by Arcos, Boutet de Monvel, Gambard, Grasset, Jean- 
niot, and others. Ato, full blue crushed levant morocco, with 
moon and cloud decoration in white and gray morocco, inside 
border dotted with silver stars, doublures and end leaves of 
flowered tapestry silk, gilt edges, wrappers bound in. 

Paris, 1884 


One of 100 copies on Large Japan paper, with an extra set 
of plates printed in sanguine. Etched portrait of the author 
by Toussaint inserted. 


498. MAUPASSANT (GUY DE). Miss Harriet. 12mo, 
full olive green crushed levant morocco, back, sides and in- 
side borders nicely tooled with gilt scrolls, doublures and 
flys of flowered silk, gilt edges, by Rousselle. Paris, 1884 


First Epirion. Presentation copy, inscribed in author’s 
autograph, ‘‘d@ Monsieur Francis Magnard. Cordial hommage. 
Guy de Maupassant.’’ Etched portrait of the author, by H. 
Toussaint, inserted. 


499, MAUPASSANT (GUY DE). Bel-Ami. 12mo, full 
red crushed levant morocco, Jansen style, blue watered silk 
doublures and ends, gilt edges, uncut, original covers bound 
in, by Affolter. Paris, 1885 


First Epirion. One of [200] copies on Holland paper. 


500. MAUPASSANT (GUY DE). Yvette. 12mo, full 
erushed brown levant morocco, delicately gilt-tooled back and 
sides in the manner of Derome, gilt inside borders, doublures 
and fly-leaves of brocaded silk, uncut, original covers bound in, 
by Emile Rousselle. Paris: Havard, 1885 


First EpiItion. Presentation copy from the author to Francis 
Magnard, with autograph inscription on fly-leaf. Inserted is 
a portrait of Maupassant etched by H. Toussaint. 


95 


001. MAUPASSANT (GUY DE). Contes Choisis. Jllus- 
trés de 118 dessins de G. Jeanniot. 8vo, full dark olive levant 
morocco, title in red on back, front cover ornamented with 
grotesque masks, inlaid in color, back cover with bust of a 
Satyr, in color and in relief, gilt inside emblematic borders, 
doublures and flys of brocaded silk, gilt edges on the rough, 
original eee bound in, by Raparlier. 

Paris: A la Librairie Illustree, n. d. '1886] 


One of 25 copies on China paper. A pore of the author, 
by Toussaint, is inserted. 


002. MAUPASSANT (GUY DE). Mont-Oriol. 12mo, full 
crimson crushed levant morocco, Jansen style, gilt inside 
borders, green watered silk doublures and ends, gilt edges, 
uncut, original covers bound in, by Affolter. Paris, 1887 © 

First EpiTion. One of a few copies on Holland paper. 


003. MAUPASSANT (GUY DE). Pierre et Jean. IJllus- 
trated by Ernest Duez and Albert Lynch. 4to, full dark blue 
erushed levant morocco, gilt back in compartments, cover 
richly ornamented with a double fillet panel, with leaf spray 
designs in corners, inside dentelle borders, gilt edges on the 
rough, original wrappers bound in, by Rousselle. 

Paris: Boussod, Valadon et Cié, 1888 

First ILLUSTRATED EDITION. One of 150 copies on Japan 

paper, with the plates in three states, two being proofs before 

letters. A remarque proof etched portrait of the author by 
_ Toussaint is inserted. 


004. MAUPASSANT (GUY DE). Fort comme la Mort. 
12mo, full maroon crushed levant morocco, Jansen style, gilt 
inside borders, blue watered silk doublures and ends, gilt 
edges, uncut, original covers bound in, by Affolter. Paris, 1889 

First Epirion. One of 100 copies on Holland paper. ; 


505. MAUPASSANT (GUY DE). Contes Choisis. Publiés 
par les Bibliophiles Contemporains. Le Loup,—Hautot pére 
et fils,—Allouma,—Mouche,—La Maison Tellier,—Un Soir,— 
Le Champ d’Oliviers,—Mademoiselle Fifi,—L’Epave,—Une 
partie de Campagne. All with the original covers, bound in 
one vol. royal 8vo, full blue crushed levant morocco, gilt floral 
border, mosaic back, doublures of pink morocco, floral border 
gilt with small red blossoms, spray of blue forget-me-nots in 
center, figured silk end leaves, gilt uncut edges, by Meunier. 

Paris, 1891-92 

One of the copies printed for the members of the ‘‘ Biblio- 
philes Contemporaines,’’ and none sold. Colored frontispiece 
by Paul Avril after Félicien Rops. The ten works are illus- 
trated as follows: 1. Engraved throughout with etchings by 
Evert Van Muyden. 2. Colored plates after Georges Jeanniot. 
3. Etchings in tints by Paul Avril. 4. Illustrated by Ferdinand 
Gueldry. 5. Colored illustrations after Pierre Vidal. 6. Wood- 
cuts in black and bistre by Georges Scott. 7. Photogravures 
after Paul Gervais. 8. Photogravures and woodcuts, including 
one colored, after A. Gérardin and Charles Morel. 9. Six lith- 
ograph plates in two states on Japan paper. 10. Two states of — 
the etched frontispiece in colors, after Henri Boutet. 


96 


006. MAUPASSANT (GUY DE). Le Lit. Avant-Propos 
de Henri Lavedan. Engraved text and 13 plates by Cham- 
pollion after Jules Ferry. Imperial 8vo, full brown crushed 
levant morocco, gilt line border panels with gilt Arabesques, 
center Arabesque medallion, gilt inside border, silk lining and 
end leaves, gilt edges, wrappers bound in, by Raparlier. 

Evreux, 1895 


One of 76 copies on Papier Vélin, with the plates in three 
states, engravers’ proofs, remarque proof, and finished plate. 
With an etched portrait of the author by H. Toussaint inserted. 


007. MAUPASSANT (GUY DE). Boule de Suif. Jllus- 
trated by Francois Thévenot, engraved on wood by A. 
Romagnol. Royal 8vo, full crimson crushed levant morocco, 
gilt border of interlacing fillets, gilt inside line and dot 
border, gray figured silk lining and doublures, gilt edges, 
wrappers bound in, by Ruban. Paris, 1897 


One of 12 copies on Japan paper, with the plates in three 
states, including remarque proofs on China paper, and an 
extra proof impression of the figure printed in colors on the 
cover. 


508. MAUPASSANT (GUY DE). Le Pére Milon—Contes 
inedits. 12mo, cloth, uncut edges, original covers bound in, 
by Durvand. Paris, 1899 


First Epirion. One of 75 copies on Holland paper. 


509. MAUPASSANT (GUY DE). En Famille. 32 allus- 
trations by Pierre Vidal, colored. Royal 8vo, full brown 
erushed levant morocco, gilt line border, gilt back, doublures 
of blue levant morocco, gilt dentelle outer border and inner 
border of fillets with floral scrolls in the corners, gilt edges, 
original wrappers bound in, by Affolter. Paris, 1905 


One of 10 copies on Japan paper with the full-page plates 
in two states, plain and colored, and an ORIGINAL WATER-COLOR 
DRAWING BY PIERRE VIDAL on the fly-leaf, signed. 


510. MAUPASSANT (GUY DE). L’Héritage. 21 allus- 
trations by Maurice Eliot, etched by L. Ruet. Royal 8vo, 
original printed wrapper, uncut. Paris, oLouy 

One of 75 copies ‘on Large Japan paper, with the plates in 
two states, before and after letters. 


511. MAYNEVILLE. Chronique du temps qui fut La 
Jaequerie. Illustrations de L. O. Merson, gravures de Chessa 
lettres manuscrites par Cossard. large 8vo, full crushed 
dark brown levant morocco, Jansen style, doublures of lght 
brown levant with a rich gilt-tooled ornamental design cover- 
ing the whole panel, flys of dark brown gilt edges, uncut, 
original covers bound in, by Chambolle-Duru. With a half 
levant morocco folder, richly gilt. 

Paris: Librairie de la Collection des Dix, 1903 


One of 25 copies on Japan paper with the 40 etchings in 
four states. Issued at 400 franes and sold before publication. 


97 


512. MEISSONIER (JEAN-LOUIS-ERNEST). Ses Souv- 
enirs.—Ses Entretiens. Précédés d’une Etude sur sa Vie et 
son Ctuvre, par M. O. Gréard. Profusely illustrated with 
portrats and reproductions. Imperial 8vo, full crimson 
crushed levant morocco, gilt line border, mosaic back, gilt in- 
side border, brown silk lining, gilt over rough edges, original 
parchment wrappers bound in, by Durvand. Paris, 1897 

One of 25 copies on China paper. 


5138. MENDES (CATULLE). Lila et Colette. Jllustra- 
tions by Gambard et Roy, tinted. Square 8vo, full blue 
crushed levant morocco, gilt inside dentelle border, gilt edges, 
tapestry silk linings, original wrappers bound in, by Rousselle. 

Paris, 1885 


514. MENDES (CATULLE). Pour lire au Couvent. 60 
dessins de Lucien Métivet. 8vo, full crushed lavender levant 
morocco, gilt-tooled ornaments on covers in form of an open- 
work hinge, gilt tooled inside borders, doublures and flys of 
fine floriated silk tapestry, gilt edges, uncut, original covers 
bound in, by Emile Rousselle. Paris. [1887] 


First EpITIon. One of 25 copies printed on China paper. 


515. MENDES (CATULLE). La Premiére Maitresse: 
Roman Contemporain. 12mo, full blue crushed levant mo- 
rocco, gilt back in compartments, triple fillet border on covers, 
inside dentelle borders, doublures and fiys of blue moire silk, 
gilt edges on the rough, original wrappers bound in, by Rous- 
selle. Paris: G. Charpentier et Cie, 1887 


First EDITION. One of 25 copies on Holland paper. 


516. MENDES. (CATULLE,—Translator). L’Evangile de 
l’Enfance de Notre Seigneur Jésus-Christ, selon Saint Pierre, 
mis en francais par Catulle Mendés, d’aprés le manuscrit de 
l’Abbaye de Saint-Volfgang. Compositions et encadrements de 
‘Carloz Schwabe. Royal 4to, beautifully bound in light blue 
levant morocco with finely executed mosaic decoration repre- 
senting a red Japanese incense burner, the smoke floating 
through white lilies; back cover with a continuation of the 
same decoration showing a white dove flying through the in- 
cense, and a spray of tea-roses and green leaves along the outer 
edge. Both covers with a broad inlaid border band of citron 
morocco, interspersed here and there with gilt stars, inside 
borders, doublures and ends of brocaded silk, gilt top, uncut, 
original covers bound in by René Wiener (Nancy). 

Paris [1895] 

One of 100 copies of the Edition de Luxe with the 112 illus- 
trations in two states proofs before and after letters (both in 
colors). Fine specimen of modern bookbinding, nine different 


colored levants having been used in the harmonious combina- 
tion. 


98 


o17. MERIMEE (PROSPER). Mosaique. Par l]’Auteur 
du Théatre de Clara Gazul. 8vo, full straight-grain purple 
morocco, gilt and inlaid back in compartments, covers magnifi- 
cently ornamented with rich gilt and inlaid mosaic panel and 
cartouche, gilt inside borders, doublures and flys of rose 
ribbed silk, original wrappers bound in, by Canape. 

Paris: H. Fournier, Jr., 1833 
First Eprrion. One of a small number printed on Grand 
Papier Vélin. The printed cover contains the author’s name, 


sand this copy has the two leaves of advertisement bound in at 
the front. Very scarce in this state. 


918. MERIMEE (PROSPER). Colomba (La Vénus d’Ille, 
Les Ames du Purgatoire). 8vo, full crushed blue levant 
morocco, gilt panelled back and sides, gilt inside borders, 
gilt edges, uncut, original covers bound in, by Durvand. 

Paris: Magen et Comon, 1841 


First Epirion. Fine copy. 


519. MERIMEE (PROSPER). La Chambre Bleue. Etched 
vignette on title. 8vo, cloth, uncut, original covers bound in. 
Bruxelles, 1872 


First Epirion. Rare. Large paper; one of 129 copies 
printed. The Nadar copy, with bookplate. 


520. MERIMEE (PROSPER). Carmen. Frontispiece and 
8 vignettes etched by A. Nargeot after S. Ancos, each plate 
im three states, outline, before letters and completed, one state 
of each vignette im text. 8vo, full orange crushed levant 
morocco, gilt-tooled with flowers, scrolls, &c., on back, sides 
and inside borders, doublures and end-leaves of flowered silk 
tapestry, gilt edges, original wrappers bound in, by Raparlier. 

Paris: Calmann Levy, 1884 


One of 30 copies on Papier Vélin, with the illustrations in 
three states. 


521. MERIMEE (PROSPER). Chronique du regne de 
Charles IX. Edition ornée de 110 compositions par Edouard 
Toudouze. Imp. 8vo, full blue crushed levant morocco, triple- 
line on sides; front panel with an oval band of inlaid mo- 
rocco in which are the arms of Charles IX and rich orna- 
mental decorations, at the bottom is the crown with the initial 
**C’’ in double, back gilt in compartments with initial ‘‘C’’ 
and fleur-de-lys decorations, back panel has an emblematic 
design inlaid in various colors of morocco after the vignette 
on the last page, by Toudouze, gilt inside borders with fleur- 
de-lys and swords, gilt edges, uncut, original covers bound in, 
by S. David.—MeriM&E (Prosper). Chronique du regne de 
Charles [X. Compositions de Edouard Toudouze, gravées a 
l’eau forte par Eugene Abot. Préface par Francisque Sarcey. 
Imp. 8vo, full blue crushed levant morocco, Jansen style, gilt 


99 


tooled inside borders; gilt edges, uncut, original covers bound 
in, by S. David. Together 2 vols. Paris: Testard, 1889, 1890 


EDITION DE GRANDE Luxe. The first volume is one of 100 
copies issued on Japan paper with the 110 illustrations in two 
states, proofs before and after letters. The other volume is 
one of 50 copies on Japan paper, with the 8 plates in four 
states. EXTRA-ILLUSTRATED by the insertion of 3 portraits en- 
graved by Schmidt, Boullay, etc., and a portrait of the author 
etched by Lalauze after Deveria. 


022. MERIMEE (PROSPER). L’Enlévement* de la 
Redoute. Illustrations by Maurice Orange, engraved im 
colors by Decisy. Royal 8vo, green straight-grain morocco, 
panel borders gilt-tooled with intertwined sprays, enclosing 
wreath of oak and laurel, gilt back and inside borders, 
doublures and ends of purple watered silk, gilt over rough 
edges, original covers bound in, by Chambolle-Duru. 

Paris, 1902 
One of 125 copies on large vellum paper, with the illustra- . 


tions in three states, engraver’s etching and proof before letters 
in black and after letters in colors. 


523. MERIMEE (PROSPER). La Double Méprise. 17 
illustrations, title vignette and tail-prece printed wm colors 
after the originals by Bertrand. Imperial 8vo, full blue 
straight-grain morocco, with gilt-tooled border of interlacing 
fillets and fleurons, doublures-of brown straight-grain mo- 
rocco, with gilt outer and inner dentelle borders, end leaves 
of light blue silk, gilt over rough edges, wrappers bound in, 
by Chambolle-Duru. Paris, 1902 


One of 150 copies on Papier Vélin, fabriqué spécialement par 
les Papeteries du Marais. 


524. MERIMEER (PROSPER). Colomba. 63 illustrations 
by Damel Vierge, engraved on wood by Noel and Paillard. 
Préface by Maurice Tourneux. Imperial 8vo, full dark red 
straight-grain morocco, artistic gilt line and scroll border, 
back similarly tooled, doublures of olive straight-grain 
morocco, gilt line border with small scrolls at the sides and 
top and bottom, red silk end leaves, gilt over rough edges, 
original wrappers bound in, by Chambolle-Duru. Paris, 1904 


One of 50 copies on old Japan paper, with an extra set of 
the woodcuts without the text. 


525. MICHAULT (PIERRE). La Dance des Aveugles. 
Composée en vers Francais. Reproduction en facsimilé par 
Adam Pilinski d’une édition sans date imprimée au seiziéme 
siécle par le Petit Laurens. Jllustrations. 8vo, full brown 
levant morocco, small inlaid leaf in four compartments on . 
back, with cover design of red and black inlays, Grolieresque 
style, gilt inside borders, by Capé. 

Paris: Vve Adolphe Labitte, 1884 
Number One of 3 copies printed on pure vellum, in a hand- 
some specimen of binding by Capé. 


100 


526. MICHELET (JULES). Thérése et Marianne. Souve- 
nirs de Jeunesse. Illustrations de V. Foulquier. 12mo, full 
green levant morocco, gilt back in compartments, gilt panels 
and borders, corner ornaments, doublures and flys of green 
moire silk, gilt edges on the rough, original wrappers bound 
in, by Raparlier. Paris: Librairie L. Conquet, 1891 


One of 50 copies on Japan paper, with the etchings in two 
states. An etched portrait of the author before all letters is 
inserted. 


927. MICHELET (JULES). Histoire de la Révolution 
Francaise. Deuxiéme édition, revue et augmentée. 6 vols. 
8vo, full green crushed levant morocco, Jansen style, gilt in- 
side borders, gilt edges, by Gruel. Paris, 1868-69 


Holland paper copy. Inserted are portrait of Michelet in 
two states, and numerous cuttings. 


628. MICHELET (JULES). Histoire de France. 17 vols. 
royal 8vo, full green crushed levant morocco, in Jansen’s style, 
gilt inside borders, gilt edges, by Gruel. 

Paris: Lacroix et Cie, n. d. [1870-1874] 
One of 55 copies on Holland paper. 


529. MIKHAEL (EPHRAIM). MHalyartes. Poeme en 
prose. Illustrations de Paul Gervas, eaux-fortes en couleurs 
gravées par Xavier Maccard. Imp. 8vo, full brown crushed 
levant morocco, the sides gold tooled in a conventional floral 
design, with inlays of blue, brown and olive morocco, back in 
compartments with similar inlays; doublures of blue crushed 
levant, sumptuously tooled with floral decorations and orna-- 
ments covering the whole border, inlaid with brown, citron, 
olive and blue morocco, marbled flys with silk lining, gilt 
edges, uncut, original covers bound in, by Affolter. 

Paris: Imprimé pour la Société du Livre d’Art, 1904 


A beautiful book in a fine binding. Only 100 copies printed 
of which only 10 were for sale. One of the copies printed 
for members, this copy being the one for Mr. René de Saint- 
Cheron, with the illustrations in 3 states. This edition was 
printed on special Handmade paper. 


530. MILLE ET UN JOURS (LES). Contes Orientaux 
traduits du Ture, du Persian et de 1’Arabe, par Petits-de-la- 
Croix, Galland, Cardonne, Chawis et Cazotte, etc. Avec une 
Notice, par M. Collin de Planey. Ornés de dix belles gravures, 
dessinées et gravées par nos premiers Artistes. 5 vols. 8vo, 
half morocco, uncut. Paris: Rapilly, 1826 


Large vellum paper copy, with proof impressions of the 10 
plates by Devéria in three states, before and after letters and 
on India paper. 


531. MIRBEAU (OCTAVE). Dans 1’Antichambre. (His- 
toire d’une Minute). Jllustrations et gravures d’Edgar 
Chahine. Imp. 8vo, full crimson crushed levant morocco, 


101 


sides and back gilt tooled with interlaced filets, doublures of 
olive crushed levant morocco, gilt-tooled ornamental borders, 
with band of inlaid blue morocco, marbled flies with lining of 
floriated silk tapestry, gilt edges, uncut, original covers bound 
in, by Affolter. 
| Paris: Librairie de la Collection des Dix [1905] 
One of 10 copies printed on Large Japan paper, with the 
plates in 3 states. This copy contains also 2 extra plates each 

in 2 states, before and after alterations. 


032. MOECHIALOGIA. Morale Matrimoniale. Par Un 
Ancien Chanoine. Royal 8vo, full green levant morocco, Jan- 
sen style, gilt inside borders, doublures and flys of dark red 
China silk, gilt top, uncut, by Zaehnsdorf. 

Paris: Librairie Nilsson, n. d. 


533. MOLIERE (J. B. P. DE). la Critique de 1’Escole 
des Femmes, Comedie. 12mo, contemporary limp vellum 
(writing on title and end leaves). 

A Paris: Chez Claude Barbin, au Palais, sur les dregrez 
[sic] deuant la Sainte Chapelle, au Signe de la Croix, 1663. 


First EDITION. 


534. MOLIERE (J. B. P. DE). L’Escole des Femmes, | 
Comedie. Engraved frontispiece by F. Chauveau. 12mo, con- 
temporary limp vellum (lower. portion of leaves slightly 
water-stained, and one signature sprung). 

A Paris: Chez Thomas Jolly, au Palais, dans la Salle des 
Merciers, a la Palme, & aux Armes de Holland, 1663. 


One of the five issues of the First EDITION. 


535. MOLIERE (J. B. P. DE). L’Amour Médecin. Jllus- 
trations de L. Ed. Fournier, gravées a l’eau forte par G. Pen- 
nequin. Small folio, full crushed blue levant morocco, gilt back 
in compartments, gilt corner ornaments, fillet border, doub- 
lures of brown levant morocco, with elaborate gilt frame de- 
sign, silk gros-grain flys, gilt over rough edges, by Chambolle- 
Duru. Paris: Edition Ferroud, 1905 


One of 25 copies printed on Japan paper, with an ORIGINAL 
PEN-AND-INK DRAWING BY FOURNIER, and the etchings in three 
states. 


536. MOLIERE (J. B. P. DE). Le Mariage Forcé. 
Comedie. 16mo, full crimson crushed levant morocco, Jansen 
style, with beautiful gilt inside borders on dark blue crushed 
levant doublures, marbled flys, gilt edges, by Chambolle-Duru. 

A Paris: Chez Jean Ribou, au Palais, vis-a-vis la Porte de 
l’Eglise de la Sainte Chapelle, 4 1’Image S. Louis, 1668. 

A SPOTLESSLY CLEAN COPY OF THE EXCESSIVELY RARE GENU- 


INE First EDITION, WITHOUT the words ‘‘Sur l’Imprime’’ on 
the fleuron on title-page. 


102 


537. MOLIERE (J. B. P. DE). Le Tartuffe; ou 1’Im- 
posteur. Comedie. 12mo, full crushed crimson levant mo- 
roceo, gilt back, in compartments, gilt inside and outside bor- 
ders, gilt edges, doublures and flys of dark green China silk, 
-by Riviére. 

A Paris: Chez Jean Ribou, au Palais, vis-a-vis la Forte de 
l’Eglise de la Sainte Chapelle, a l1’Image S. Louis, 1669. 


THE VERY RARE FIRST ISSUE OF THE First EDITION, with the 
date of Privilege March 15 1669. Bound in at the end, is 
‘“Observations sur la Comedie de 1’Imposteur,’’ with a separate 
title-page, bearing the date 1670 only, without imprint. This 
letter on the Comedy (94 pp.) while issued anonymously, is 
attributed to Moliére himself, and is also rare. 


038. MOLIERE (J.B. P. DE). Monsieur de Pourceaugnae, 
Comedie. 16mo, full crimson crushed levant morocco, Jansen 
style, gilt inside borders, full gilt over marbled edges, by 
Chambolle-Duru. Paris: Chez Jean Ribou, 1670 


First EDITION. VERY SCARCE. 


539. MOLIERE (J. B. P. DE). La Ceremonie du Malade 
Imaginaire. Receptio Publica unius jevenis in academia 
burlesca Joannis Baptiste Moliere, doctoris comici, revisa et de 
beaucoup augmentata super manuscriptos trovatos post suam 
mortem. Editio troisiesma. Portrait and etched frontispiece 
of ‘‘The Ceremony.’’ 8vo, full crushed crimson levant mo- 
rocco, gilt emblematic tooling in compartments on back, covers 
richly decorated with scrolls, with 24 gilt syringes embodied 
in the design, gilt inside borders, full gilt edges, by Rousselle. 

Lugduni: Ex officina a Lud. Perrin et Marinet, 1870 


No. 1 of 30 copies printed on Holland paper. Three por- 
traits of Moliére have been inserted. A proof etching by 
Lalauze; one by Ingouf Jr. after Mignard; one by J. Punt, 
on Japan paper. Bound in with the foregoing work, is: 
L’Instrument de Moliere, traduction du traite de Clysteribus 
de Regnier de Graaf (1668). Paris: Damascene Morgand et 
Fatout, 1878. With the humorous vignettes, and two inserted 
portraits. Of this latter work, but a few copies were printed 
on China paper. 


540. MOLIERE (J. B. P. DE). Les Guvres de Monsieur 
Moliére. With the two different frontispreces contamming por- 
traits of Moliére and his wife, Armande Béjart, by F. Chau- 
veau. 2 vols. 12mo, full crimson crushed levant morocco, gilt, 
doublures of dark blue levant morocco, elaborately tooled and 
gilt with dentelle border and centre ornaments of a pointillé 


style, gilt edges, by Bradstreet’s. 


Paris: Chez Thomas Jolly, 1666 


The extremely rare FIRST COLLECTED EpITIon of the works of 
Moliére, with continuous pagination, containing all the pieces 
separately published up to that date. Fine and perfect copy, 
with all the blank leaves. It is an unusual thing to find both 
volumes with the different frontispieces and same publisher’s 
imprint. As important to the collector of First French edi- 
tions as the First Folio Shakespeare is to an Englishman. 
Priced in Damascene Morgand’s catalogues at 7,600 frances. 


103 


541. MOLIERE (J. B. P. DE). (#£uvres compleétes de 
Moliére, avec les notes et tous commentateurs. Edition publiée 
par L.-Aimé Martin. 8 vols. 8vo, half brown crushed levant 
morocco, gilt-tooled backs, gilt tops, uncut, by Bertrand. 

Paris: Lefévre, 1824-1826 


Large Papier Vélin copy. EXTRA-ILLUSTRATED by the inser- 
tion of 6 portraits of Moliere (one of which is by Fiquet after 
Coypel). 30 plates after Moreau le jeune, engraved by Bosq, 
Croutelle, de Ghendt, Girardet, Delvaux, Ribault, Roger, 
Simonet, de Villiers and Villerey issued in 1812-1813, and 15 
plates by Bein, Adam, Leroux, Chollet and others after Alex- 
andre Desenne. In all 51 plates. The F. R. Halsey copy, with 
bookplate in each volume. 


542. MONNIER (ANTOINE). Eaux-Fortes et Réves 
Creux. Sonnets Excentriques et Poémes Etranges. Illus- 
trated with 20 etchings on China paper. 8vo, full crushed 
brown levant morocco, gilt back, with emblematic tooling on 
front cover of Owls, and skull and cross-bones, and on back 
cover skull and cross-bones in each corner, gilt inside borders, 
gilt edges on the rough, original wrappers bound in, by Rous- 
selle. Paris: Librairie Léon Willem, 1873 


UNIQUE Copy. CONTAINING THE ORIGINAL DRAWINGS OF THE 
ETCHINGS, ON PURE VELLUM. One of 30 printed on China paper. 


543. MONTAIGNE (MICHEL-EYQUEM DE). Kssais de 
Michel de Montaigne. Avee les notes de tous les com- 
mentateurs. Edition publiée par J. V. Le Clere. Portrait of 
the author, engraved by Dupont, proof before letters. 5 vols. 
royal 8vo, full green morocco, gilt edges. Paris: Lefévre, 1826 

The Francis Baring copy, with bookplate in each volume. 


544. MONTAIGNE (MICHEL-EYQUEM DE). Essais de 
Michel de Montaigne, avec les notes de tous les commentateurs, 
édition revue et augmentée de nouvelles notes, par M. Jos.- 
Vict. Le Clere.’ 5 vols. 8vo, half brown crushed morocco gilt- 
tooled backs, gilt tops, uncut, by Bertrand. 

Paris, Lefévre, 1826 


Large Papier Vélin copy. Inserted are two portraits of 
Montaigne engraved by Ficquet and Dupont. The F. R. Halsey 
copy, with bookplate in each volume. ; 


545. MONTESQUIEU (CHARLES DE SECONDAT DE). 
(Huvres de Montesquieu, avec les notes de tous les com- 
mentateurs. Edition publiée par L. Parrelle. 8 vols. 8vo, 
half brown crushed levant morocco, gilt backs, gilt tops, uncut, 
by Bertrand. Paris: Lefévre, 1826 


Large Papier Vélin copy. EXTRA-ILLUSTRATED by the inser- 
tion of 4 rare portraits of Montesquieu, and 13 plates after 
Chaudet, Moreau, Perrin, Peyron and Vernet, engraved by de 
Ghendt, Girardet, Malapeau, Née, Patas et Pauquet from the 
edition of 1796; all proofs before letters on India paper. The 
F. R. Halsey copy, with bookplate in each volume, 


104 


946. MONTESQUIEU (CHARLES DE SECONDAT DE). 
Le Temple de Gnide. Nouvelle Edition. With the exquisite 
series of plates, including frontispiece and title, engraved by 
N. Le Mire, after the designs of Eisen. Royal 8vo, bound in 
fine old red straight-grain morocco, gilt back, fillet and pointillé 
borders, inside dentelle border, gilt edges (a few leaves spot- 
ted). Paris: Chez Le Mire, 1772 


Tall copy of this charming edition, measuring 250 mm. The 
Francis Martin—Halsey copy. Contains the slip ‘‘Avis au 
Relieur’’ bound in at the end, not found in all copies. 


547. MONTESQUIEU (CHARLES DE SECONDAT DE). 
Lettres Persanes. Publiés en deux volumes avec une préface 
par M. Tourneux. Dessins d’Ed. de Beaumont gravées a 1’eau 
forte par Boilvin. Portrait of Montesquieu after St. Aubin 
and 8 designs after Ed. de Beawmont etched by Borlvin. 
2 vols. 8vo, full crushed dark blue levant morocco, tooled with 
gold and silver ornaments on panel borders and back, doub- 
lures and flys of brocaded silk, inside borders, gilt tooled with 
serolls, gilt edges, uncut, original covers bound in, by P. 
Ruban. Paris: Librairie des Bibliophiles, 1886 


Edition Jouaust. One of 170 copies on Large Holland 
paper. The eight etchings have been filled in various colors, by 
hand. 


105 


THIRD SESSION 
‘Wednesday Afternoon, November 22, 1916, at 2:30 o'clock 
LOTS 548-815 


548. MORTORGUEIL (GEORGES). Paris au Hasard. 
Illustrations composées et gravées sur bois par Auguste 
Lepére. 8vo, full maroon crushed levant morocco, back gilt 
and inlaid with daisies, doublures of yellow levant morocco, 
with 4 irregular panels of blue morocco, bordered with red, 
and numerous inlaid designs of open and closed daisies, 
marbled flys with brocaded silk lining, gilt edges on the rough, 
original wrappers bound in, by Meunier, 

Paris: Imprime pour Henri Beraldi, 1895 


One of 138 copies on Papier Vélin. 


549. MONTORGUEIL (GEORGES). la _ Parisienne. 
Peinte par Elle-Méme. 21 full-page etchings in dry-point and 
41 woodcut vignettes by Henry Somm. Royal 8vo, full blue 
erushed levant morocco, gilt line and floral border with small 
red blossoms, back similarly decorated, gilt inside border, 
brocade silk lining, gilt over rough edges, with the original 
wrappers bound in, by Meunier. Paris, 1897 

One of 150 copies on Holland paper. 


5950. MONTORGUEIL (GEORGES). La Vie a Mont- 
martre. Illustrations by Pierre Vidal, some in colors. Im- 
perial 8vo, full green levant morocco, gilt line border, mosaic 
back; doublures of light brown levant morocco, gilt line bor- 
der embracing alternating circles of red and blue, gilt and 
inlaid center and corner pieces in panel, flowered silk end 
leaves, gilt edges, original wrapper bound in, by Affolter. 

7 Paris [1899] 


One of 25 copies on Imperial Japan paper, with an extra 
set of the plates, proofs on China paper. 


d01. MOREAU (HEGESIPPE). (£uvres Inédites, avec 
Introduction et Notes par Armand Lebailly. Hitched frontis- 
piece by G. Staal. 16mo, board sides, levant morocco back, 
uncut, original wrappers bound in. 
Paris: Librairie Bachelin-Deflorenne, 1867 
Collection du Bibliophile Frangais. 


552. MOREAU (HEGESIPPE). Petits Contes en Prose: 
Le Gui de Chéne, La Souris Blanche, Les Petits Souliers, 
Thérése Sureau. Portrait and 12 plates by Félix Oudart. 


Royal 8vo, boards, leather back, uncut. Paris, 1892 
One of 25 copies on Japan paper, with the plates in three 
states. 


106 


d03. MOREAU (HEGESIPPE). Le Myosotis. Petits 
Contes et Petits Vers. Jllustrated with 134 woodcuts by 
Clément Bellenger after Robaudi. Préface par André Theuriet. 
Royal 8vo, full hght brown crushed levant morocco, with an 
inlaid spray of blue-bells, back with similar decoration in 
compartments, inside border of same design, yellow flowered 
silk lining, gilt over rough edges, wrappers bound in, by 
Ruban. Paris, 1893 


One of 150 copies on Japan paper, with an extra set of plates. 
without the text. 


994. MOREAU (HEGESIPPE). Petits Contes a ma Sceur. 
62 illustrations by Dunki, engraved on wood by Clément Bel- 
lenger. 4to, full hight brown crushed levant morocco, hand- 
some gilt floral border with decorative bands of red and blue, 
mosaic back, broad gilt inside borders, flowered silk lining, 
gilt over rough edges, wrappers bound in, by Ruban. 

Paris, 1896 


One of 25 copies on old Japan paper, with two extra sets 
of the illustrations, proofs on Japan and China paper, signed by 
Bellenger, and an ORIGINAL WATER-COLOR DRAWING by Dunki 
inserted. 


555. MOREAU LE JEUNE (J. M.). Monument du Cos- 
tume physique et moral de la fin du dix-huitiéme siécle, ou 
Tableaux de la Vie. Ornés de Figures dessines et gravée par 
M. Moreau le Jeune, Dessinateur du Cabinet du 8. M. T. C. et 
par d’autres célébres Artistes. With description by Rétif de 
la Bretonne. Folio, boards. Neuwied sur le Rhin, 1789 

A handsome copy of this fine work, containing 26 large and 
beautiful plates of Moreau (two of which are by Freudenberg 
and do not appear in the French issue), engraved by Baquoy, 
Camligue, Dambrun, Delignon, De Launay, Guttenberg Helman, 
Malbeste, Martini, Halbou, Patas, Romanet, Thomas, Ingouf 


et Bosse. Most difficult to procure in any desirable state. The 
F. R. Halsey copy with bookplate. 


556. MORIN (LOUIS). Histoires d’Autrefois. Le Caba- 
ret du Puitssans-Vin. 95 illustrations by the author, some 
colored by hand. 8vo, full red crushed levant morocco, deco- 
rated with an inlaid and gilt-tooled design of swords, musical 
instruments, grape leaves, grapes, etc., gilt inside border, silk 
doublure and end-leaves, gilt edges, by Meunier. Paris, 1885 

Presentation copy from the author, with autograph inscrip- 


tion on half-title. One of a small number printed on vellum 
paper for presentation purposes. 


557. MORIN (LOUIS). Histoires d’Autrefois. Jeannik. 
87 illustrations by the author. 8vo, full brown crushed levant 
morocco, decorated with unconventional bands of dark blue 
with a twining spray of forget-me-nots, back in six compart- 
ments decorated with same blossoms, back cover with small 


107 


sprig of forget-me-nots, gilt inside borders, silk doublure and 
end leaves, gilt edges, by Meunier. Paris, 1885 


Presentation copy from the author, with autograph inscrip- 
tion on the half-title. One of a small number printed on vel- 
lum paper for presentation purposes. 


558. MORIN (LOUIS). Vieille Idylle. 12 Pointes séches 
et 20 ornements typographiques par l’autewr. 16mo, full 
erushed lavender morocco, Jansen style, gilt inside borders, 
doublures and flys of brocaded silk, uncut edges, original 
covers bound in, by Carayon. Paris: Conquet, 1891 


Presentation copy from the publisher, printed on Papier 
Vélin and not for sale. The illustrations are colored by hand. 
Fine copy. 


559. MORIN (LOUIS). Les Cousettes. Physiologie des 
Couturiéres de Paris. Frontispiece and 21 vignette rlustra- 
tions designed and etched m dry point by Henry Somm. 
Royal 8vo, full lavendar crushed levant morocco, gilt line 
border enclosing a succession of ten perpendicular dotted lines 
interspersed with gilt roses, gilt scrolls in the corners, gilt 
inside border, with lavender silk doublure and end leaves, 
gilt edges, original wrappers bound in, by Raparlier. 

One of 100 copies printed on Japan paper. Paris, 1895 


560. MORIN (LOUIS). Les Dimanches Parisiens; Notes 
d’un decadent. Quarante et une eaux-fortes originales de A. 
Lepere. Royal 8vo, full brown crushed levant morocco, gilt 
and inlaid backs in compartments, double-fillet open panel 
filled with floral sprays, corners of light brown morocco inlays, 
doublures of dark green levant morocco, 2-fillet panel with 
corner ornaments of rose branches, tied with bow-knots, 
marbled flys with brown gros-grain silk, gilt edges on the 
rough, original wrappers bound in, by Lortie. 

Paris: Librairie L. Conquet, 1898 


UNIQUE EDITION. One of 200 copies printed on Papier Vélin 
du Marais, with the etchings in sepia in two states. The pres- 
ent copy contains, bound in at the end, 8 original etchings by 
Lepere, which were not included in the text. 


561. MORIN (LOUIS). Carnavals Parisiens. With hand- 
colored wlustrations by the author. 12mo, original wrappers 
(shaken), uncut, enclosed in red satin ease. 

Paris: Montgredien et Cie, n. d. 


062. MORIN (LOUIS).  Histoires d’Autrefois: Les 
Amours de Gilles. 178 idlustrations by the author, colored by 
hand. 8vo, full dark green crushed levant morocco, gilt tooled 
in elaborate Louis XVI style, gilt inside line borders, gilt 
edges, original wrappers bound in, by Meunier. Paris, n. d. 

Presentation copy from the author, with his autograph in- 
scription on half-title. 


108 


063. MULLER (EUGENE). la Mionette. 28 vignette 
adlustrations by O. Cortazzo, etched by Abot and Clapés. 
12mo, full blue crushed levant morocco, with an inlaid spray 
of pink and white flowers on sides and back, gilt inside border, 
tapestry silk lining, gilt edges, original wrappers bound in, 
by Ruban. Paris, 1885 
; One of 150 copies on Large Japan paper. 


964. MURGER (HENRY). Scénes de la Bohéme. Frontis- 
piece and 12 etched plates by Adolphe Bichard, in two states, 
before and after letters. 8vo, full olive morocco, richly gilt 
tooled sides and back, gilt inside border, gilt top, uncut, by 
Zaehnsdorf. Paris, 1879 


One of 100 copies with the extra plates on Japan paper. 
With the F. R. Halsey bookplate. 


965. MURGER (HENRY). Scénes de la Vie de Bohéme. 
Illustrations by Charles Léandre, engraved in colors by Eug. 
Decisy. Thick royal 8vo, full red crushed levant morocco, gilt 
line and scroll tooling conforming to diamond shaped center 
panel, doublures of green levant morocco, blind and gilt line 
outside border, inside panel border of ornamental scroll tool- 
ing, red silk end leaves, gilt edges, original wrappers bound 
in, by Chambolle-Duru. In ease. Paris, 1902 


One of 35 copies on Japan paper, with an extra set of plates, 
in colors, without the text, and three trial states of the color 
printing of one of the plates, at the end. 


966. MUSEE. Hero et Leandre. Notices par A. Pons. 
Illustrated with vignettes by Meéaulle after the designs of 
Pfnor, pages printed within decoratwe borders. 16mo, full 
erushed brown levant morocco, gilt floral spray on back, tooled 
center ornament on covers, gilt inside borders, full gilt edges, 
original wrappers bound in, by Rousselle. 

Petits Chefs-d’Cuvres Antiques. Paris: A. Quantin, 1879 


567. MUSSET (ALFRED DE). L’Anglais mangeur 
d’opium. Traduit de ]1’Anglais par A. D. M. 16mo, full 
levant morocco, Jansen style, gilt inside borders, gilt edges. | 

Paris: Mame et Delaunay-Vallée, 1828 


The very rare First Epirion of the first of Musset’s literary 
productions. Inserted is a portrait of the author etched by 
Mongin, proof before letters. Very fine clean copy. 


568. MUSSET (ALFRED DE). Contes d’Espagne et 
d’Italie. 8vo, full dark blue levant morocco, gilt inside bor- 
ders, gilt edges, by Hardy-Mennil.. 

3 Paris: A Levavasseur, 1830 


Fine copy of the very rare First Epition of De Musset’s 
first work, published when he was twenty years of age, and 
limited to 500 copies. 


109 


569. MUSSET (ALFRED DE). Un Spectacle dans un 
fauteuil [en vers]. 8vo, full dark blue crushed levant morocco, 
gilt back in compartments, triple fillet border on covers, gilt 
inside borders, gilt edges on the rough, by Thibaron-Joly. 

Paris: Librairie d’Eugene Renduel, 1833 


CHOICE COPY OF THE RARE FIRST EDITION. 


570. MUSSET (ALFRED DE). (Céuvres; With his Life, 
by Paul de Musset. 11 vols. 12mo, full blue crushed morocco, 
gilt backs in compartments, 3-fillet border on covers, gilt in- 
side borders, gilt edges, by Chambolle-Duru. 

Paris: Alphonse Lemerre, 1876 


One of 110 copies on China paper. EXTRA-ILLUSTRATED BY 
THE INSERTION OF THE SERIES OF 42 BEAUTIFUL ETCHINGS DE- 
SIGNED BY HENRI PILLE AND ENGRAVED BY MONZIES, together 
with the series of 6 etchings by Bida, engraved by Lalauze. 
There are also 18 portraits inserted, by different artists, repre- 
sented in from one to three states. The biographical volume 
contains an etched frontispiece by Abot. 


571. MUSSET (ALFRED DE). 56 illustrations pour les 
Cuvres d’Alfred de Musset. Aquarelles par Eugene Lam. 
Eauz-fortes par Adolphe Lalauze. Small folio. In original 
portfolio. Paris: Morgand, 1883 


One of 100 copies issued on Japan paper with the title in 
two states and the etched plates artist’s remarque proof before 
letters. This edition was published at 500 francs and is now 
very scarce. 


572. MUSSET (ALFRED DE). Onze eaux-fortes pour les 
ceuvres de Alfred de Musset. Gravées d’aprés les dessins de 
J. P. Laurens, Ad. Moreau, Giacomelli et Gervex. Ato, origi- 
nal paper covers. Paris: Morgand, 1884 


LiMiTED EpDITION on Japan paper. Fine impressions of the 
portrait of Musset and the 10 plates. ; 


573. MUSSET (ALFRED DE). Le Dernier Abbé Illustré 
de dix-neuf compositions par Ad. Lalauze. Royal 8vo, full 
dark blue crushed levant morocco, gilt and inlaid backs in 
compartments, covers bordered with a steel-gray inlay of 
crushed morocco, ornately tooled, gilt inside borders, marbled 
flys, with doublures and linings of brocaded satin, full gilt 
edges on the rough, original covers bound in, by Meunier. 

Paris: Librairie des Amateurs, A. Ferroud, 1891 
One of 63 copies on Japan paper, with the etchings in two 
states, one with remarque. A PROOF PORTRAIT of the author, on 


China paper, has been inserted, and on the first blank leaf is 
an ORIGINAL WATER-COLOR DRAWING, signed, by Ad. Lalauze. 


574. MUSSET (ALFRED DE). la Confession d’un En- 
fant du Siécle. Dix compositions de P. Jazet. Gravées & 
l’Eau-forte par E. Abot. Royal 8vo, full blue crushed levant 


110 


LE 


'PAS TISSIER 
FRANCOIS. 


LE PASTISSIER FRANCOIS 


Bound by Trautz-Bauzonnet 
[Number 616] 


morocco, gilt backs, with floral inlays in compartments, triple 
fillet borders, gilt inside borders, gilt edges on the rough, 
original wrappers bound in, by David. 

Paris: Ancienne Maison Quantin, 1891 


One of 50 copies printed on Japan paper, with the etchings 
in three states, unfinished, finished, and lettered proofs. 


575. MUSSET (ALFRED DE). La Mouche. Préface par 
Philippe Gille. 30 etched plates by Ad. Lalauze, 25 being in 
three states and 5 wn four states, including in each case, out- 
line, remarque and signed artist’s proof. Royal 8vo, full 
orange crushed levant morocco, gilt-tooled back and lined 
borders, doublures of lavender levant inlaid with brown frame 
festooned with rose-sprays, cupid bows and conventional tools, 
flys of flowered silk, gilt edges, by Mercier. Paris, 1892 


One of only 30 copies on Japan paper, with the plates as 
above. EXTRA-ILLUSTRATED WITH AN ORIGINAL WATER-COLOR 
DRAWING BY LALAUZE. 


576. MUSSET (ALFRED DE). Frédéric et Bernerette. 
Illustrations de Myrbach, gravées par Privat-Richard. 16mo, 
full lilac levant morocco, gilt inside borders, gilt edges on the 
rough, original wrappers bound in, by Rousselle. 

Paris: Alphonse Lemerre, 1893 


One of 30 copies printed on Japan paper. An etched proof 
portrait of De Musset is inserted. 


577. MUSSET (ALFRED DE). Le Fils du Titien. Crois- 
illes. Illustrations de Paul Chabas, gravées par L. Rousseau. 
16mo, full crushed crimson levant morocco, Jansen style, gilt 
inside borders, gilt edges, by Rousselle. Paris, 1894 


One of 30 copies on Japan paper. Inserted is a portrait of 
Musset etched by L. Monzies. 


978. MUSSET (ALFRED DE). _ Lorenzaccio: Drame. 
Illustrations wn colors by Albert Maignan. 8vo, full maroon 
levant morocco, gilt back with inlaid fleur-de-lys in compart- 
ments, ornamented on covers with tooled border, inside of 
which are inlaid corner and centre inlays of fleurs-de-lys; 
doublures of light blue levant morocco, with handsome gilt 
border, marbled end leaves, silk linings, full gilt edges, origi- 
nal wrappers bound in, by Mercier Sr. de Cuzin. 

Paris: Pour la Societe des Amis des Livres, 1895 
One of 115 copies printed on China paper. 


579. MUSSET (ALFRED DE). Les Nuits et Souvenir. 
Portrait d’aprés David d’Angers. Interprété par Florian. 
Illustrations de A. Gérardin, gravées par Florian. Imp. 8vo, 
full blue crushed levant morocco, back richly decorated with 
pointillé and burnished gold design in compartments, covers 
with central panel having elaborate pointillé corner orna- 
ments, gilt inside borders, marbled flys, with doublures and 


111 


linings of blue moire silk, full gilt edges on the rough, original 
wrappers bound in, by Ruban. Paris: Edouard Pelletan, 1896 


One of 25 copies printed on Japan paper, with the plates in 
three states, on Japan paper, on Japan ancien, and on China 
paper. THE SET ON JAPAN PAPER HAS BEEN INSERTED, as no set 
was issued with the plates in all three states. 


080. MUSSET (ALFRED DE). Mademoiselle Mimi Pin- 
son. Profil de Grisette. Ktchings m color by Francois Cour- 
bom. 8vo, full blue crushed levant morocco, doublures of 
citron morocco, with wide fillet and pointillé border, corner 
and side ornaments, marbled end leaves, embroidered silk 
linings, gilt top, uncut, original wrappers bound in, by Lortic. 

Paris: Les Cent Bibliophiles, 1899 
One of 115 copies printed on special paper, with a duplicate 
set of the plates. This copy printed for Baron d’Hsneval. 


581. MUSSET (ALFRED DE). Histoire d’un Merle 
Blane. Decoratwe borders designed by H. Giacomella and 
etched by L. Boisson. Royal 8vo, full pearl gray crushed 
levant morocco, decorated with sprigs of currents and black- 
berries inlaid in natural colors and gilt-tooled, doublure of 
white levant morocco, with rustic gilt border decorated with 
a reproduction of the current design of the half title, inlaid 
in natural colors, gray silk end leaves, gilt edges, original 
wrappers bound in, by Chambolle-Duru. With extra half 
morocco cover and ease. Paris, 1904 

One of 200 copies de Grand Luxe, on Papier Vélin du Marais. 


582. MUSSET (ALFRED DE). On ne Badine pas avec 
V’Amour. Comédie en trois Actes. Illustrations by Adrien 
Moreau, etched and printed in colors by E. Pennequn. Royal 
8vo, full blue crushed levant morocco, triple line gilt border, 
small ornaments in the corners, doublures of brown crushed 
levant, ornamental gilt fillet and scroll border, blue silk end 
leaves, gilt edges, original wrappers bound in, by Chambolle- 
Duru. Paris, 1905 


One of 25 copies on Japan paper, with the plates in three 
states, unfinished proofs, proofs before letters, and the colored 
impressions in the text; also a fine ORIGINAL WATER-COLOR DRAW- 
ING by Moreau on the fly-leaf. 


583. NAPOLEON. les Cahiers du Capitaine Coignet 
(1776-1850). Publiés d’aprés le manuscrit original par 
Lorédan Larchey. 18 full-page plates, each wn two states, one 
printed mm colors and one in black; and many text vignettes, 
all from designs by Julien Le Blant. 4to, full green crushed 
levant morocco, doublures of crimson levant, richly gilt-tooled 
with Napoleonic emblems, silk end-leaves, gilt top, uncut, 
original wrappers bound in, by Champs. | Paris, 1896 


EpIrion DE Luxr. One of 40 copies printed on Japan Im- 
perial paper, with the additional set of remarque plates in colors. 


112 


084. NEEL (L. BALTHASAR). Voyage de Paris a Saint- 
Cloud par Mer; et retour de Saint-Cloud a Paris par terre. 
Avec une Préface et des Notes par E. Legrand. Aquarelles 
de Jeannot gravées par Gillot. 8vo, full blue levant morocco, 
gilt back in compartments, covers decorated with a handsome 
and elaborate border design of leaf sprays, scrolls, birds, 
butterflies, etc., and baskets of flowers in the corners, gilt in- 
side borders, marbled flys, doublures and linings of yellow 
and cream brocaded satin, gilt edges on the rough, original 
wrappers bound in, by Durvand. Paris: A. Lahure, 1884 


One of 50 copies on Imperial Japan paper, with the plates 
in three states, two of which sets are colored by hand. 


585. NERVAL (GERARD DE). Scénes de la Vie Orientale. 
Les Femmes du Caire. 8vo, full crimson straight-grain mo- 
rocco, gilt inside borders, doublures and fly-leaves of blue 
watered silk, gilt over rough edges, wrappers bound in, by 
S. David. Paris: Ferdin. Sartorius, 1848 

First Epirion. Fine copy, with uncut edges and original 
Wrappers. 


586. NERVAL (GERARD DE). Sylvie. Souvenirs de 
Valois. 42 compositions dessinées et gravées a l’eau-forte par 
Ed. Rudaux. 12mo, full brown crushed levant morocco, front 
cover covered with a rich floral design of sprays, leaves, 
blossoms, birds and butterflies tooled and inlaid in gold, silver 
and various colors, doublures and end leaves of flowered silk, 
cilt tooled inside borders, gilt over rough edges, original 


covers bound in, by Ch. Meunier. Paris, 1886 
One of 150 copies on large Japan paper. Plates in two 
states. 


587. NERVAL (GERARD DE). Les Filles du Feu. Sylvie, 
Jemmy,. Octavie, Isis, Emilie. Avec une Préface de Jules 
Levallois. Dessins d’Emile Adan, gravés a l’eau-forte par 
Le Rat. Plates in two states, one set bewg proofs before 
letters. Royal 8vo, full wine color crushed levant morocco, 
with line and dot border joining four floriated scrolls, gilt 
back in six compartments, gilt inside line and scroll border, © 
dark watered silk lining, gilt top, uncut, by Bretault. 

One of 125 copies on Holland Paper. Paris, 1888 


588. [NEWTON (SIRISAAC).] Perrault (Charles). His- 
toires ou Contes du temps passé. Avec des Moralitez Par le 
Fils de Monsieur Perrault de 1’Academie Francois. Frontts- 
piece **Contes de ma mere Loye’’ and 8 copperplate vignettes. 
16mo, full crushed levant morocco, back with gilt Cat in boots, 
silt edges, by Trautz-Bauzonnet (sightly damaged on front 
cover ). -{Hollande]: Suivant la Copie a Paris, 1698 


Very rare with this imprint. WITH THE AUTOGRAPH SIGNA- 
TURE OF ISAAC NEWTON ON FLY-LEAF, The F. R. Halsey copy, 
with bookplate. 


113 


089. NIEL (P. G. J.). Portraits des Personnages Fran- 
cais les plus Illustres du XVIe Siécle, reproduits en Facsimile 
sur les Originaux illustrés aux crayons de couleur par divers 
Artistes contemporains. 48 large and beautifully colored 
portraits, with descriptive text. 2 vols. full crushed citron 
levant morocco, finely tooled backs and sides, gilt edges, by 
Wright. Paris: Lenoir, 1848-56 


First Issue of this handsome work. 


590. NODIER (CHARLES). Le Bibliomane. Préface de 
R. Vallery-Radot.. Portrait and 23 other woodcuts by F. Noél 
after Maurice Lelowr. 12mo, full brown straight-grain mo- 
rocco, gilt back and panel borders; panels blind-tooled with 
center vignettes, doublures and flys of flowered silk, gilt edges, 


original wrappers bound in. Paris: L. Conquet, 1894 
One of about 75 copies printed on China paper, with wide 
margins. 


591. NODIER (CHARLES). Le Dernier Chapitre de 
Mon Roman. Préface de Maurice Tourneux. Portrait of the 
author etched by Delauney (inserted), and 33 illustrations 
by Lows Morin, colored by hand. 8vo, full red crushed levant 
morocco, gilt line and scroll tooled, gilt inside border, red 
silk guards, gilt edges, wrappers bound in, by Raparlier. 

Paris, 1895 


One of 200 copies on Papier Vélin Blanc du Marais. 


592. NODIER (CHARLES). Inés de las Sierras. Com- 
positions dessinées et gravées a l’eau-forte, en couleurs par 
Paul Avril. Préface de A. de Claye. Imp. 8vo, full blue 
crushed levant morocco, triple line borders, richly gilt-tooled 
back, doublure of orange crushed levant, with a gilt orna- 
mental border, flies of blue watered silk, gilt top, uncut, origi- 
nal covers bound in, by Bretault. Paris, 1897 


Of this choice production only 200 copies were printed, with 
the illustrations in five states, yellow, red, blue, bistre, and the 
finished plate. 


593. NODIER (CHARLES). Histoire du Chien de Bris- 
quet. Précédée d’une Lettre a Jeanne par M. Anatole France. 
25 compositions de Steinlen gravées par Deloche, EK. Froment, 
Ernest et Frédéric Florian. 4to, full olive crushed levant 
morocco, gilt back in compartments, fillet and dentelle cover 
borders, doublures of light brown levant morocco, inlaid top 
and sides of dark olive, richly and handsomely tooled with 
scrolls, inlaid corner ornaments with gilt dog’s heads, marbled 
flys, with dark green ribbed silk linings, gilt edges on the 
rough, original wrappers bound in, by Chambolle-Duru. 

Paris: Edouard Pelletan, 1900 


One of 25 copies on LarGE PapireR VELIN, with the illustra- 
tions in three states, in the text, on ancient Japan paper and 
on China paper, each signed by the engraver. AN ORIGINAL 
FULL-PAGE CRAYON DRAWING By STEINLEN IS INSERTED. 


114 


594. NODIER (CHARLES). La Légende de Soeur Béatrix. 
Illustrations wm colors by Henri Caruchet. Royal 8vo, full 
brown levant morocco, gilt and inlaid back in compartments, 
covers ornamented with a border of gilt crosses, the tops and 
sides terminating in an inlaid floret, doublures of dark gray 
levant morocco, with inlaid morning-glory vine border, flys 
of brocaded silk, gilt edges on the rough, original wrappers 
bound in, by Affolter. Paris: Librairie A. Rouquette, 1903 


One of 150 copies on Large Japan paper, with a duplicate 
set of the illustrations and borders bound at the end. The 
text is printed within hand-colored ornamental and pictured 
borders, and each leaf is separately mounted. 


0995. NODIER (CHARLES). Jean Sbogar. With -full- 
page and wgnette illustrations by Marold, Mittis and Picard. 
18mo, full dark blue crushed levant morocco, gilt floral spray 
on back, tooled centre ornament on covers, gilt inside borders, 
gilt top, uncut, original wrappers bound in. 

‘«Petite Collection Guillaume.’’ Paris: E. Dentu, 1894 


096. NODIER (CHARLES). Séraphine. With full-page 
and vignette Ulustrations by G. Picard. 18mo, full gray-blue 
crushed levant morocco, gilt floral spray on back, small tooled 
centre ornament on covers, gilt inside and outside borders, 
gilt top, uncut, original wrappers bound in. 

‘<Petite Collection Guillaume.’’?’ Paris: E. Dentu, 1894 


097. NODIER (CHARLES). Inés de Las Sierras. Made- 
moiselle de Marsan. Full-page and vignette illustrations by 
G. Pward. 18mo, full crushed lilac levant morocco, gilt floral 
spray on back, small tooled centre ornament on covers, gilt 
inside borders, gilt top uncut, original wrappers bound in. 

‘«Petite Collection Guillaume.’’ Paris: E. Dentu, 1894 


098. NOEL (EDOUARD). Une Melodie de Schubert. 
Dessins de Georges Cain gravés par Deville. Square 16mo, 
full crushed lavender levant morocco, front cover with a gilt 
open music book and floral decorations inlaid in 6 different 
colors of morocco after the vignette on the first page by Cain, 
gilt inside borders, gilt edges, uncut, original covers bound in, 
by P. Ruban, 1895. Paris: Conquet, 1888 


One of 100 copies on Papier Vélin du Marais, with the illus- 
trations in two states, proofs before and after letters. ExTrRa- 
ILLUSTRATED by the insertion of a set of all the illustrations on 
Japan paper, proofs before letters. 


599. [NOGARET (FRANCOIS FELIX).] Le Fond du 
Sac; ou receuil de Contes en vers et en prose et de pieces 
fugitives. Htched frontispiece and vignettes after Hisen and 
others. 12mo, full citron levant morocco, sides with gilt lines 
and centre piece, gilt back and inside borders, gilt edges, by 
Zaehnsdorf. Paris: Leclere, 1861 


One of 100 copies printed on Holland paper for subscribers. 
115 


600. NOGARET (FRANCOIS FELIX). L’Aristenete 
Francais. Edition illustrée de 50 compositions de Durand, 
gravées a l’eau forte par E. Champollion. 2 vols. 12mo, full 
blue crushed levant morocco, inside borders richly gilt-tooled, 
‘doublures of crimson watered silk, gilt top, uncut edges, origi- 
nal cover bound in, by 8. David. Paris: L. Conquet, 1897 


Beautiful copy. One of 150 copies printed on Papier Vélin 
du Marais. 


601. NOLHAC (PIERRE DE). La Reine Marie-Antoinette. 
With an exquisite front, in colors after the original and numer- 
ous fine full-page facsimiles of historical scenes, portraits, etc. 
Royal 4to, full crimson crushed levant morocco, wide orna- 
mental borders on sides. The arms of Marie-Antoinette in 
gold in the centre of the covers and a fleur-de-lys in each cor- 
ner; doublures of blue crushed levant morocco, heavily gilt- 
tooled, ornamental borders, back gilt tooled in compartments, 
with a fleur-de-lys repeated five times, end leaves of blue 
ribbed silk, gilt edges, original covers bound in, by Lortie. 

Paris, 1890 
One of 50 copies printed on Japan paper, with the frontis- 


piece and other plates in two states. Laid in are 6 rare por- 
traits. ’ 


602. NOLHAC (PIERRE DE). la Dauphine Marie- 
Antoinette. With an exquisite front. im colors after the origi- 
nal by Drowns, from the South-Kensington Museum, and 38 
fine plates after Eisen, Moreau le Jeune, Choffard, Lortier and 
others. Royal 4to, full crimson crushed levant morocco, gilt 
tooled wide ornamental borders on sides. The arms of Marie- 
Antoinette Dauphine gilt tooled in the centre of the covers. 
and a fleur-de-lys in each corner, doublure of blue crushed 
levant morocco, heavily gilt tooled, broad ornamental borders, 
back gilt tooled in compartments with, a fleur-de-lys repeated 
five times, end leaves of blue ribbed silk, gilt edges, original 
covers bound in, by Lortie. Paris [1896] 


One of 75 copies printed on Japan paper, with the frontis- 
piece and other plates in two states—black and bistre. 


603. NOLHAC (PIERRE DE). Louis XV et Marie 
Leezinska. With exquisite frontispiece in colors and with 
numerous facsimile portraits, historical scenes, etc., in varying 
tints. Royal 4to, full red crushed levant morocco, triple line 
on sides, back gilt in compartments, each having a fleur-de-lys, 
doublures of blue crushed levant, richly gilt and inlaid with 
bands of yellow morocco and shields of crimson moroceo, with 
gilt scrolls and wreaths, flys of floriated silk tapestry, gilt 
edges, uncut, original covers bound in, by Affolter. 

Paris: Goupil et Cie, 1900 
One of 100 copies printed on Japan paper, with a duplicate 
set of the 49 illustrations in bistre. 


116 


604. NOLHAC (PIERRE DE). Louis XV et Madame de 
Pompadour. Portraits and illustrations in duplicate frontis- 
piece and portrat of Louis XV beautifully colored. Ato, full 
blue crushed levant morocco, with arms of Louis XV stamped 
In gilt on sides, gilt back, doublures of levant morocco elabo- 
rately gilt-tooled, brocade silk end leaves, gilt edges, by 
Affolter. Paris: Goupil & Co., 1903 

One of 100 copies printed on Imperial Japan Paper. 


605. NOLHAC (PIERRE DE). J. M. Nattier, Peintre de 
la Cour de Louis XV. With 60 fine reproductions of his work, 
plates in three states, and the frontispiece and 3 others in 
colors. 4to. In the original cloth case. | 

Paris: Goupil & Co., 1905 

One of 75 copies on Japan paper, with one set of plates on 

Whatman paper, another on China paper, and the third on 
tinted paper. 

606. NOLHAC (PIERRE DE). J. H. Fragonard, 1732- 
1806. With 60 fine reproductions of his work, including 4 
plates printed in color facsimile of the originals. 4to, original 
wrappers, uncut. In a cloth case. Paris: Goupil et Cie, 1906 

One of 100 copies on Japan paper, with one set of plates 
on Whatman paper, and another printed on India paper and 
mounted on thick brown plate paper. 

607. NOLHAC (PIERRE DE). _ Francois’ Boucher, 
Premier Peintre du Roi, 1702-1770. 56 large and beautiful 
photogravures and 4 plates printed in color facsimile of the 
originals. 4to, original wrappers, uncut. In a cloth case. 

Paris: Goupil et Cie, 1907 

One of 100 copies on Japan paper, with one set of plates 

on Whatman paper, and another printed on India paper and 
mounted on thick brown plate paper. 

608. NOLHAC (PIERRE DE). La Dauphine Marie- 
Antoinette. Nuwmerous photogravure reproductions, and a 
beautiful colored frontispiece. 4to, wrappers, uncut. 

Limited Edition on Papier Vélin. Paris Us 


609. NORVINS (JACQUES MARQUET DE). Histoire 
de Napoléon. Engraved frontispiece and a large number of 
full-page and text woodcuts by Raffet. Royal 8vo, full dark 
green straight-grain morocco, richly gilt back and covers, with 
emblematic tooling, 4-fillet gilt inside borders, with doublures 
and flys of red China silk, gilt edges on the rough, by Canape. 

Paris: Furne et Cie, 1839 


A lithograph portrait of the author by Vogt, and a proof 
portrait of the illustrator, on China paper, have been inserted. 


610. QUINZE JOIES (LES) de mariage avec des notes et 
un glossaire par D. Jouaust et une préface de Louis Ulbach. 
With etchings by A. Lalauze.  8vo, cloth, uncut, original 
covers, bound in, by Durvand. Paris, 1887 

One of 15 copies printed on large Japan paper, with the 
etchings in two states, proofs before and after letters. 


117 


611. OVID. Les Metamorphoses d’Ovide. With a frontis- 
piece, 3 engraved plates of dedication, 4 flewrons on titles, 30 
vignettes and 1 fine cul-de lampe at the end of the last volume, 
and 140 plates by Boucher, Eisen, Gravelot, Le Prince, Mon- 
net, Moreau, Parizeau and Saint-Gois, engraved by Baquoy, 
Le Mire, Le Veau, Née, Masquelier, Simonet, Rousseau, St. 
Aubin and others. 4 vols. full crimson crushed levant mo- 
rocco, triple line on borders, gilt back and inside borders, gilt 
edges, by Chambolle-Duru. Paris, 1767-1771 


First issue of this edition. The frontispiece, the plates of 
dedication, the cul-de-lampe, the fleurons and vignettes are de- 
signed and engraved by Choffard, except the fleuron of the 
4th volume and 4 vignettes of Monnet, engraved by Choffard. 
A superb work due to the watchful care of the editor Bason, 
and the engraver Lemire. It is one of the most beautifully 
illustrated books of the eighteenth century. Cohen. 


612. OVID. Les Amours. Traduction du Cte. de Séguier. 
With vignettes in color by Méaulle after designs of Meyer, 
each page printed within red decorate borders. 18mo, full 
crushed rose levant morocco, gilt floral sprays on back, tooled 
centre ornament on covers, inside dentelle borders, gilt edges, 
original wrappers bound in, by Rousselle. 

Petits Chefs-d’(Euvre Antiques. Paris: A. Quantin, 1879 


613. PARIS dans sa Splendeur, Monuments, Vues, Scenes 
Historiques, Descriptions et Histoire. Dessins et Lithographies 
par Benoit et par les premiers Artistes. Texte par Merimée, 
Viollet le Due, ete. With 100 full-page tinted lithograph allus- 
trations of Parks and Public Buildings, and showing the im- — 
provements of Paris wnder Napoleon III, also many woodcuts. 
3 vols. imp. folio, cloth, morocco backs, with the arms of La 
Ville de Paris stamped in gold in centre of front cover. 


Paris, 1861 
The F. R. Halsey copy, with bookplate in each volume. 


614. PARIS QUI CRIE. Petits Métiers. Notices par Al- 
bert Arnal, Henry Spencer Ashbee, Jules Claretie, Abel 
Giraudeau, Henry Houssaye [and others]. Préface par 
Henri Beraldi. Illustrations by Pierre Vidal, colored by hand. 
Small 4to, full blue crushed levant morocco, with an inlaid 
decoration of a white shield surrounded by various colored 
flowers, back cover with red flowers in the corners, back with 
similar flowers in compartments, gilt over rough edges, with 
original wrappers bound in, by De Samblanex-Weckesser. In 
leather case. Paris, 1890 


One of 50 copies with some of the plates in two and three 
states and one artist’s proof with signed inscription by H. 


Beraldi. 
615. PARNY (EVARISTE). (C#uvres.. 5 vols. small 8vo, 
original boards, uncut. Paris, 1808 


Vellum paper copy. The fifth volume contains ‘‘La Guerre 
des Dieux.’’ The F. R. Halsey copy, with bookplate in each 
volume. 

118 


616. PASTISSIER FRANCOIS (LE). Ow est enseigné 
la maniere de faire toute sorte de pastisserie, tres-utile a toute 
forte de personnes. Engraved title. 12mo, full green crushed 
levant morocco, panels gilt-tooled with triple lines enclosing 
‘scroll ornaments in the style of Gascon; ribbed and gilt-tooled 
back; doublures of orange levant richly tooled in compart- 
ments, with woodcocks, hares, partridges, and scroll orna- 
ments; gilt on marbled edges, by TRAuTzZ-BAUZONNET. In ease 
of brown pebbled morocco (very small hole in one leaf, be- 
itween two lines and not injuring text). 

Amsterdam: Chez Louys & Daniel Elzevier, 1655 


A beautiful copy of this extremely interesting volume, long 
accepted as the scarcest of all Elzeviers, measuring 125 millim. 
by 74, and containing a fine, clear impression of the plate, 
which represents a kitchen with cooks preparing various dishes 
of game and pastry. Its great rarity is partly accounted for 
by its having been used and thumbed to pieces by cooks and 
kitchen-maids, instead of being preserved on the shelves of the 
collector, as the other Elzeviers were. The binding is a very 
fine example of Trautz-Bauzonnet. 

This is the copy described in the Fontaine catalogue (4,500 
francs), bought by La Roche Lacarelle, and contains his book- 
label and that of F. R. Halsey. 


(See Illustration.) 


617. PEIGNE (J.-MARIE). Lamennais: Sa Vie Intime a 
la Chénaie. Hitched portrait frontispiece by G. Staal. 16mo, 
boards, broad green morocco back, edges uncut, printed on 
hand-made paper, original wrappers bound in. Paris, 1864 


618. PELLICO (SILVIO). Mes Prisons. Traduction Nou- 
velle par Francisque Reynard. Illustrated with portrait of 
the author and full-page plates by Toussaint after designs by 
Bramtot. 8vo, full dark brown straight-grain morocco, gilt 
and blind tooling on back, covers with panel of gilt and blind 
tooling, inside dentelle borders, doublures and flys of lhght 
blue China silk, gilt edges on the rough, original wrappers 
bound in, by Canape. Paris: Librairie des Bibliophiles, 1887 


One of 10 copies on Large Japan paper, with the portrait 
and plates in three states. An additional portrait of the 
author is inserted. 


619. PEREY (LUCIEN). Histoire d’une grande dame au 
XVIIIe siécle. La Comtesse Héléne Potocka. 8vo, full blue 
erushed levant morocco, Jansen style, gilt inside borders, 
doublures and ends of red watered silk, gilt edges, uncut, 
original covers bound in, by Affolter. Paris, 1888 


First EpiTion. One of 15 copies on Holland paper. ExtTrRa- 
ILLUSTRATED by the insertion of 7 finely engraved portraits, 
one on India paper, by Roger, Couché, Larcher and others. 
(Two of the signatures are transposed.) 


620. PEREY (LUCIEN). Un Petit-neveu de Mazarin. 
Louis Mancini-Mazarini, Duc de Nivernais. Portrait. 8vo, 
full crimson crushed levant morocco, Jansen style, gilt inside 


149 


borders, doublures and ends of blue watered silk, gilt edges, 
uncut, original covers bound in, by Affolter. Paris, 1890 


First Epirion. One of 20 copies on Holland paper. ExtTRa- 
ILLUSTRATED by the insertion of 6 finely engraved portraits by 
Savart, Langlois, Simonet, Prevost and others, 3 of which are 
on India paper. 


621. PEREY (LUCIEN). La Fin du XVIIle siécle. Le 
Due de Nivernais 1754-1798. Portrait. 8vo, full erimson 
crushed levant morocco, Jansen style, gilt inside borders, 
doublures and ends of blue watered silk, gilt edges, uncut, 
original covers bound in, by Affolter. Paris, 1891 


First EpiTion. One of 20 copies on Holland paper. ExtTra- 
ILLUSTRATED by the insertion of 6 finely engraved portraits 
(3 of which are on India paper), by Littret, Gaucher, Hubert, 
Lebeau and others. 


622. PEREY (LUCIEN). Le Président Hénault et Madame 
du Deffand. La Cour du régent, la Cour de Louis XV et de 
Marie Leczinska. Portrat. 8vo, full crimson levant morocco, 
Jansen style, gilt inside borders, blue watered silk doublures 


and ends, gilt edges, uncut, original covers bound in, by 
Affolter. Paris, 1893 


First Epir1on. One of 20 copies on Holland paper. ExtTra- 
ILLUSTRATED by the insertion of 11 portraits (3 of which are 
on India paper) finely engraved by Savart, St. Aubin, Roy, 
Nargeot, Bonvoisin, Thenard and others. 


623. PEREY (LUCIEN). Le Roman du Grand Roi. 
Louis XIV et Marie Mancini, d’apreés des lettres et documents 
inédits. Portrait. 8vo, full blue crushed levant morocco, 
Jensen style, gilt inside borders, crimson watered silk 
doublures and ends, gilt edges, uncut, original covers bound 
in, by Affolter. Paris, 1894 


First Epirion. One of 20 copies on Holland paper. ExtTRa- 
ILLUSTRATED by the insertion of 5 portraits (one on India 
paper) finely engraved by Picart, Tardieu, Desroches and 
others. 


624. PEREY (LUCIEN). Une Princesse Romaine au 
XVITe siéecle—Marie Mancini Colonna, d’aprés des documents 
inedits. Portrait en couleurs. 8vo, full crushed blue levant 
morocco, Jansen style, gilt inside borders, doublures and ends 
of red silk, gilt edges, uncut, original covers bound in, by 
Affolter. Paris, 1896 

First Epirion. One of 20 copies on Holland paper. ExtTRa- 
ILLUSTRATED by the insertion of 3 portraits engraved by Savart. 
and Lewis (two of which are on India paper). 


625. PEREY (LUCIEN). Histoire d’une Grande Dame 
au XVIIIe siécle; La Princesse Héléne de Ligne. Portrait in 
colors. 8vo, full blue crushed levant morocco, Jansen style, 
oilt inside borders, crimson watered silk doublures and ends, 
gilt edges, original covers bound in, by Affolter. Paris, 1887 

First EDITION. One of 15 copies on Holland paper. ExTRa- 


ILLUSTRATED with 7 rare portraits engraved by Ridley, Meytens,,. 
Balzer and others, six of which are on India paper. 


120 


626. PERRAULT (CHARLES). Cendrillon. Les Fées. 
With 33 charming illustrations reproduced in facsimile and 
printed in colors by Boussod-Valadon after the original water- 
colors by Edouard de Beaumont. Royal 4to, full crushed rose 
levant morocco, front panel having four rectangular com- 
partments formed by a band of dark red morocco, the four 
panels meeting at the centre and forming a circular center- 
piece in which appears a green slipper and four trumpets in- 
laid, and two conventional inlaid sprays of light green and 
blue flowers spreading over the whole design, similar decora- 
tions on the back, gilt-tooled inside border, doublures and 
fiys of silk tapestry, gilt top, uncut edges, by Ch. Meunier. 

Paris: Boussod Valadon, 1886 


A fine example of Meunier’s binding. 


627. PERRAULT (CHARLES). La Barbe Bleu—La Belle 
au bois dormant. With 41 charming illustrations reproduced 
im facsimile and printed in colors by Boussod-Valadon after 
the original water-colors by Edouard de Beaumont. Royal 
4to, full crushed blue levant morocco, front cover having four 
rectangular compartments formed by a band of black mo- 
rocco, four panels meeting at the centre and forming a circular 
centerpiece in which appears a key and a sword, tooled in 
gold and silver, two conventional sprays inlaid with green 
leaves and carnations, similar decorations on the back, back 
panel with narrow border of inlaid black morocco, gilt inside 
borders, doublures and flys of silk tapestry, gilt over uncut 
edges, by Ch. Meunier. Paris: Boussod Valadon, 1897 


Fine specimen of Ch. Meunier’s binding. 


628. PERRAULT (CHARLES). Les Hommes illustres 
qui ont paru en France pendant ce Siécle, avec leurs Por- 
traits au naturel. Fine portrat of Perrault engraved by 
Edelnick after Tortebat, engraved frontispiece, 100 beautiful 
portraits by J. Lubin, Van Schuppen and Edelnick and 3 
vignettes by Le Clerc. 2 vols. folio, contemporary polished 
ealf, gilt backs (rebacked). Paris: Dezailler, 1696-1700 


This copy is one of the extremely rare First Issues, and 
contains the portraits and biographies of Arnauld and Pascal, 
suppressed by the censor, and only found in the earliest 
copies. Those of Thomassen and Ducange published in their 
stead are also included. The plates are executed in the most 
delicate manner and are all rich and brilliant impressions. 
Among the personages represented are Cardinal Richelieu, Col- 
bert, La Fontaine, Moliére, Racine, Count Grammont, Descartes, 
Blaise, Pascal and many others. The F. R. Halsey copy, with 
bookplate in each volume. ; 


629. PETITOT. Les Emaux de Petitot, du Musée Impérial 
du Louvre. [Texte par M.M. Barthélemy, Bordier, Charles, 
Chesneau, Joubert, Le Roux de Liney, ete.] 50 beautiful 
miniature portrats of eminent Persons and beautiful and 


121 


-celebrated Women of the reign of Lowis XIV. 2 vols. royal 
4to, full crushed blue levant morocco, gilt lines on sides with 
-ornamental corners, gilt tooled backs and inside borders, gilt 

edges, uncut, original covers bound in, by R. Petit. 
Paris, 1862 
EXTRA-ILLUSTRATED with duplicate sets of plates in bistre, 
on India paper, proofs before all letters, etc., some in 3, 4, 5 
‘and 6 states, making altogether 119 extra plates. The F. R. 

Halsey copy with bookplate in each volume. 


630. PEZAY (LE MARQUIS DE). Zélis au bain, poéme 
‘en quatre chants. Title, 4 plates, 4 vignettes and 4 tail-pieces 
engraved by Aliamet, Lafosse, Lemire and De Longewl after 
Evsen, all brilliant impressions. 8vo, full blue crushed levant 
morocco, sides tooled in style of Derome, gilt tooled back and 
‘inside borders, marbled doublures and flys, gilt edges, by P. R. 
Raparlier. (Stamp erased from title margin, not affecting 
~vignette. ) A Genéve (Paris), 1763 

Large Holland paper copy. The first issue of the plates, with 
the initials D. P. [De Pezay] marked at the bottom of each 
plate. Cohen says they are found only on the finest and first 
impressions of the plates. The plate of chapter III is a proof 
before all letters. Only one similar copy is mentioned by 
Cohen, at present in the collection of Ferdinand de Rothschild. 


631. PORTALIS (ROGER) anp BERALDI (HENRI). 
Les Graveurs du dix-huitiéme siécle. 3 vols. extended to 6, 
royal 8vo, full crimson crushed levant morocco, triple line 
borders, richly gilt backs and inside borders, doublures and 
ends of green watered silk, uncut, gilt edges, by Chambolle- 
Duru. Paris, 1880-82 


One of 20 copies on China paper. EXTRA-ILLUSTRATED by 
the insertion of 869 rare and beautifully engraved plates, some 
in colors, some on India paper and others proofs before letters. 
The collection represents specimens of most of the engravers 
of the XVIIIth century; and contains many very rare por- 
traits, views, plates from illustrated volumes, etc., forming a 
comprehensive collection of engravings of the XVIIIth cen- 
tury. A few of the engravers represented are: Baquoy, Dam- 
brun, Massé, Basan, Langlois, St. Aubin, Hisen, Née, Ficquet, 
Gaucher, Houbraken, Mixelle, Simonet, Moreau le jeune, 
Gravelot, Guttenberg, Bartolozzi, Masquelier, Longeuil, Guyot, 
Choffard, ete. A unique and very beautiful copy, upon which 
no pains have been spared to make it of the utmost value and 
interest to the book lover, or the collector of 18th century 
engravings. Contains also an A. L. 8. by Angelica Kauffman, 
3 pp., dated Rome, Sept. 14, 1806. 


632. PORTO (LUIGI DA). Juliette et Roméo. Traduc- 
tion de Jacques Soldanelle. Full-page and vignette allustra- 
tions by Marold. 18mo, full hght blue crushed levant mo- 
roceo, gilt floral sprays on back, tooled centre ornament on 
covers, gilt inside borders, gilt edges, original wrappers 
bound in. Paris: E. Dentu, 1892 


‘¢Petite Collection Guillaume. ’’ 


122 


633. PREVOST (L’ABBE). Histoire de Manon Lescaut. 
et du Chevalier des Grieux. Précédée d’une Préface par Alex- 
andre Dumas fils. (Collection de Galaup de Chasteuil.) 
Hiched portrat of Dumas after Jacquemart and eleven other: 
etchings by L. Flameng, text ornaments, etc., by Emile Reiber. 
4to, full blue crushed levant morocco, gilt inside borders, blue: 
China silk doublures and flys, gilt edges, uncut, by Affolter. 


Paris, 1875: 

One of 50 Large Paper copies on Whatman paper, with the 

plates in two states. EXTRA-ILLUSTRATED with 20 original 

water-colors on the margins by Pierre Vidal, and a fine portrait 
of Prévost engraved by C, F. Schmidt. 


634. [PREVOST (L’ABBE).] Histoire de Manon Lescaut: 
et du Chevalier des Grieux. Précédée d’une Préface par Alex- 
andre Dumas, Fils. Jllustrated with 12 etchings, viz., por-. 
trait of Dumas by Jacquemart, and portrart of the author and 
10 other plates by Flameng. °8vo, full crimson crushed levant 
morocco, gilt-tooled on back, sides and- inside borders, gilt 
edges, by Chambolle-Duru. Paris: Glady Freres, 1875: 


One of fifty copies printed throughout (text and plates) on 
China paper. EXTRA-ILLUSTRATED with five etched plates and 
portrait of the author, by Hedouin. Very fine copy. 


635. PREVOST (MARCEL). Cousine Laura. Mceurs de: 
Théatre. 12mo, figured silk, gilt top, uncut edges, original 


covers bound in, by Durvand. Paris, 1890 
First Epirion. One of 14 copies on Holland paper. 


636. PREVOST (MARCEL). L’Automne d’une Femme. 
12mo, full erushed lilae morocco, gilt back with floral sprays 
and butterflies, in compartments, covers handsomely decorated 
with intertwined floral sprays, with roses at top corners, but- 
terflies in open sections, and two hearts, pierced by an arrow 
in lower corner, gilt inside borders, doublures and flys of 
salmon China silk, gilt edges on the rough, by Affolter. 

Paris: Alphonse Lemerre, 1893 


One of 50 copies printed on Holland paper. An etched por- 
trait of the author by Mongin, in proof state, is inserted. 


637. PREVOST (MARCEL). Les Demi-Vierges. 12mo, 
full dark green crushed levant morocco, gilt-tooled back and’ 
panels in interlaced design, doublures of brown levant; inlaid 
with floral centres, elaborate conventional floral borders in 
colors, brocade silk end leaves, gilt over uncut edges, by P. 
Ruban. In a case. Paris, 1894- 

First Epirion. One of 5 copies on Whatman paper. 
EXTRA-ILLUSTRATED with 25 original water-color drawings by 
Pierre Vidal, 1896. 

638. PREVOST (MARCEL). Nouvelles Lettres de Femmes. 
12mo, full blue crushed levant morocco, Jansen style, gilt 
inside borders, orange watered silk doublures and flys, gilt: 
over rough edges, original covers bound in, by Affolter. 

Paris, 1894. 


First Epirion. Proof copy. Presentation from the author’ 
to René Maizeroy, with autograph inscription. 


123 


639. PREVOST (MARCEL). Notre Campagne (Pro- 
vineiales et Parisiennes). 12mo, cloth, uncut. Paris, 1895 
One of 50 copies on Holland paper. 


640. PREVOST (MARCEL). Lettres de Femmes. Illus- 
trations de H. Gerbault. 8vo, full dark blue crushed levant 
morocco, inside borders, gilt and tooled doublures of orange 
silk, gilt edges, uncut, original covers bound in, by Durvand. 

Paris, 1895 


One of 15 copies on Japan paper. Inserted is a portrait of 
the author, etched by Mongin, on China paper. 


641. PREVOST (MARCEL). Le Jardin Secret. 12mo, 
full dark red crushed levant morocco, inlaid floral back in 5 
colors, covers decorated with a floral design composed of inlays 
of 6 colors of morocco, with an irregular border of strap work 
in purple inlay, gilt inside border and inlays, of broken circles 
and flying birds, doublures and flys of handsome brocaded 
silk, gilt edges on the rough, original wrappers bound in, by 
Ruban. Paris: Alphonse Lemerre, 1897 


First Epirion. One of 100 copies on Holland paper. Con- 
tains 6 ORIGINAL WATER-COLOR DRAWINGS by Pierre Vidal, exe- 
cuted in his best manner, and a water-color vignette at the be- 
ginning and at the end of the volume. An etched portrait of 
the author, by Mongin, in proof state is also inserted. 


642. PREVOST (MARCEL). Derniéres Lettres de Femmes, 
12mo, cloth, original covers bound in, uncut. Paris, 1897 
First Epition. One of 50 copies on Holland paper. 


643. PREVOST (MARCEL). Trois Nouvelles; Nimba, Le 
Mariage de Julienne, Le Moulin de Nazareth. 12mo, full dark 
ereen crushed levant morocco, gilt-tooled inside borders, doub- 
lures of watered crimson silk, gilt edges, uncut, original covers 
bound in, by P. Affolter. Paris, 1898 


First EpITion. One of 50 copies on Holland paper. 


644. PRINTEMPS PARFUME. Roman Coréen. Traduc- 
tion de J.-H. Rosny. Full-page and vignette iwlustrations by 
Marold and Mittis. 18mo, full crushed lavender levant mo- 
rocco, gilt floral sprays on back, tooled centre ornament on 
covers, gilt inside borders, gilt edges, original wrappers 
bound in. Paris: E. Dentu, 1892 


“*Petite Collection Guillaume.’’ 


645. PROPERTIUS. Les Elégies. Traduction en vers de 
M. de La Roche-Aymon. Illustrated with vignettes in bronze 
by Méaulle after the designs by Besnier, pages printed within 
rose decorative borders. 16mo, full erushed maroon levant 
morocco, gilt floral sprays on back, tooled centre ornament on 
covers, gilt inside borders, gilt edges, original wrappers bound 
in, by Rousselle. Paris: A. Quantin, 1885 

Chefs-d’Ciuvre Antiques. 


124 


646. PUTANISME. le Putanisme d’Amsterdam livre 
contenant les tours et les ruses dont se servent les putains et 
les maquereaux, comme aussi leur. maniere de vivre leur 
-eroyances erronées, etc. Engraved frontispiece (from the re- 
print) and 4 plates. 16mo, full crushed red levant morocco, 
Jansen style, gilt inside borders, gilt edges. 

Amsterdam: Elie Jogchemse de Rhin, 1681 


First EpitTion. A little book of great rarity, in which the 
contents are not sufficiently indicated by the title. It was writ- 
ten probably by some Chief of Police of Rotterdam and gives 
a picture of the dark side of city life nearly 200 years ago. 
(Bibliographie de 1’amour, p. 893.) 


647. QUATREFAGES (A. DE). Hommes Fossiles et 
Hommes Sauvages. Etudes d’Anthropologie. Map and 209 
text illustrations, and 2 inserted plates. Kirst Epirion. Royal 
8vo, half crushed brown levant morocco, gilt-tooled back, gilt 


top, uncut. Paris, 1884 
With the bookplate of F. R. Halsey. 


648. QUEVEDO Y VILLEGAS (FRANCISCO DE). 
Ciuvres Choisies. Histoire de Pablo de Ségovie (El Gran 
Tacano). Traduit de 1’Espagnol et annotée par A. Germond 
de Lavigne. Illustrée de nombreux dessins par D. Vierge. 
Portraat and 91 woodcuts. 8vo, cloth, uncut; original covers 
bound in, by Pierson. Paris: Bonhoure, 1882 


One of 15 copies on Japan paper. [Hdition de haut luxe.] 
Inseribed by Goncourt on the fly-leaf in red ink: ‘‘ Edition 
illustrée des spirituels et colorés dessins de Vierge. Le numero 
5 des quinze exemplaires tires sur papier du Japon. E. de Gon- 
court.’? The Ed. et Jules de Goncourt’s copy, with bookplate 
by Gavarni. 


649. RABELAIS (FRANCOIS). (é£uvres Edition vari- 
orum, augmentée de piéces inédites, des songes drolatiques de 
Pantagruel, ouvrage posthume avec l’explication en regard; 
des remarques de Le Ducat, de Bernier, de Le Motteux, de 
l’Abbé de Marsay, de Voltaire, de Ginguené, etc., ete.; d’un 
nouveau commentaire historique et philologique, par Esman- 
gart et Eloi Johanneau. 9 vols. half citron levant morocco, 
eilt-tooled back, with inlays of red and green morocco gilt 
tops, by Cape. Paris, 1823 

Large vellum paper copy. Two portraits after Deveria, one 
a bust engraved by Leisner and Forster, the other full-length 
by Vallot, also nine other plates (Brunet in error says ‘‘ten’’) 
by Pélée, Jehotte, Leroux and others, also after Devéria, all 
eleven being in three states; also a map ‘‘Carte du Chinonois’’ 
engraved by Hennequin, which Brunet says is not found in all 
copies. In volume IX are 125 grotesque woodcuts by Thomp- 
son to illustrate ‘‘Songes drolatiques de Pantagruel.’’ 


650. RABELAIS (FRANCOIS). Les Grandes et Inesti- 
mables Chroniques du grant et enorme Geant Gargantua. 
Contenant: La genealogie, la grandeur et force de son corps; 
aussi les merveilleux faictz d’armes qu’il fist pour le roy 
Artus, comme verrez ci-aprés. Preface by J. Chenu. Medal- 


125 


lion woodcut portrait of Rabelais. 16mo, full crushed citrom 
levant morocco, gilt roses in compartments on back, tooled. 
and inlaid cartouche on covers, leather labels, full gilt edges, 
by Trautz-Bauzonnet. 

Paris: Typographie de Panckoucke, 1853: 


Autograph presentation copy from the Editor, J. Chenu to: 
M. Trautz. One of 100 copies on Holland paper. 


651. RABELAIS (FRANCOIS). C#uvres de Rabelais. 
Text collationné sur les Editions originales avec une vie de 
l’auteur, des notes et un glossaire. Illustrations de Gustave 
Doré. 2 vols. large folio, full crimson crushed levant morocco, 
richly gilt-tooled sides and backs in the style of Derome, gilt 
inside borders, gilt edges, by F. Bedford. Paris, 1873. 


Fine copy. One of 200 copies printed on Holland paper,, 
with the portrait of Rabelais and the 60 full-page wood engrav: 
ings on India paper. 


652. RACINE (JEAN). Berenice: Tragedie. Par M. 
Racine. 16mo, full crushed blue levant morocco, gilt-tooled 
inside borders, gilt edges, by Cuzin. . 

Paris: Claude Barbin, 1671 


First EDITION. Fine copy, crisp and clean, of this very rare 
little volume. 


653. RACINE (JEAN). Bajazet. Tragedie. 12mo, full 
dark blue levant morocco, with triple gilt lines, gilt-tooled 
back and inside borders, gilt edges, by Cuzin. 

Paris: Pierre Le Monnier, 1672 


First EpiTion. The fine copy of P. Guy Pellion, with en- 
graved bookplate by Serin. 


654. RACINE (JEAN). Mithridate, Tragedie. Par Mr. 
Racine. 16mo, full crushed crimson levant morocco, gilt in- 
side borders, gilt edges, by Duru, 1859. 

Paris: Claude Barbin, 1673: 


First EDITION. Fine copy, very. scarce. 


655. RACINE (JEAN). (£uvres complétes de J. Racine, 
avec les Notes de tous les Commentateurs. Quatrieme Edition 
publiée par L. Aimé-Martin. 7 vols. 8vo, half brown crushed 
levant morocco, gilt-tooled backs, gilt tops, uneut, by Bertrand. 

Paris: Lefévre, 1825 


Large Papier Vélin copy. EXTRA-ILLUSTRATED by the inser- 
tion of 32 plates, viz.: 5 portraits of Racine (two of which 
are in 2 states), engraved by Savart, Gaucher, Roger, Soliman 
and Hopwood, after Santerre, Hedelnik, etc., and one of each 
of Richelieu, Colbert, and Marquise de Maintenon, engraved by 
Savart and Ficquet; 10 plates by Lebarbier, engraved by 
Dambrun, Dupeel, Halbou, Patas, Romanet and others from 
the edition of 1796; and 12 plates by Bosq, Larcher, Petit, 
Heina and others, after Moitte, Desenne, Girodet, Chaudet and 
others. 

The F. R. Halsey copy, with bookplate in each volume. 


126 


ses 
ee 


VADES CSUVRES POISSARDES 
With Plate 
[| Number 760 | 


in Colors 


656. RACINE (JEAN). Le Thébayde, ou Les Fréres En- 
nemis. Tragedie. Vignette on title. 16mo, original vellum. 


_ (The leaf containing privilege, which is not found in all 


copies, lacking. ) Paris: Gabriel Quinet, 1664 
The very rare First Epirion of Racine’s first drama, with 
the transposed pages which signify the first issue. 


657. RACINET (M. A.). L’Ornement Polychrome. Recueil 
Historique et Pratique. 100 planches en couleurs, or et argent, 
art ancien et Asratique, moyen age, Renassance, XVII et 
XVIII siécle. 1 vol. folio. In cloth portfolio. 

Paris: Firmin Didot fréres, n. d. 
The colored plates of this valuable work are in fine condition. 


658. RAMEAU (JEAN). Yan. Illustrations by Ma«- 
milenne Guyon. Narrow 12mo, full rose crushed levant mo- 
rocco, gilt-tooled back, covers decorated with centre and corner 
fleurons, gilt inside borders, gilt edges, original wrappers 
bound in, by Rousselle. Paris: Paul Ollendorff, 1895 


One of 50 copies with hand-colored illustrations. 


659. REGNARD (J.-F.). Voyage de Normandie. Préface 
par G. Bourbon. Illustrations in colors and gold by Denet. 
18mo, full dark blue crushed levant morocco, gilt backs, covers 
symmetrically decorated with inlaid and tooled floral sprays, 
gilt inside borders, gilt edges, original wrappers bound in, by 
Rousselle. Evreux: Imprimerie de Charles Herissey, 1883 

One of 300 copies printed on Japan paper. 


660. REGNIER (MATHURIN). Les Satyres, et Autres 
(Euvres du Sieur Regnier. Augmentes de diverses Pieces cy- 
devant non imprimees. 18mo, full crimson crushed levant 
morocco, elaborately gilt tooled in scrolls enclosing dotted 
ornaments, doublures of pale brown levant with broad gilt- 
tooled inside borders, gilt on marbled edges. In case and lined 
folder. Leiden: Jean & Daniel Elsevier, 1652 

With bookplate of F. R. Halsey. 


661. REISET (VICOMTE DE). Marie-Caroline, Duchesse 
de Berry, 1816-1830. Wuth fine frontispiece in colors, and 
numerous fine facsimiles of rare and contemporary portraits, 
historical scenes, etc. Thick royal 4to, richly bound in full 
red crushed levant morocco, gilt lined borders with a fleur-de- 
lys at each corner. The arms of the Duchesse de Berry 
stamped in gold in the center of each panel, back gilt-tooled 
in compartments, containing the crowned monogram sur- 
rounded by 4 fleur-de-lys; doublure of blue crushed levant 
morocco, with artistically gilt-tooled border of parallel lines 
and floriated scrolls, end leaves of floral silk tapestry, gilt 
edges, original covers bound in, by Affolter. In a case. 

Paris, 1906 
One of 130 copies printed on Japan paper with a duplicate 
set of all the plates. One of the choice Goupil Historical 
Monographs. 
127 


662. RENAN (ERNEST). Ma Sceur Henriette. Illus- 
trations d’aprés Henri Scheffer et Ary Renan reproduites par 
Whéliogravure. Square 12mo, full olive crushed levant mo- 
rocco, Jansen style, gilt inside borders, blue watered silk 
doublures and flys, gilt edges, original covers bound in, by 
Affolter. Paris, 1895 


First Epition. One of 125 copies printed on Japan paper. 


663. [RESTIF DE LA BRETONNE.|] Estampes de 
Freudeberg pour le Monument du Costume, gravées par Du- 
bouchet ; Estampes de Moreau le jeune pour le Monument du 
Costume, gravées par Dubouchet; Estampes de Moreau le 
jeune pour le Monument du Costume, gravées par Dubouchet ; 
Second Suite d’Estampes pour servir a l’Histoire des Modes 
et du Costume en France, dans le XVIII siécle, Année 1776; 
Troisiéme suite d‘Estampes pour servir a 1’Histoire des Modes 
& du Costume en France dans le dix huitiéme Siécle. Imp. 
8vo, full crimson levant morocco, gilt back in compartments, 
cilt ornamented covers, with corner and side ornaments, gilt 
inside borders, marbled flys, doublures and linings of bro- 
eaded silk, gilt edges on the rough, by Chambolle-Duru. 

Paris: Chez L. Conquet, 1883; L. Conquet, 1881 


SPECIAL Copy on Large Japan paper, with the portraits and 
full-page etchings in Two states, ONE OF WHICH IS COLORED BY 
HAND; the titles and vignettes in THREE states, ONE OF WHICH 
IS COLORED BY HAND, and there is inserted a COMPLETE SET (12) 
OF THE MOREAU PLATES FROM THE ORIGINAL ISSUE of the ‘‘Sec- 
ond Suite d’HEstampes.’’ The text is engraved throughout. 

A HANDSOME COPY. 


664. RETIF DE LA BRETONNE (NICOLAS EDME). 
Le Paysan Perverti, ou les Dangers de la Ville. 82 brilliant 
plates by Berthet and Le Roy. 8 parts in 4 vols. 12mo, full 
red crushed levant morocco, gilt lines on sides, gilt tooled 
backs and inside borders, gilt edges, by David. a Haie, 1776 

First EpDITION on Holland paper. Rare, with all the plates. 


665. RETIF DE LA BRETONNE (NICOLAS EDME). 
La Paysanne Pervertie, ou les Dangers de la Ville; Histoire 
d’Ursule R * *, secur d’Edmond le Paysan, mise au Jour 
d’apres les veritables Lettres de Personages. 38 brillant 
plates (of which 8 are frontispreces) by Binet engraved by 
Berthet, Giraud le Jeune, Leroy; and others. 4 vols. 12mo, 
full red crushed levant morocco, three gilt lines on sides, gilt- 
tooled backs and inside borders, gilt edges, many uncut, by 
S. David. La Haie, 1784 


First EpiTion on Holland paper. Most copies do not con- 
tain ‘‘La Paysane pervertie’’ on the title, the censor having 
ordered its suppression. Two of the plates were finished after 
the others, which explains their absence from some copies, and 
the fact that many bibliographers record only 36 (Cohen, p. 
872). The F. R. Halsey copy, with bookplate in each volume. 


128 


666. [REVEILHAC (PAUL).] Une Ouverture de Chasse 
en Normandie. Par Fusillot. Jllustrated with frontispiece 


“and vignettes after EK. Leteler. 12mo, full green crushed: 


levant morocco, emblematic tooling in compartments on back, 
2-fillet border on covers, with figure of a hunting dog retriev- 
ing, in relief on front cover, inside dentelle borders, doublures 
and flys of green moire silk, gilt edges, original wrappers 
bound in, by Raparlier. 

En plaine, aux depens des compagnies de perdreaux reunies. 
[Paris: L. Conquet], 1890. 

One of 20 copies printed on Japan paper, with the illustra- 
tions colored by hand. 

667. [REVEILHAC (PAUL).|] Un Début au Marais. Par 
Fusillot. 4 etched plates by Ad. Lalauze, and marginal wood- 
cuts by Huyot. First Epirion. 8vo, full brown crushed 
levant morocco, with a pair of wild ducks in flight on front 
cover, and woodeock on back cover, gilt inside border, flowered 
silk lining, gilt edges, original wrappers bound in, by Rapar- 
ler. Paris, 1892 

One of 25 copies on China paper, with the etchings in three 
states, two being on Japan paper, and proof impressions of the 
woodeut vignettes at the back. 

668. REYBAUD (LOUIS). Jérome Paturot a la Recherche 
d’une Position Sociale. Hdition allustrée par J.-J. Grandville. 
Royal 8vo, full crimson straight-grain morocco, with heavy 
eilt scroll decoration, gilt inside border, lining of green silk, 
gilt edges, by Canape. In ease. Paris, 1846 


669. REYBAUD (LOUIS). Jérome Paturot a la Recherche 
de La Meilleure des Républiques. Numerous portrats and 
humorous full-page and text wlustrations by Tony Johannot. 
Small folio, full crimson straight-grain morocco, back and 
sides richly gilt tooled with double shields in heavy scrolls, 
gilt inside borders, gilt on uncut edges, doublures and end- 
leaves of dark-green silk, original illustrated wrappers bound 
in, by Canape. In case. Paris, 1849 


670. RICHEPIN (JEAN). La Chanson des Gueux. 12mo, 


full dark brown crushed levant morocco, back and covers 


tooled with symmetrical gilt circles and dots, gilt inside 
borders, full gilt edges, original wrappers bound in, by 
Rousselle. Paris: A La Librairie Illustree, n. d. [1876] 
THE EXTREMELY RARE SUPPRESSED EDITION, for which the au- 
thor was imprisoned and fined 500 fr. LHtched portrait of the 
author in PROOF state, on China paper, is inserted, with 7 etch- 

ings by Courboin. 

671. RICHEPIN (JEAN). La Chanson des Gueux. 4to, 
full crimson crushed levant morocco, gilt, doublure of brown 
levant morocco with a gilt line Grolieresque border, tapestry 
silk end-leaves, by Affolter. Paris, 1885 

One of 100 copies on Holland Paper. ExTRA-ILLUSTRATED 
with an etched portrait of the author by Lefort and 45 finely 


executed ORIGINAL WATER-COLOR DRAWINGS on the margins and 
elsewhere, by J. Thibaudeau, dated 1898. 


129 


672. RICHEPIN (JEAN). Les Débuts de César Borgia. 
Illustrations by Georges Rochegrosse, etched by Paul Avril, 
F'. Courboin, Fornet, and Manesse, printed in colors. Royal 
8vo, full crimson levant morocco, double gilt line border, 
doublures of red levant with inlaid interlacing bands of 
maroon in the Grolieresque style, gilt snakes and floral scrolls, 
with the triple crown in white inlaid i in center, silk end leaves, 
gilt over uncut edges, wrappers bound in, by Meunier. 

Paris, 1890 


Edition limited to 186 copies, with the illustrations in two 
states, plain and colored. With an etched portrait of the 
‘author on Japan paper, inserted. Printed for the ‘‘ Société des 
Bibliophiles Contemporains.’’ 


673. RICHEPIN (JEAN). Paysages et Coins de Rues. 
Préface de Georges Vicaire. Numerous vignettes in duplicate, 
by Auguste Lepere, mostly printed in colors (one in text and 
one full-page), and a few full-page plates im colors, also 
printed m duplicate. Royal 8vo, full crimson crushed levant 
morocco, gilt back and lined panel borders, doublures of 
lavender levant, tooled with leaves and blossoms, flowered 
silk flys, gilt over rough edges, by Affolter. Paris, 1900 


First EpiITion. One of only 25 copies on China’ paper. 
Original printed wrappers bound in. 


674. RICHEPIN (JEAN). Les Litanies dela Mer. Aqua- 
relles Originales d’apres Henri Caruchet. Printed with rubri- 
cations in decorated borders, delicately colored and illuminated 
by hand, with a few full-page plates similarly colored. Royal 
8vo, full lavender levant morocco, front panel with three birds 
in flight, doublures of dark blue crushed levant inlaid in vari- 
ous colors with vines and leaves, silk end leaves, edges gilt, by 
Canape. Paris: [Firmin-Didot et Cie.], 1903 

One of 100 examples de grand luxe printed throughout on 
Japan vellum, with half-title, two full titles and hand-colored 


final vignette. A separate printing of the borders and illustra- 
tions in outline, without the text, is bound in, 


675. ROBIDA (A.). la Vieille France. Texte, dessins et 
lithographies par A. Robida. Thick 4to, original wrappers, 
uncut (shaken). Paris [1892] 

One of 25 copies on Grand Papier Vélin Teinté, with the 40 
full-page lithographs in two states, one on China paper. 
EXTRA-ILLUSTRATED with a finely executed original water-color 


painting by the author and artist, representing the Ponts de 
Cé Castle. 


676. ROBIDA (A.). Voyage de Fiancailles au XXe Siécle. 
With allustrations by Robida. 12mo, cerise crushed levant 
moroceo, with emblematic tooling on front cover of air-ships, 
clouds, telegraph poles and wires, gilt inside floral borders, 
gilt edges, on the rough, original wrappers bound in, by 
Meunier. Paris: Librairie L. Conquet, 1892 

One of 200 copies printed on China paper. Presentation 
copy from the publisher, with his autograph. 


130 


677. ROBIDA (A.). Paris de Siécle en Siécle. Splendeurs 
et Souvenirs. With numerous text woodcuts and full-page 
lithographs, many of them in colors. Thick 4to, full crimson 
crushed levant morocco, four gilt lines on sides with the arms 
of ‘‘La Ville de Paris’’ stamped in gold in the center of both 
covers, gilt back, doublures and flys of green silk, inside 
borders with 8 gilt lines and the arms of ‘‘La Ville de Paris’’ 
at each corner, gilt edges, uncut, original covers bound in, 
by Chambolle-Duru. Pans n.d: 


One of a few copies printed on Japan paper, with numerous | 
plates in two states. LExtra-illustrated with a fine ORIGINAL 
WATER-COLOR DRAWING representing ‘‘A day of the barricades 
in 1588’’ by the author and artist on the fly-leaf. Vignette on 
title and some other plates colored by hand. 


678. ROBIDA (A.). Paris de Siécle en Siécle. Le Coeur 
de Paris. Splendeurs et Souvenirs. With numerous text 
woodcuts and full-page lithographs, many of them in colors. 
Thick 4to, full crimson crushed levant morocco, four gilt lines 
on sides, with the arms of ‘‘La Ville de Paris,’’ stamped in 
gold in the center of both covers, gilt tooled back, doublures 
and flys of green silk, inside borders with 8 gilt lines and 
the arms of ‘‘La Ville de Paris’’ at each corner, gilt edges, 
uncut, original covers bound in, by Chambolle-Duru. 


Pars, nid) 

One of a few copies printed on Japan paper, with numerous 

plates in two states. Extra-illustrated with a finely executed 

original water-color drawing by the author and artist on the 
fly-leaf. 


679. ROBINET (DOCTEUR). Condorcet: Sa Vie, Son 
(Huvre, 1743-1794. Frontispiece portrait. Royal 8vo, full 
polished calf, gilt tooled back and borders, gilt top, uncut 
edges, original printed wrappers bound in, by Riviére. 

Paris: Ancienne Maison Quantin, n. d. 

680. [ROCHAS (ALBERT DE).] Le Livre de Demain. 
8vo, full silk in red, blue and black, gilt top, uncut. 

[Paris]: R. Marchand, 1884 


ONLY 250 EXAMPLES ISSUED. This volume was published to 
illustrate the progress of the making of books. It contains 46 
different kinds of paper, showing the various colors and tex- 
tures used, and having many unusual combinations. It has 
many illustrations, etchings, half-tones, head- and tail-pieces, 
border designs, illuminations, &c., and the material used was 
made in France, England, China and many other countries. 


681. ROSNY (J.-H.). Tabubu. Roman Eegyptien. Adap- 
tion de J.-H. Rosny. Illustrations, text and full-page, some 
colored by hand. 16mo, full crushed brown levant morocco, 


gilt tooled on back, centre of panels, and inside borders, gilt 
edges. Paris, 1894 


682. ROSNY (J.-H.). Les Origines. Illustrations [en 
couleurs| de Calbet, Mittis et Picard. 16mo, full crimson 
erushed levant morocco, two lines on sides with floral center- 


131 


piece, richly gilt tooled back, gilt inside borders, gilt edges, 
original covers bound in, by Emile Rousselle. Paris, 1895 
One of 25 copies on Japan paper. 


683. ROSNY (J.-H.). Elem d’Asie: Idylle des temps 
primitifs. Illustrations de Mittis. 18mo, full crushed blue 
straight-grain morocco, gilt top, uncut, covers bound in, by 
Durvand. Paris: EK. Guillaume, 1896 

Limited issue. One of 50 copies printed throughout on 


heavy Japan paper, with all the vignettes and full-page plates 
colored by hand. 


684. ROSNY (J.-H.). Bérénice de Judée. Illustrations be 
Léonce de Jonciéres gravées a l’eau-forte. Imp. 8vo, original 
parchment wrappers, uncut. 

Paris: Librairie de la Collection des Dix, n. d. 
One of 20 copies printed on J apg paper, with the oteiuee 
in three states. 

685. ROSTAND (EDMOND). Cyrano de _ Bergerac. 
Comedie Heroique. 12mo, full blue crushed levant morocco, 
Jansen style, inside borders richly gilt and tooled, doublures 
of crimson watered silk, gilt edges, uncut, original covers 
bound in, by S. David. . Paris, 1898 


First Epirion. One of 50 copies on Japan paper. Many 
cuttings and portraits inserted. 


686. ROSTAND (EDMOND). Cyrano de _ Bergerac. 
Drame en Cing Actes. 55 illustrations engraved by Romagnol 
after Besnard, Flameng, Adrian Moreau and others, fifty 
being wn five states and the remaining five in six states, nclud- 
ing thin China and Japan papers, glazed and slightly colored 
plates, and text vignettes. Small folio, full red crushed levant 
morocco, gilt-tooled back and borders, doublures of crushed 
green levant richly gilt with design wrought in scrolls and 
parallel lines, gilt uncut edges, by Affolter. 

Paris: Armand Magnier, 1899 


LIMITED EpiITion. Only 40 copies issued thus, with the text 
printed throughout on Japan paper. 


687. ROSTAND (EDMOND). la Samaritaine. Evangile 
en trois Tableaux, en Vers. Colored title design printed im 
duplicate. Imperial 8vo, full crimson crushed levant morocco, 
gilt-tooled inside borders, doublures and end-leaves of moire 
silk, gilt over rough edges, by David. Paris, 1897 


First Epition. One of 25 copies on Japan paper. 


688. ROSTAND (EDMOND). L’Aiglon. Drame en Six 
Actes, en Vers. Frontispiece. portrait. 8vo, full green crushed 
levant morocco, back and sides gilt-tooled with wreaths, 
French Eagles, lines and scrolls, inside borders inlaid with 
purple blossoms, doublures and flys of flowered silk, gilt 
over rough edges, original wrappers bound in, by Affolter. 

Paris, 1900 


First Epirion. One of 180 copies printed on Japan paper. 


182 


= —— *" 


689. ROUSSEAU (JEAN-BAPTISTE). (£uvres _ poét- 
iques, avec un commentaire par M. Amar. 2 vols. half brown 
crushed levant morocco, gilt-tooled backs, gilt tops, uncut, by 
Bertrand. ; Paris: Lefévre, 1824 

Large Papier Vélin copy. EXTRA-ILLUSTRATED by the inser- 
tion of 5 plates, viz.: 3 portraits of Rousseau, one of Racine 
and one of N. de Catinat engraved by Savart, Hopwood, Fiequet 


and Taurel (2 of which are on India paper). The F. R. Halsey 
copy, with bookplate in each volume. 


690. ROUSSEAU (JEAN JACQUES). Emile, ou de 
l’Edueation, par J. J. Rousseau, Citoyen de Genéve. With 
frontispiece and 4 fine proof illustrations by Eisen, engraved 
by Le Grand, De Longewil and Pasquier. 4 vols. 8vo, original 
mottled calf, gilt. A La Haye: Chez Jean Neaulme, 1762 


First Eprrion. Fine copy. The Carl Edelheim copy, with 
bookplate in each volume. 


691. ROUSSELET (LOUIS). L’Inde des Rajahs. Voyage 
dans l’Inde Centrale et dans les Présidences de Bombay et du 
Bengale. 6 maps and 317 full-page and text illustrations en- 
graved on wood by celebrated artists. 4to, full blue crushed 
levant morocco, back, panel borders and inside borders gilt 
lined, gilt top, uncut, by Zaehnsdorf. 

Paris: Hachette & Co., 1875 


First EpItion. Fine copy, printed on China paper. With 
the bookplate of F. R. Halsey. 


692. SAINT-PIERRE (J. H. B. DE). Paul et Virginie 
[et La Chaumiére Indien]. Jllustrated with full-page engrav- 
mgs on wood and steel, and numerous woodcuts in the text. 
Royal 8vo, full blue levant morocco, gilt fillet panels in com- 
partments on back, a 5-fillet panel on covers, with outside 
border, gilt inside borders, gilt edges, by Cuzin. 

Paris: L. Curmer, 1838 


LARGE CHINA PAPER Copy. An exceptionally handsome and 
choice copy of this famous classic. All of the full-page en- 
gravings are in proof state on India paper. The copy is 
EXTRA-ILLUSTRATED by the insertion of an extra portrait of the 
author, in PROOF state; the EXTRA PORTRAIT of Mme. de la Tour 
by Cochran after Jenkins, and in the second work, the EXTRA 
PORTRAIT of The Doctor by Cook after Parsons, and that of 
‘La Jeune Bramine’’ also in PROOF state, with ‘‘l’etoile’’ on 
her forehead. The portrait of Beranger is both WITH and wITH- 
out the ‘‘sphere,’’ and that of the woman (Portrait of 
Madam Curmer) which was to appear on page 418, is in two 
states, THE DESTROYED WOODCUT AND THE WOODCUT WITHOUT 
THE TEXT. 

There is also a Prospectus of the work, as well as a Pros- 
pectus of the firm of Curmer, and a cover of one of the parts 
(the book having been issued in 30 parts). Inserted is a card 
from Mr. J. Brivois (the author of ‘‘Livres illustrés du 
XIXeme siecle’’) stating that ONLY 12 COPIES ARE KNOWN of 
‘“Paul et Virginie’’ printed on China paper. 

The ‘‘ Felix Chancel’’ copy, with his ex libris. 


183 


693. SAINT-PIERRE (J. H. B. DE). Paul et Virginia. 
Profusely illustrated with full-page engraved portraits, 
colored maps, views, &c., on India paper, after designs by 
Tony Johannot and others ; and hundreds of fine text vignettes. 
Royal 8vo, full polished black calf, blind cathedral window 
design on each cover, gilt borders, gilt edges. 

Paris: L. Curmer, 1838 


FINE AND RARE EDITION, with La Chaumiere Indienne hav- 
ing separate title and series of illustrations. . 


694. SALIS (RODOLPHE). Contes dn Chat Noir; 
L’Hiver. Préface de Philippe Gille; Le Printemps. Préface 
de Francisque Sarcey. Profusely ilustrated. 2 vols. 8vo, full 
brown crushed levant morocco, decorated with a yellow 
erescent and gray full moon silhouetting two black cats, and a 
spray of inlaid forget-me-nots, inside border with birds 
stamped in silver, silk lining, gilt edges, original covers bound 
in, by Meunier, in ease. Paris, n.d, and 1391 


695. SAND (GEORGE). Pauline. 8vo, full polished ealf, 
triple line border, gilt inside borders, uncut, by Bauzonnet- 
Trautz. Paris, 1841 


First EpITion. Contains also ‘‘Les Mississipiens.’? ° 


696. SAND (GEORGE). Consuelo; La Comtesse de 
Rudolstadt. 13 vols. 8vo, cloth, uncut, original covers bound 


in. Paris: De Potter, 1844 - 
Holland paper copies. 


697. SAND (GEORGE). Mauprat. 10 full-page etchings 
by H. Toussaint from designs by Le Blant, each plate in two 
states, Japan and Holland paper. Imperial 8vo, full crimson 
crushed levant morocco, gilt panel borders, back, and inside 
borders, back and panels inlaid with small black levant ovals 
in corners, gilt edges, original wrappers bound in, by Rous- 
selle. Paris, 1886 


LARGE JAPAN PAPER Copy, only 100 copies so issued. ExXTRA- 
ILLUSTRATED with a lithographed portrait of the author by 
Thierry Freres, and one other in mezzotint by Desmadryl after 
painting by Charpenter. Has the bookplate of F. R. Halsey. 


698. SAND (GHORGE). La Marquise. Portrait and 
other illustrations etched by F. Courboin after designs by 
Baugnes, Ge. With lithographic portrait by Julien, inserted. 
8vo, full blue crushed levant morocco, gilt-tooled on panels 
with oval frame of scrolls, and on back and inside borders, 
flowered silk doublures and flys, gilt on uneut edges, by 
Raparlier. Paris: Callmann Levy, 1888 

Edition Limited to 225 copies on Papier Vélin. 


699. SAND (GEORGE). La Mare au Diable. Title 
vignette, end-preces, and 14 full-page etchings, each im two 
states, vignette proof and letter proof, by Edmond Rudaux. 
Imperial 8vo, full brown crushed levant morocco, back, sides 


134 


and inside borders gilt-tooled with design of roses and rose- 
leaf sprays, doublures and fly-leaves of broecaded silk, gilt 
edges, original wrappers bound in, by Chambolle-Duru. 


Paris, 1889 
Edition on Grand Papier Vélin du Marais; only 100 copies 
issued ‘‘pour le compte de M. L. Conquet.’’ 


700. SAND (GEORGE). Les Beaux Messieurs de Bois- 
Doré. Compositions de Adrien Moreau, gravées a l’eau-forte 
par Boulard, Géry-Bichard et Vien. 2 vols. imp. 8vo, full blue 
erushed levant morocco, gilt backs in compartments, a 3-fillet 
border on covers, gilt inside borders, doublures and flys of 
brocaded silk, gilt edges on the rough, original covers bound 
in, by Chambolle-Duru. 

Paris: Librairie de 1’Edition Nationale, 1892 


LARGE PAPER Copy, one of 25 copies on China paper, with 
the etchings in four states, on India paper. The wood engrav- 
ings in the text are in two states, one being a proof on China 
paper. An etched portrait of the author by her son in proof 
state, is inserted. 


701. SANDEAU (JULES). Un début dans la Magistrature. 
Portrat and 12 vignette illustrations etched by Deville after 
Baugmes, proofs before letters. Square 12mo, full blue 
erushed levant morocco, Jansen style, triple gilt line inside 


borders, original covers bound in, uncut, by E. Carayon. 
Paris, 1887 


One of 25 copies on Japan paper. EXXTRA-ILLUSTRATED WITH 
23 ORIGINAL WATER-COLOR DRAWINGS BY PIERRE VIDAL. 


702. SANDEAU (JULES). Un Début dans la Magis- 
trature. Portrait of the author etched by Deville and 12 
vignette illustrations. Small 4to, light brown crushed levant 
morocco, rich gilt-tooled back and side borders in the manner 
of Derome, doublures and end leaves of flowered silk, gilt 
uncut edges, original covers bound in, by Raparlier. In a 


ease. Paris, 1887 
One of 225 copies on Vélin du Marais paper. 


703. [SANDRAZ DE COURTILZ (GATIEN).] Memoires 
de Mr. D’Artagnan, Capitaine Lieutenant de la premiere Com- 
pagnie des Mousquetaires du Roi. Contenant quantité de 
choses Particulieres et Secrettes qui sont passées sous le Regne 
de Louis le Grand. 3 vols. 12mo, original calf, gilt backs, red 
morocco labels, carmine edges. 

A Amsterdam: Chez Pierre de Coup, 1715 


Fine copy of the work from which Dumas drew for his 
famous. ‘‘ Three Musketeers. ’’ 


704. SARDOU (VICTORIEN). Rabagas; comédie en cing 
actes, en prose. First Epition. SHitched portrat of the 
author. 8vo, full crimson straight-grain morocco, gilt lined 
borders and back, grey silk doublures and flys, gilt edges, by 
‘Canape. Paris: Michel Lévy Freres, 1872 


Fine copy, with very wide margins. 
135 


705. SASTRI (NATESA). Le Porteur de Sachet. ‘Tra- 
duction de J. H. Rosny. Illustrations, some hand-colored, by 
Gambard and Marold. 18mo, full crushed brown levant mo- 
rocco, gilt floral sprays on back, tooled centre ornament on 
covers, gilt inside borders, gilt edges. Paris: E. Dentu, 1892 


‘*Petite Collections Guillaume.’’ One of a small number on 
Vélin de Cuve des Papeteries du Marais. 


706. SATYRE MENIPPEE de la vertu du Catholicon 
d’Espagne et de la tenue des estats de Paris; augmentées de 
notes tirées des editions de du Puy et Le Duchat par V. 
Verger; et d’un commentaire historique, littéraire et philo- 
logique, par Ch. Nodier, bibliothécaire de S. A. R. Monsieur. 
Frontispiece and 8 plates after Deveria, engraved by Tony 
Johannot, Lefévre, Adam, Komg and Alfred Johannot, all on 
China paper. 2 vols. 8vo, full purple straight-grain morocco, 
sides and back blind-tooled with centre panels containing gilt 
shield and corner fans, gilt inside borders, purple silk doub- 
lures and ends, gilt edges, signed on the backs ‘‘Simier R. du 
Roi,’’ and with his label in the first volume. 

Paris: Delangle, 1824 
Fine specimen of French binding by Simier, binder to the 
King. ; 

707. SCARRON (PAUL). Le Roman comique de Searron, 
peint par J. B. Pater et J. Dumont le Romain, peintres du 
Roi, réduit d’aprés les gravures au burin de Sarugue pére et 
fils, Benoit Audran, Edme Jeaurat, Lépicié, G. Scotin, 
eraveurs du Roi, par M. Tiburce de Mare et accompagné de 
notices explicatives par M. Anatole de Montaignon. Portrait 
of Scarron, vignette on title and 16 plates. Imp. 8vo, original 
wrappers, uncut. Paris: Rouquette, 1883 


One of 200 copies on Papier Vergé Francais with the plates 
in two states, proofs before and after letters. 


708. SCARRON (PAUL). La Roman Comique. Jllus- 
trated with 350 vignettes and plates by Edouard Zier. Thick 
4to, full brown crushed levant morocco, gilt-tooled and lined 
back, panels and inside borders, doublures and end-leaves of 
moire silk, gilt over rough edges, by Rousselle. Paris, 1888 


EDITION DE GRAND LUXE; one of only 60 copies on Japan 
Imperial paper. EXTRA-ILLUSTRATED with 5 of the original 
pen-and-ink drawings by Zier and a double set of the original 
covers in colors. Inserted also are 7 etched plates on India 
paper after Jouaust, a series of 13 engraved plates (mostly 
inlaid), and 5 etched and engraved portraits of the author 
(all different). 


709. SCHULZE (ERNST). La Rose Enchantée. Traduc- 
tion de E. La Forgue. Triple set of the fine plates designed 
and etched by Gaston Bussiere, one volume having text and 
one set of plates, the other with two sets and no text; frontis- 
piece in five states, each colored and in different degrees of 
completion; also, double set of the ‘‘encadrements.’’ 2 vols. 


136_ 


small folio, full dark-blue crushed levant morocco, gilt-tooled 
lines on backs and sides, doublures of crushed red levant, 
elaborately gilt in scroll shields, end leaves of flowered silk, 
oilt edges, by Affolter. Paris: Lahure, ca. 1900 


One of 25 copies printed on Imperial Japan paper. 


710. SERAILS de Paris (Les), ou Vies et Portraits des 
Dames Paris, Gourdan, Montigni, et autres Appareilleuses: 
Ouvrage contenant la description de leurs Serails, leurs intri- 
gues, et les Aventures des plus fameuses Courtisanes; &c. 
3 engraved portraits. 3 vols. in one, 18mo, full calf, gilt. 

First Epirion. Very fine copy. Paris, An X. 1802 


711. SILVESTRE (ARMAND). Chroniques du Temps 
Passé. Le Conte de l’Archer. Numerous fine vignettes printed 
im colors, from designs by A. Poirson, with a complete set in 
addition, printed in bistre outside the text. Large 8vo, full 
brown crushed levant morocco, sides and back gilt and inlaid 
_ with sprays of vine leaves in colors, silk doublures and flys, 

gilt edges, original wrappers bound in, by Ruban, 1897. 

Paris: Lahure, 1883 


JAPAN PAPER EDITION, only 50 copies issued, with a double 
set of illustrations. In folding cover of brown silk. 


712. SISMONDI (J. C. L. SEIMONDE DE). Histoire des 
Franeais. 31 vols. 8vo, full calf, gilt, gilt edges, by C. Lewis. 
Laid in are numerous half-tone portraits. Paris, 1821-1844 


713. SONNETS ET EAUX FORTES. Containing 42 Son- 
nets by Coppée, Gautier, Houssaye, Sainte-Beuve, Catulle 
Mendés, Verlaine, and other well-known French Poets. Deco- 
rated title-page by Prunaire after Renard and 42 full-page 
etchings by Flameng, Haden, Corot, Millet, Bracquemond, 
Daubigny, Manet, Doré, Rajon and many others. Folio, origi- 
nal portfolio, uncut. Paris, 1869 

Large Holland paper copy, with the plates in two states, 
black and bistre. Only 350 copies of this book were printed 
and the plates ‘then destroyed. Vicaire says there were only 
36 copies printed with the plates in two states and none for 
sale; 12 were on China, 20 on Whatman paper, and 4 on Vel- 
lum, having the plates in black on India, and in bistre on the 
paper of the issue. This would seem to be a unique copy as 


it has the duplicate set of plates on Holland paper. The 
F. R. Halsey copy, with bookplate. 


714. SOULIE (FREDERIC). Le Lion Amoureux. Illus- 
trated with 19 etched vignettes by Nargeot after the designs 
of Sahib. With historical and literary notice by Ludovic 
Halevy. 12mo, full crushed blue levant morocco, simply deco- 
rated with a floral spray in each of the five compartments on 
the back and one in each corner on the covers, gilt inside 
borders, gilt edges on the rough, original wrappers bound in, 
by Allo. Paris: Librairie L. Conquet, 1882 

LARGE PAPER Copy, one of 150 copies printed on Japan paper. 
137 


715. STRAPAROLA (GIOVANNI FRANCESCO). Les 
Facecieuses Nuicts du Seigneur Straparole. (Traduit de 
l’Itahen par Louveau, avec une Preface de la Monnoye et des 
notes de Lainez.) 2 vols. 12mo, full crushed brown levant 
morocco, gilt back, with crescent and stars in compartments, 
triple fillet borders, gilt inside borders, uncut, by Trautz- 
Bauzonnet. n. p. [Paris], 1726 


A choice copy of this very scarce edition, The title-pages are 
printed in red and black. 


716. SULLY (DUC DE). Memoires de Bethune Due de 
Sully principal ministre de Henry le Grand. Mis. en ordre 
avee des remarques par [L’Abbé de L’Ecluse de Loges]. 
Frontisprece engraved by Baudet after Licherie, vignettes by 
Gravelot. 3 vols. 4to, contemporary red French morocco, 
backs gilt-tooled with scrolls and flowers, lined sides, gilt in- 
side borders, gilt edges, by [Derome]. Londres, 1747 

Large Paper Copy. EXTRA-ILLUSTRATED by the insertion of 
61 fine full-page portraits engraved by Aubert, Tardieu, 
Ficquet, Gaillard, Tessard and others, from the d’Odieuvre 
collection. The fine copy of J. Drummond—Charles Drury— 
George Hilberth and F. R. Halsey, with bookplates. 


717. TABARIN. Les Justes Plaintes du Sieur Tabarin. 
Sur les Troubles et Divisions de ce temps. Vignette. 16mo, 
full light blue crushed morocco, gilt back in compartments, 
triple fillet borders, gilt inside borders, gilt edges on the 
rough, by Trautz-Bauzonnet. : 

n. p., 1621 [Reprint: Paris, 1850] 
One of 62 copies printed. 


718. TACONET (MAURICE). Par les Sentiers; Contes 
et Souvenirs. 452 <allustrations by Ed. Rudaux and Ch. 
Léandre, engraved by A. Lamotte and Ed. Rudaux. Thick 
12mo, full citron crushed levant morocco, with rustic tooling 
and intertwining morning glories inlaid in pink and green, 
back and inside border similarly decorated, figured silk lining, 
gilt edges, by Ruban, with extra silk cover. Paris, 1894 


One of 20 copies on Japan paper, with the plates in three 
states. This copy was presented to Mr. Grand-Carteret. 


719. TALLEMANT DES REAUX. Les Historiettes de 
Tallemant des Reaux; Troisieme Edition. Publiée avec notes 
et éclaircissements historiques, par MM. Paulin Paris et de 
Monmerqué. 9 vols. 8vo, half crimson crushed morocco, gilt 
tooled backs, gilt tops, uncut, by Capé. 

Paris: Techener, 1854-60 


Large Papier Vélin copy. The F. R. Halsey copy, with book- 
plate in each volume. 


720. TATIUS (A.). Leucippe et Clitophon. Traduction 
de A. Pons. Illustrated with vignettes by Méaulle, printed 
in blue, pages printed within orange decoratwe borders. 
16mo, full salmon crushed levant morocco, gilt floral sprays 


128 


j 


on back, tooled centre ornament on covers, gilt inside borders, 
gilt edges, original wrappers bound in, by ‘Rousselle. 


Paris: A. Quantin, 1880) 
Petits Chefs-d’Ciuvres Antiques. 


721. THARAUD (JEROME anp JEAN). L’Ami de 
L’Ordre. Episode de la Commune. Avec quinge illustrations 
de Daniel Vierge gravées par Eugene Froment. 4to, full 
crimson crushed levant morocco, gilt fillet and pointillé borders. 
in compartments on back, covers tooled with a 6-fillet panel 
and a single fillet outer border, doublures of brown levant. 
moroceo, richly and handsomely decorated with a broad 
ornamental border, vases of flowers in 6 recesses at ends and 
sides, silk flys, gilt edges on the rough, original wrappers 
bound in, by Affolter. Paris: Edouard Pelletan, 1905. 


First Epirion. One of 30 copies on Large Ancient Japan 
paper, with the plates in two states, one on China paper, signed 
by the engraver. 


122. THEOCRITUS. Les Idylles. Traduction de J. A. 
Guillet. Jllustrated with vignettes, mainly in gold and colors 
by Méaulle, pages printed within lavender decorative borders. 
16mo, full crushed lavender levant morocco, gilt floral sprays. 
on back, tooled centre ornament on covers, gilt inside borders, 
gilt edges, original wrappers bound in, by Rousselle. 


Paris: A. Quantin, 1884 
Petits Chefs-d’Ciuvres Antiques. 


723. THEURIET (ANDRE). Sous Bois. Preface de Jules 
Claretie. 78 woodcut vignettes and plates after Gracomells. 
8vo, full olive green crushed levant morocco, gilt lettered 
back and lined inside borders, outside panels with gilt floral 
sprays and inlaid bells and blossoms, doublures and end- 
leaves of brocaded silk, gilt edges, original wrappers bound 
in, by Marius Michel. Lond.: L. Conquet, 1883 


LimitEpD EDITION, only 75 copies printed on Large Japan 
paper. EXTRA-ILLUSTRATED with Toussaint’s portrait of the 
author etched in two states, proof before letters and remarque 
proof. 


724. THEURIET (ANDRE). Les Ciillets de Kerlaz. Edi- 
tion originale. Illustrée de quatre eaux-fortes de Rudaux, de 
huit en-tetes et culs-de-lampe de Giacomellr gravés par T. de 
Mare. 12mo, full crushed crimson levant morocco, gilt floral 
sprays in compartments on back, triple fillet border on covers, 
with bunches of carnations in each corner, gilt inside borders, 
doublures of brocaded silk, with marbled flys and brocaded 
silk lining, original wrappers bound in, by Chambolle-Duru. 

Paris: Librairie L. Conquet, 1885 

EXEMPLAIRE OFFERT, with inscription from L. Conquet to 

Mons. Drapart. Printed on Japan paper, with carnations in 

color on the original wrapper, and the illustrations in two 
states, one set being proofs before letters. 


139 


725. THEURIET (ANDRE). Le Secret de Gertrude. 
Illustrated with full-page etchings and engravings on wood 
an the text, by Emile Adan. Imp. 8vo, full olive green 
erushed levant morocco, Jansen style, doublures of light 
brown levant morocco, with inlays of horse-chestnut leaves 
and fruit in various shades of green morocco, marbled flys, 
with rich broeaded silk linings, gilt edges on the rough, origi- 
nal wrappers bound in, by Ruban. 

Paris: Librairie Artistique, H. Launette et Cie, 1890 
One of 25 copies on Japan paper, with the etchings in 
three states and the wood engravings in two. A remarque 
proof portrait of the author, etched by Toussaint, is inserted. 
This copy contains also 2 ORIGINAL FULL-PAGE WATER-COLOR 
DRAWINGS By EMILE ADAN, in his best stlye. 

726. THEURIET (ANDRE). Reine des Bois. Portrast 
etched on Japan by Toussaint, and many full-page and 
vignette photogravures by H. Laurent-Desrousseaux. 4to, 
cloth, uncut edges. Paris, 1890 

First EDITION, only a limited number printed. 


727. THEURIET (ANDRE). L’Abbé Daniel. Full-page 
illustrations and text. vignettes engraved by Ruffe from de- 
signs by Jeanniot. 16mo, full lavender erushed levant 
morocco, gilt tooled with 14 scroll medallions on either side, 
oilt-tooled back and inside borders, gilt edges. Paris, 1893 


LimitED EpiTion. One of only 30 copies on Japan paper. 


728. THEURIET (ANDRE). Fleurs de Cyclamens. Jllus- 
trations in couleurs de Ch. Coppier, imprimé pour A. Girard, 
pages printed within colored floral borders. 4to, full brown, 
-erushed levant morocco, gilt fillet borders in compartments 
on back, covers with one 2 and one 5-fillet border, doublures 
-of light green levant morocco, handsomely ornamented with a 
conventional border of Cyclamen, flowers and leaves, marbled 
flys, with rose brocaded silk, by Mercier Sr. de Cuzin. 

Paris: Imprimé pour A. Girard, 1899 

EDITION DE GRAND LUXE. One of 95 copies, with the me- 

dallion on title-page in the five different states of color print- 

ing. The half-title as well as the decorative borders are colored 
by hand. 

729. THEURIET (ANDRE). Charme Dangereux. Small 
-4to, full blue crushed levant morocco, gilt inside borders, gilt 
edges, uncut, by S. David. Paris, 1891 

One of 25 copies printed on Holland paper. ExXTRA-ILLUS- 


TRATED with an original water-color on the half-title signed 
E. V. M., and 63 others on the wide margins by Janel. 


730. [THIBAULT.] La Vie de Pedrille del Campo, Roman 
‘Comique dans le goust Espagnol, par Monsieur T * * * G. D. T. 
With 14 curious copperplates engraved by Crepy, after A. de 
Lestre. 12mo, full green crushed levant morocco, triple line 
borders, gilt-tooled floral back, inside dentelle borders, gilt 


eedges, by Hardy. ° Paris: Pierre Prault, 1718 
First EpiTion. Rare. Unknown to Brunet, Graesse, and 
Cohen. 


140 


731. TILLIER (CLAUDE). Mon Oncle Benjamin. Nouvelle 
Edition. Jllustrée d’un portrait-frontispiece et de 42 dessins 
de Sahib gravés sur bois par Prunaire. Avec une Préface 
par Monselet. 2 vols. royal 8vo, gilt backs, covers decorated 
with ornamental borders, leaf sprays with berries, corner 
ornaments of oval frames with a vase of fiowers in each, gilt 
inside borders, doublures and flys of rich silk tapestry, roses 
and buds, gilt edges on the rough, original wrappers bound 
in, by Rousselle. Paris: Librairie L. Conquet, 1882 


LARGE PAPER Copy, one of 50 copies on Japan paper. Auto- 
graph presentation copy from Motteroz, the printer, to M. 
Magnard, stating that this is the first work printed with his 
new characters. 


732. TINSEAU (LEON DE). Ma Cousine Pot-au-Feu. 46 
full-page and text woodcut vignettes by Paul Destez. Imperial 
8vo, full green crushed levant morocco, gilt-lined panels, back 
and inside borders gilt-tooled in scrolls, doublures and flys 
of flowered silk tapestry, gilt edges, by Rousselle. 

Paris: Calmann Levy, 1893 
One of only 25 copies printed on China paper. 


733. TISSANDIER (GASTON). Histoire des Ballons et 
des Aéronautes célébres. 1801-1890. With numerous full- 
page and text photogravures and full-page woodcuts. 2 vols. 
imp. 8vo, full blue levant morocco, gilt and inlaid backs, with 
emblems, sides richly ornamented with inlaid strap work of 
four rows each, corners of inlaid concave design with gilt 
anchors, sides having inlaid balloons in two shades of morocco, 
differing in design on the two volumes, gilt inside borders, 
doublures and flys of brocaded silk, gilt edges on the rough, 
original covers bound in, by David. 

Paris: Librairie Artistique, H. Launette & Cie, 1890 
EDITION DE GRAND LUXE. One of 25 copies on Japan paper, 


with the photogravure illustrations in two states. The full- 
page wood engravings are colored by hand. 


734. TISSOT (VICTOR) ann AMERO (CONSTANT). 
~ Des Contrées. Mystérieuses et les Peuples Inconnus. Pro- 
fusely illustrated with maps, full-page plates, and text 
vignettes. Imperial 8vo, half red leather, gilt, gilt top, edges 
uncut. Paris: Firmin-Didot, 1884 


Fine copy, with the bookplate of F. R. Halsey. A very large 
portion of the work is occupied with North and South America, 
the Indians, &c. 5 


735. TOLSTOI (LEON). Michail. Traduction du Prince 
Bojidar Karageorgevitch. Full-page and vignette illustrations 
by Marold and Mittis. 18mo, full crushed maroon levant 
morocco, gilt floral sprays on back, tooled centre ornament 
on covers, gilt inside borders, gilt edges, original wrappers 
bound in. Paris: E. Dentu, 1893 


‘<Petite Collection Guillaume.?? 
141 


736. TOLSTOI (LEON). La Mort d’Ivan Iliitch. Tradue- 
tion de J. Darville. Full-page and vignette illustrations by 
Marold and Mittis. 18mo, full crushed dark purple levant 
morocco, gilt floral sprays on back, tooled centre ornament on 
covers, gilt inside borders, gilt edges, original wrappers bound 
in. Paris: E. Dentu, 1894 


~ €€ Petite Collection Guillaume.’’ 


737. [TOPFFER (RODOLPHE).] Le Presbytére. Litho- 
graphic frontispiece on India paper. 8vo, original wrappers, 
uncut, laid in folder of half cloth (few leaves a little foxed, 
2 leaves repaired). Genéve, 1832 

First EDITION on LARGE PAPER. Scarce. 


738. TOPFFER (RODOLPHE). Elisa et Widmer. 8vo, 
original covers, uncut. Genéve, 1834 
First Epition. Scarce. 


739. [TOPFFER (RODOLPHE).] L’Héritage. 8vo, origi- 
nal covers, uncut. In silk wrappers. Genéve: Vignier, 1834 
First EDITION on Large Paper. RARE. 


740. TOPFFER (RODOLPHE). Henriette; Le Col 
d’Anterne; Les deux Prisonniers; La Traversée; Histoire 
de M. Jabot; La Vallée de Trent. 8vo, original covers, uncut. 
In silk portfolio, with ties. Genéve, 1836-1837 

These six stories are contained in 7 numbers of Biblio- 
theque Universelle de Geneve of 1836-7 and were here issued 
for the first time. Rodlphe Topffer is considered one of the 
best Swiss writers and his early editions are very scarce. » 


741. TOPFFER (RODOLPHE). Voyages et aventures du 
Docteur Festus. With 8 allustrations one of which 1s a map. 
8vo, original covers, uncut. Extra silk wrappers. 

Genéve, 1840 


First COMPLETE EDITION. Rare. Fine large. uncut copy, 
with autograph signature of the author and the half-title. 


742. TOFFER (RODOLPHE). Premiers Voyages en 
Zigzag, ou Excursions d’un Pensionnat en Vacances dans les 
Cantons Suisses et sur les Revers Italien des Alpes. With 53 
full-page plates and numerous vignettes in text. Imperial 
8vo, half red morocco (inscription on half-title). Paris, 1859 


With bookplate of F. R. Halsey. 


743. TROGAN (E.). Les Mots Historiques du Pays de 
France. Illustrated with numerous full-page hand-colored 
engravings, and text illustrations by Job. 4to, half parch- 
ment and boards, back ornamented in water-color, uncut. 

Tours: Alfred Mame et fils, 1896 


One of 25 copies on Imperial Japan paper. 
142 


744, UCHARD (MARIO). Mon Oncle Barbassou. With 
40 etched illustrations by Paul Avril. Royal 8vo, full crimson 
crushed levant morocco, gilt line and dot border, doublures 
of red morocco, with ornamental gilt border in Louis XVI 
Style, end leaves of red moiré silk, gilt edges, wrappers bound 
in, by Meunier. Paris, 1884 


One of 125 copies on Japan paper, with the plates in two 
states, before and after letters. 


745. UZANNE (OCTAVE). L’Eventail. Illustrations de 
Paul Avril. Heliogravure and other plates and vignettes, each 
in two states, mostly text and full-page, including many 
delicately colored and tinted. Imperial Svo, full dark blue 
levant morocco, gilt and inlaid back, panels, and inside 
borders, panels inlaid with opened fan, bow and leaves in 
various colors, doublures and flys of Japanese silk, gilt top, 
uncut, original colored wrappers bound in, by Zaehnsdorf. 

One of 100 copies printed on Japan paper. Paris, 1882 


746. UZANNE (OCTAVE). lL’Ombrelle, Le Gant, Le 
Manchon. Avec des illustrations en heliogravure par Paul 
Avril, tirées en diverses couleurs. Royal 8vo, full citron 
erushed levant morocco, sides gilt-tooled with floral ornamen- 
tation inlaid in maroon morocco, with an umbrella tooled and 
inlaid in blue and maroon morocco, gilt inside borders, 
doublures and flys of the original satin covers with ties, gilt 
top, uncut original wrappers bound in, by Zaehnsdorf. 

Paris, 1883 
First Epition. Holland paper copy. ExXTRA-ILLUSTRATED 
by the insertion of an extra set of all illustrations on Japan 


paper, proofs before letters. Jllustrator’s signature on the 
half-title. The F. R. Halsey copy, with bookplate. 


747. UZANNE (OCTAVE). Son Altesse La Femme. 
Illustrations de Henri Gervex, J. A. Gonzales, L. Kratke. 
A. Lynch, Adrien Moreau et Felicien Rops. Royal 8vo, origi- 
nal covers printed in colors in Japanese ornamental portfolio, 
with ties. Paris: Quantin, 1885 


One of 100 copies printed on Large Japan Paper, with the 
forms re-imposed. The headpieces and vignettes in three 
states, proofs before and after letters in different colors and 
colored by hand. The 10 full-page plates in two states, proofs 
before and after letters, both in colors, one of which is 
mounted. All the culs-de-lampe are colored by hand. This 
appears to be a special copy, as the others have the vignettes 
in two states only. The F. R. Halsey copy, with bookplate. 


748. UZANNE (OCTAVE). la Frangaise du Siécle. 
Modes—Mceurs—Usages. Illustrations by Albert Lynch, 
etched and printed in colors by Eugéne Gaujean. Thick im- 
_perial 8vo, full dark blue crushed levant morocco, elaborate 
mosaic decoration with three figures and ornamental arch in 
various colors, back cover with slight variation of same design, 
back with floral and architectural inlays, gilt inside border, 


143 


with doublures and end leaves of gilt brocade silk, gilt edges, 
by Magnin. In a levant case. Paris, 1886 


Unique copy, printed on Japan paper and EXTRA-ILLUSTRATED 
by the insertion of 40 of the ORIGINAL WATER-COLOR AND INDIA 
INK DRAWINGS for the plates and vignettes, by Albert Lynch; 
man ytrial proofs, proofs before letters and corrected proofs, 
showing the color process, experimental coloring, ete., there 
being as many as 5 to 12 states of some of the plates. In 
addition there are three etched portraits of the author, proofs 
on Japan paper, including one with his autograph. Amongst 
the water-colors is the original design for. the decorative bind- 
ing of the present volume. 


749. UZANNE (OCTAVE). la Frangaise du Siécle: 
modes—meeurs—usages. Illustrations a l’aquarelle de Albert 
Lynch, gravées a l’eau-forte en couleurs par Eugene Gaujean. 
Royal 8vo, original covers, uncut, in ornamental portfolio, 
with silk ties. Paris: Quantin, 1886 


One of 100 copies on Japan paper, with the plates in three 
states, two of each in colors. 


750. UZANNE (OCTAVE). la Reliure Moderne artist- 
ique et fantaisiste. Jllustrations reprodwites d’aprés les 
originaux par P. Albert-Dujardin et Dessins allégoriques de 
J. Adeline, G. Fraipont, A. Giraldon. Frontisprece de Albert 
Lynch, gravé par Manesse. Royal 8vo, full crushed brown 
levant morocco, Jansen style, gilt inside borders, gilt top, un- 
eut, original covers bound in, by Stikeman. Paris, 1887 


Only 100 copies printed on Imperial Japan Paper, with the 
autographs of the author and publisher. 


750.* UZANNE (OCTAVE). Le Miroir du Monde. Notes 
et Sensations de la Vie Pittoresque. Illustrations, many wm 
tints and colors, after Paul Avril. 4to, original wrappers, 
uncut (loose in covers). Paris, 1888 


Limited Edition. Contained in leather folder embossed with 
insects and flowers in colors and lined with flowered silk. 


751. UZANNE (OCTAVE). Le Paroissien du Célibataire. 
Observations physiologiques et morales sur l’Etat du Célibat. 
Illustrations by Albert Lynch etched by R. Gaujean. Royal 
8vo, full crimson crushed levant morocco, gilt floral border in 
the style of Derome, gilt inside borders, gilt edges, by Rous- 
selle. Paris, 1890 


One of 50 copies on Japan paper, with the plates in three 
states. With the F. R. Halsey bookplate. 


752. UZANNE (OCTAVE). Physiologie des Quais de 
Paris du Pont Royal au Pont Sully. Illustrations d’Emile 
Mas; eau-forte frontispiece de Manesse. Royal 8vo, three- 
quarters lavender calf, back lettered by hand and decorated 
with an original water-color and mk vignette, uncut, original 
covers bound in, by Carayon. Paris, 1893 


One of 75 copies on Japan paper, with the frontispiece in 
four states. 


144 


753. UZANNE (OCTAVE). La Femme a Paris. Nos Con- 
temporaines. Notes Successives sur les Parisiennes de ce 
Temps dans leurs divers Milieux, Etats et Conditions. 20 full- 
page plates engraved by Masse, each in two states, one black 
and white remarque proof and one finished im colors by hand; 
and numerous fine vignettes, also finished wm colors, all from 
designs by Pierre Vidal. Imperial 8vo, full ‘crushed lavender 
morocco, gilt-tooled with floral sprays on panels and_ back, 
scroll inside borders, doublures and flys of flowered silk, gilt 
over rough edges, original colored wrappers bound in, by 
Rousselle. Paris, 1894 


LimiItED EpITION, only 110 copies printed on Japan paper. 
EXTRA-ILLUSTRATED with photogravure plates, ‘‘A Parisian,’’ 
and 26 full-page original drawings of the illustrations in this 
volume, in pen-and-ink, pencil, and India-ink, mostly initialled 
by the artist, Pierre Vidal. 


754. UZANNE (OCTAVE). la Nouvelle Bibliopolis. 
Inthographies en couleurs et marges de H. P. Dillon. Frontis- 
piece Eau-forte by Rops, full-page plates in duplicate. 12mo, 
full olive crushed levant morocco, gilt inside borders, uncut, 
by Carayon. Paris, 1897 

One of 500 copies. 


755. UZANNE (OCTAVE). Monument Esthématique du 
XI1Xe siécle. Les Modes de Paris, variations du gout et de 
Vesthétique de la femme 1797-1897. Illustrations originales 
de Francois Courboin dans le texte et hors texte d’aprés des 
documents inédits. Royal 8vo, full crimson erushed levant 
- morocco, triple lines on sides, gilt back and inside borders, 
gilt edges, uncut, original covers bound in, by Canape. 

Paris, 1898 
One of 90 copies on Japan paper, with the 100 full-page 
illustrations in two states, black and colors. 


756. UZANNE (OCTAVE). L’Art dans la Décoration 
extérieure des Livres en France et a L’Etranger. Les Cou- 
vertures, illustrées—Les Cartonnages d’editeurs—La Reliure 
d’Art. Photogravures and reproductions of bindings. Ato, 
half brown crushed levant morocco, gilt top, uncut, original 
covers bound in at end, by Canape. Paris, 1898 

Printed on Papier Vélin. Limited and numbered edition. 


757. UZANNE (OCTAVE) sanp ROBIDA (ALBERT). 
Contes pour les Bibliophiles. Jllustrated with a large number 
of full-page and text engravings, some colored by hand. Imp. 
8vo, full crimson crushed levant morocco, gilt back in com- 
partments, two fillet borders on covers; doublures of brown 
levant morocco, inlaid strap panel of olive morocco, with 
rosettes at sides and ends, of brown and purple morocco, 


145 


circled with gilt stars, richly ornamented with leaf sprays and 

scrolls, marbled flys with embroidered silk linings, gilt edges 

on the rough, original wrappers bound in, by Meunier. 
Paris: Ancienne Maison Quantin, 1895 


One of 30 copies on Japan paper de Luxe. Special copy, 
containing 44 of the ORIGINAL PEN-AND-INK DRAWINGS repro- 
duced in the text, an original WATER-COLOR DRAWING, all by 
Robida, 13 colored plates in 2 states, 1 in 3 states, and an 
etching in 3 states. A spirited full-page lithograph in colors, 
by Fragonard, in proof state, is also inserted. 


758. UZANNE (OCTAVE). Voyage autour de sa Chambre. 
40 pages etched by Frederic Massé after the aquarelles of 
Henri Caruchet, caliographic text etched on copper, each 
page finely colored by hand after the original. 4to, full 
erushed lavender morocco, with a panel of light citron levant 
morocco, inlaid and tooled in colors and gold, doublures and 
flys of brocaded silk, gilt edges, uncut, original covers bound | 
in, by Canape. In half levant covers. 

Paris: Imprimé pour les Bibliophiles Indépendants, 1896 
One of 210 copies with a duplicate set of the plates in black. 


759. VADE (J. J.). CHuvres Poissardes; suivies de’ celles 
de L’Ecluse. 4 beautifully colored full-page plates engraved 
by Clement after Monsiau, proofs before letters. 4to, polished 
tree-calf gilt, gilt edges (edges rubbed). 

Paris: Chez Defer de Maisonneuve, L’an V, 1796 


LARGE PAPER Copy. Only 300 copies printed, of which 100 
were on Large Paper. 


760. VADE (J. J.). Cuvres Poissardes; suivies de celles 
de L’Kcluse. 4 beautifully colored full-page plates engraved 
by Clement after Monsiau. 4to, straight-grain olive levant 
morocco gilt, gilt top, uncut, by F. Bedford. 

Paris: Chez Defer de Maisonneuve, L’an V, 1796 


Only 300 copies printed of which 100 were on Large Paper. 
Laid in is a portrait of Vadé engraved by Ficquet. (The plates 
are beautiful, and fine copies like above are widely sought.— 
Cohen.) The F. R. Halsey copy, with bookplate. 


(See Illustration.) 


761. VALMIKI. L’Exil de Rama. Traduction de J. H. 
Rosny. Full-page and vignette wulustrations. 18mo, full green 
crushed levant morocco, gilt floral sprays on back, tooled centre 
ornament on covers, gilt inside borders, full gilt edges, origi- 
nal wrappers bound in. Paris: E. Dentu, 1893 


‘¢Petite Collection Guillaume.’’ Some of the illustrations 
in this copy have been tinted by hand. 


762. VAUCAIRE (MAURICE). Vingt Masques. Jllus- 
trations after the designs of Louis Morin. 8vo, full green 
levant morocco, front cover grotesquely ornamented in relief 
with vari-colored moroccos, back cover with jester’s wand in 


146 


relief, in red, cream and brown morocco, doublures of figured 

satin, full gilt edges, original wrappers bound in, by Raparlier, 
encased in silk covers. 

Paris: A la Librairie A. Rouquette, n. d. [1895] 

One of 100 copies printed on Japan paper, with the illus- 


trations colored by hand. Special copy, with an extra set of 
the plates, tinted, on China paper. 


763. VAULABELLE (ACH. DE). Histoire des deux 
Restaurations jusqu’a l’avenement de Louis-Philippe de 
Janvier 1813 a Octobre 1830. Illustrated with numerous 
copper-plate portraits, views, etc., engraved by well known 
artists after the designs of Philippoteaux, proofs before letters 
on India paper. 10 vols. 8vo, vellum, uncut. Paris, 1874 


Large copy on Hand-made paper. 


164. VAUVENARGUES (LUC DE CLAPIERS DE). 
Ciuvres complétes de Vauvenargues, précédées d’une notice 
sur sa vie et ses ouvrages, et accompagnées de notes de Vol- 
taire, Morellet et Suard. Nouvelle édition. 3 vols. 8vo, full 
polished morocco, gilt, gilt edges (backs faded). 

Large copy on Papier Vélin. Paris, 1821-23 


765. [VAUVENARGUES (LUC DE CLAPIERS DE).] 
Introduction a la Connoissanece de |’Esprit Humain, suivie de 
Réflexions et de Maximes. 12mo, full crushed crimson levant 
moroceo, Jansen style, gilt inside borders, marbled flys, 
doublures and linings of dark green moire silk, gilt over 
marbled edges, by Chambolle-Duru. 

Paris: Chez Antoine-Claude Briasson, 1746 


Choice copy of the First Epirion, with the leaf of errata. 


766. VERLAINE (PAUL). La Bonne Chanson. 16mo, 
original wrappers, uncut, preserved in a limp brocaded silk 
cover, satin lined. Paris: Alphonse Lemerre, 1870 

THE VERY RARE First Epirion. One of 10 copies printed on 


China paper. Inserted is an aquarelle portrait, with fantastic 
and emblematic border. 


767. VERLAINE (PAUL). Fétes Galantes. 12mo, full 
citron crushed levant morocco, a single rose set in each of four 
compartments on back, triple fillet border on covers, with 
centre ornament of a lyre and crossed torches, and a rose in 
each corner, gilt inside borders, gilt edges on the rough, origi- 
nal wrappers bound in, by Rousselle. 

Paris: Leon Vanier, 1891 


On the half-title is an ORIGINAL WATER-COLOR DRAWING, 
occupying the entire page, and on the last page, A PEN-AND-INK 
DRAWING, both by Henry Somm. ; 


147 


768. VERLAINE (PAUL). Chansons pour Elle. With 
portrait of the author lithographed on China paper, mserted. 
8vo, full blue crushed levant morocco, back and panels tooled 
with lines, roses and lyres, gilt inside borders, doublures and 
flys of figured silk tapestry, gilt edges, original wrappers 
bound in, by Rousselle. Paris: Leon Vanier, 1891 

First Epivion, printed on Japan paper. Inserted is an 
A. L. S. from Verlaine to his publisher regarding one of his 
books and making an appointment in Paris. 


769. VERLAINE (PAUL). Confessions: Notes Auto- 
biographiques. 12mo, full olive crushed levant morocco, 
Jansen style, gilt inside borders, orange silk doublures and 
ends, gilt over rough edges, original covers bound in, by 
Durvand. Paris, 1895 

First Epirion. One of 30 copies on Holland paper; with 
a portrait by Anquetin. 


770. VERLAINE (PAUL). Fétes Galantes. Illustrations 
de Robaudi, gravées a leau-forte en couleurs. 4to, full 
marbled calf, gilt birds and flowers on back, uncut. 

Paris: Imprime pour Charles Meunier, ‘‘ Maison du Livre,’’ 
1903. - 

One of 22 copies with a duplicate set of the plates in bistre, 
on China paper. The frontispiece, title and full-page etchings 
at the beginning of each poem are exquisitely colored by hand, 
and the text is engraved throughout. Each leaf is mounted on 
separate hinges. 


771. [VERTOT (RENE AUBERT DE).] Histoire de la 
Conjuration de Portugal. Frontispiece. 16mo, full crushed 
crimson levant morocco, Jansen style, gilt inside borders, 
oilt edges, by Trautz-Bauzonnet. 

Paris: Veuve HE. Martin et Claude Barbin, 1689 
First EDITION, with the ‘‘ Privilege du Roy’’ given to Jean 
Boudot on May 23, 1689. This edition is unknown to Graesse, 
who mentions only the Amsterdam edition issued in the same 
year. The Carl Edelheim copy, with bookplate. 


772. [VIAUD (THEOPHILE).] Le Parnasse Satyrique 
du Sieur Theophile. 18mo, full orange crushed levant mo- 
roceo, gilt back and lined borders, blue doublures of crushed 
levant, borders gilt in scrolls, gilt on marbled edges, by 
Trautz-Bauzonnet. [Leyde: Hackius], 1660 

With bookplate of F. R. Halsey. The above is the prettiest 


and the rarest edition of these very curious poems. Annexed 
to the Elzevirs. 


773. [VIAUD (THEOPHILE).] La Parnasse Satyrique 
du Sieur Theophile, avec le Recueil des plus Excellens Vers 
Satyriques de ce Temps. Nouvelle Edition Complete, revue 


148 


et Corrigee, avec Glossaire, Notices Biographiques, &. 2 vols. 

8vo, full crimson crushed morocco, gilt-tooled back and 
borders, gilt top, other edges uncut, by Capé. 

Gand & Paris, 1861 

LIMITED EDITION, printed throughout on vellum, not more 


than 3 or 4 copies so issued. A very beautiful copy of these 
curious songs. 


774, [VIAUD (THEOPHILE).] La Parnasse Satyrique 
du Sieur Theophile, avec le Recueil des plus Excellens Vers 
Satyriques de ce Temps. Etched frontispiece on thin white 
paper. 2 vols. small 8vo, full citron crushed levant morocco, 
corners and backs decorated with gilt lines and satyrs’ heads, 
gilt inside borders, gilt edges, by Emile Rousselle. 

Gand and Paris, 1861 


LIMITED EDITION, only a very small number printed on pink- 
tinted paper. 


715. VIDAL (PIERRE). Les Heures de la Femme a 
Paris. Tableaux Parisiens, dessinés gravés a l’eau-forte et 
accompagnés d’un texte par Pierre Vidal. Square 8vo, full 
crimson crushed levant morocco, inlaid Grolieresque bands of 
blue and green morocco and gilt tooled floral scroll, doublures 
of citron levant with plain double line borders interlacing at 
corners, figured silk end leaves, gilt edges, original pictorial 
wrappers bound in, by Canape. Paris,: a, °d. 


One of 25 copies on Japan paper, with the plates in two 
states, colored, and first trial proofs without the text. 


776. VIE DE LAZARILLE DE TORMES. Traduction 
nouvelle et Préface de A. Morel-Fatio. Illustrated with full- 
page etchings, and vignettes by Maurice Leloir. Imp. 8vo, 
full blue crushed levant morocco, gilt back in compartments, 
cover richly ornamented in the style of Derome, doublures of 
citron levant morocco, gilt border, flys of silk tapestry, gilt 
edges on the rough, original wrappers bound in, by Rousselle. 

Paris: H. Launette & Cie, 1886 
EDITION DE GRAND Luxe. One of 50 copies on LARGE JAPAN 
PAPER, with the full-page etchings in three states, and a dupli- 
eate set of the wood-cut vignettes bound in at the end. On 
the half-title is an ORIGINAL TINTED PEN-AND-INK DRAWING BY 
LELorr, and the exquisite series of 20 etchings by Ransonnette, 
in proof state, is inserted. The Portrait by Ransonnette is in 
two states. 


777. VIGNY (ALFRED DE). Servitude et Grandeur 
Militaires. Hngraved title, 3 other full-page plates, and 7 
vignettes, all etched by Daniel Mordant after H. Dupray. 
Each illustration in three states (outline, and before and 
after letters, each vignette with two full-page impressions). 


149 


Small folio, full crimson crushed levant morocco, gilt inside 
borders, gilt over uncut edges, by S. David. 
Paris: Pour les Amis des Livres, 1885 
LIMITED EDITION ON JAPAN Paper. One of only 25 copies 
with the names of the members of the society. XTRA-ILLUS- 
TRATED with etched portrait in two states by R. de Los Rios; 
and suite of etchings by Champollion after Le Blant, consisting 
of portrait and 6 full-page plates, all on Japan paper. 


778. VIGNY (ALFRED DE). Cinq-Mars; ou une Con- 
juration sous Louis XIII. Portrait of the author and 10 other 
plates, etched by Gaujean, each wm three states (2 on Japan 
and one on Holland paper). 2 vols. imperial 8vo, full blue 
crushed levant morocco, panels gilt-tooled in scroll and leaf 
design, backs and front covers with Grolieresque inlays of 
brown levant, leather doublures with tooled borders, gilt 
edges, by Raparlier. Paris, 1889 

EDITION DE GRAND LUXE, only 50 copies printed on Japan 
paper. EXTRA-ILLUSTRATED WITH 16 ENGRAVED PORTRAITS, some 


on India paper, including Cardinal Mazarin, John Milton, 
Marion de Lorme, Richelieu, Louis XIII, and others. 


779. VIGNY (ALFRED DE). Stello. Avee une Intro- 
duction de Jules Case. Many fine woodcut illustrations im 
two states, text and full-page, and other letter designs, all 
engraved by Eugene Dété. 4to, full dark-brown straight- 
grain morocco, sides elaborately gilt and blind-tooled in 
panels, back and inside borders, doublures and end-leaves of 
brown silk, gilt over rough edges, by Canape. In ease. 

Paris, 1901 
LarGeE Paper. One of 130 copies printed on China paper. 


Printed for the ‘‘Société Artistique du Livre Illustré,’’ eee 
by the Directeur. 


780. VILLIERS DE L’ISLE-ADAM (COMTE DE). 
Akédysséril. 15 allustrations by Georges Rochegrosse, en- 
graved by Louis Mortier. Decorative border in colors on each 
page. Folio, brown crushed levant morocco, gilt line tooling, 
with a conventional lotus leaf pattern inlaid in various colors 
in the corners, doublure of light brown morocco, superbly 
tooled in an oriental design, with small inlays of vari-colored 
morocco, tapestry silk end leaves, gilt edges, by Affolter. 

Paris, 1906 


One of 15 copies on Japon ancien, with three trial impressions 
of one of the plates, and a proof with the artist’s annota- 
tions, signed, in pencil. 


781. VIRGIL. Les Bucoliques, traduction d’André Lefévre. 
Illustrations by A. Leloir. 24mo, full brown levant morocco, 
silt tooled floral decoration in centre of both covers, gilt tooled 
back and inside borders, gilt edges, by Rousselle. Paris, 1881 


150 


782. VOGUE (EUGENE, VICOMTE DE). Histoires 
d’Hiver. Etchings by Nargeot after De Sta, Martin, and 
others. Square 12mo, half crimson levant morocco, inlaid 
and gilt back in compartments, gilt top, uncut, original covers 
bound in, by Bretault. Paris: Calmann Levy, 1885 


LARGE PaprerR Copy, one of 20 on Japan paper, with the 
etchings in two states.. EXTRA-ILLUSTRATED WITH 24 ORIGINAL 
WATER-COLOR DRAWINGS BY A. DE STA. 


783. VOGUE (EUGENE, VICOMTE DE). Le Portrait 
du Louvre. Illustrations de M. le Comte de L’Aigle [in 
colors on the printed seript]. 4to, half brown crushed levant 
morocco, uncut, original satin covers with silk ties bound in, 
by Carayon. Paris, 1889 

First Illustrated Edition. One of 25 copies on Japan paper. 
The Ch. Bouret copy, with bookplate. 


784. VOLTAIRE (F. M. AROUET DE). Candide, ou 
L’Optimisme, traduit de 1’Allemand de Mr. le Docteur Ralph. 
12mo, original boards (rebacked). In red watered silk covers. 

N. p. 1759 


THE RARE First EDITION, without place if imprint. [Printed 
in Geneva by Cramer.] Fine copy. 


785. VOLTAIRE (J. F. AROUET DE). Candide, ou 
L’Optimisme. Préface de Francisque Sarcey. 10 etched 
plates by Mordant, each in three states (outline, remarque and 
final proof) ; and numerous woodcuts in two states (text and 
full-page), all from designs by Adrien Moreau. Royal 8vo, 
full green crushed levant morocco, back, panels and inside 
borders with gilt-tooled lines and scrolls, gilt edges, doublures 
and end-leaves of claret moire silk, original wrappers bound 
in, by Raparlier. In line ease. Paris: G. Boudet, 1893 


One of 50 copies printed on China paper, with large margins. 


786. VOLTAIRE (JEAN F. M. AROUET DE). Histoire 
de Charles XII. Roi de Suede. Par Mr. de V***. 2 vols. 
12mo, full crimson crushed levant morocco, gilt inside borders, 
full gilt edges, by Petit. 

A Basle: Chez Christophe Revis, 1731 


THE SCARCE ORIGINAL EDITION. Although bearing the Basle 
imprint, it was really imprinted at Rouen, chez Jore, under the 
direction of Voltaire. Without the leaves of ‘‘errata,’’ which 
were not issued until after the original edition had been cir- 
culated. 


787. [VOLTAIRE (JEAN F. M. AROUET DE).] La 
Pucelle d’Orléans. Poéme divisé en quinze livres par M. de V. 
Post 8vo, full citron calf, gilt back in compartments, gilt in- 
side and outside borders, carmine edges, by Luichon. 

Louvain, 1755 
The extremely rare Louvain edition, generally accepted as 
the First EpiTion, the Paris edition of the same year being 


151 


considered the second. This work was published without the 
approval of the author. A most interesting copy, containing 
the bookplate of G. Bengesco, the famous collector of Voltaire’s 
writings, who has also written much concerning the noted 
French author. 


788. VOLTAIRE (JEAN F. M. AROUET DE). Candide, 
or L’Optimisme. Edition revue, corrigée et ornée de figures 
en taille-douces, dessinées et gravées par Damel Chodowviecky. 
(The engraved title is wanting.) 16mo, full crushed crimson 
levant morocco, gilt back in compartments, triple fillet border 
on covers, gilt inside borders, gilt over marbled edges, by 
Joly. A. Berlin: Chez Chretien Frederic Himbourg, 1778 


789. VOLTAIRE (JEAN F. M. AROUET DE). Les Vous 
et les Tu. Epitre de M. de Voltaire. Orné de lithographies a 
la plume par Fraipont. Royal 8vo, full brown crushed levant 
morocco, Jansen style, gilt inside borders, doublures and lin- 
ings of dark green moire silk, gilt edges on the rough, original 
wrappers bound in, by David. 

Paris: Imprime pour les Amis des Livres, 1883 

One of 80 copies printed, but not for sale. There is a dupli- 

cate set of the lithographed borders by Fraipont on Japan 
paper. 


790. VOLTAIRE (JEAN F. M. AROUET DE). Zadig; 
ou la Destinée, Histoire Orientale. Illustrated with 8 plates 
wm colors after Garmer, Rops, and Robaudi, engraved by Gau- 
jean. Royal 8vo, full blue crushed levant morocco, with an 
intricate inlaid design of narrow interlacing bands of vari- 
eolored morocco, forming a broad panel border, doublures of 
brown levant morocco, with an elaborate conventional design 
composed of various colored inlays, brocade silk end-leaves, 
cilt edges, original wrappers bound in, by Meunier. In ease, 
with extra half morocco cover. Paris, 1893 

One of 50 copies with the plates in four states, shawing the 


color process. Printed for the Membres titulaires de la Société 
des Amis des Livres. 


791. VULLIER (GASTON). La Danse. Illustrated with 
several hundred full-page photogravure plates, half-tone text 
drawings, etc., some of which are colored by hand. Folio, full 
green crushed levant morocco, gilt back in compartments, 
triple fillet border on covers, doublures of maroon levant mo- 
rocco, elaborate gilt panel, sides entwined with roses, a basket 
of flowers suspended from top, corner ornaments, marbled flys, 
with handsome brocaded silk linings, gilt edges on the rough, 
original wrappers bound in, by Chambolle-Duru. 

Paris: Hachette et Cie, 1898 


One of 10 copies printed on De Luxe Japan paper. A num- 
ber of appropriate illustrations, some in color, have been laid in. 


152 


ho ee oe “| 


792. VYASA. Sakountala. Traduction libre de P. EH. 
Foucaux. Full-page and vignette illustrations by Marold and 
Mittis. 18mo, full olive crushed levant morocco, gilt floral 
sprays on back, tooled centre ornament on covers, gilt inside 
borders, gilt edges, original wrappers bound in. 

Paris: E. Dentu, 1894 


‘Petite Collection Guillaume.’’? This copy has the illustra- 
tions colored by hand. 


793. WALLON (HENRI). Histoire de L’Esclavage dans 
PAntiquité. 3 vols. 8vo, full blue straight-grain morocco, 
Jansen style, gilt inside borders, crimson silk doublures and 


end leaves, gilt edges, original covers bound in by Affolter. 
Paris, 1879 


794. WALLON (HENRI). Jeanne D’Are. Folding map, 
many chromolithographic and other full-page plates, and 
numerous portraits, vignettes and facsimiles in text. Small 
folio, full blue crushed levant morocco, gilt lined back and 
panels, gilt-tooled inside borders, cream moire silk doublures 
and fly-leaves, gilt over rough edges, original wrappers bound 
in, by Durvand. Paris: Firmin-Didot, 1876 


First ILLUSTRATED EDITION, only a limited number printed. 


795. WEY (FRANCIS). Rome: Description et Souvenirs. 
Ouvrage contenant 346 gravures sur bois dessinées par nos 
plus célébres artistes, et 1 plan de Rome. Royal 4to, full 
erushed red levant morocco gilt, gilt inside borders, gilt top, 
uneut, by Zaehnsdorf. Paris, 1872 


One of only a few copies printed on China paper. The F. R. 
Halsey copy, with bookplate. 


796. YRIARTE (CHARLES). Les Bords de 1’Adriatique 
et le Monténégro. With 257 wood engravings and 7 maps. 
Royal 4to, full crushed brown levant morocco, gilt inside bor- 
ders, gilt top, uncut, by Zaehnsdorf. Paris, 1878 


One of only a few copies printed on China paper. The F. R. 
Halsey copy, with bookplate. 


797. ZOLA (EMILE). la Confession de Claude. 12mo, 
full olive levant morocco, gilt inside borders, gilt edges, doub- 
lures of crimson silk, uncut, original covers bound in, by 
Affolter. Paris, 1866 


First Epirion. 


798. ZOLA (EMILE). Son Excellence Eugéne Rougon. 
12mo, full brown levant morocco, Jansen style, gilt inside 
borders, doublures and flys of blue moire silk, gilt edges on 
the rough, original wrappers bound in, by Affolter. 

First EpIrion. Paris: Charpentier et Cie, 1876 


153 


799. ZOLA (EMILE). L’Assommoir. Etched portrait by 
Guillaumont inserted. Small thick 8vo, full dark green 
erushed levant morocco, richly gilt-tooled on back, panels and 
inside borders, silk doublures and flys, gilt edges, with original 
‘wrappers bound in, by Durvand. In ease. 

Paris: G. Charpentier, 1877 


First Epition. Only 75 copies printed on Holland paper. 
Inserted is an A. N.S. by Zola, asking his friend to again tell 
Charpentier (his publisher) to hurry, as the present pace gets 
nowhere. The note apparently relates to the present work, 
then [1876] in Charpentier’s hands. 


800. ZOLA (EMILE). Nana. 12mo, full brown crushed 
levant morocco, gilt back in compartments, covers richly tooled 
‘with ornamental borders and emblematic designs, gilt inside 
borders, doublures and flys of red China silk, gilt edges on the 
rough, by Affolter. Paris: G. Charpentier, 1880 


First EpiTion. One of 325 copies printed on Holland paper. 
An etched portrait of Zola by Toussaint is inserted. 


801. ZOLA (EMILE). Au Bonheur des Dames. Portrast 
of Zola inserted, etched by Guillaumot. Small thick 8vo, full 
dark-red crushed levant morocco, back, panels and inside bor- 
ders gilt-tooled and lined, brown silk doublures and flys, 
original wrappers bound in, gilt over rough edges, by Dur- 
vand. In ease. Paris: G. Charpentier, 1883 

First EDITION. Only 150 copies printed on Holland paper. 


802. ZOLA (EMILE). Le Capitaine Burle. 12mo, full 
‘brown levant morocco, gilt back in compartments, wide orna- 
mental gilt borders on covers, gilt inside borders, doublures 
and flys of red China silk, gilt edges on the rough, by Dur- 
~vand. Paris: G. Charpentier, 1883 


One of 50 copies printed on Holland paper. An etched por- 
trait of the author, in proof state, by Toussaint, has been 
inserted. 


803. ZOLA (EMILE). Nais Micoulin. 12mo, full dark 
olive levant morocco, gilt inside borders, doublures of crimson 
‘silk, gilt edges, uncut, original covers bound in, by Affolter. 

Paris, 1884 


First EpITiIoN. One of 100 copies on Holland paper. 


804. ZOLA (EMILE). Germinal. 12mo, full brown levant 
morocco, gilt roses, within borders, in compartments, gilt 
panelled covers, with scroll and leaf ornaments, gilt inside ~ 
borders, doublures and flys of green China silk, gilt edges on 
the rough, original wrappers bound in, by Durvand. 

Paris: G. Charpentier et Cie, 1885 


First EDITION. One of 150 copies printed on Holland paper. 
An etched portrait by Toussaint in proof state is inserted. 


154 


es." ses 


805. ZOLA (EMILE). Nouveaux Contes a Ninon. Frontis- 
piece and 30 fine vignettes, etched by Ed. Rudauxz. 2 vols. in 
one, 8vo, full light brown crushed levant morocco, back gilt 
and inlaid in shields, panels inlaid with dark brown morocco. 
and gilt with scrolls, satyrs’ heads, &c., gilt inside borders, 
gilt edges, by Ruban. Paris, 1886: 


LARGE JAPAN PapeR EDITION, one of only 150 copies so 
printed. Inserted is A. L. 8S. of Zola, 2 pp. Paris, 1894, to his 
publisher, acknowledging a receipt of one thousand franes for 
rights of ‘‘Contes a Ninon,’’ &e. 


806. ZOLA (EMILE). La Terre. Etched portrmt. 8vo, 
full crimson crushed levant morocco, gilt lined panel borders, 
gilt tooled back and inside borders, gilt top, edges uncut, by 
Wending. In case. Paris: G. Charpentier, 1887 


First Epir1ion. One of 30 copies printed on Japan paper. 
EXTRA-ILLUSTRATED WITH ORIGINAL DRAWINGS BY MHENRIOT,. 
DATED 1888, frontispiece and 20 other full-page water-color 
drawings, and about 150 marginal and end-pieces in pencil and 
water-colors, many very curious. The F. R. Halsey copy, with 
bookplate. 


807. ZOLA (EMILE). Le Réve. Japan porirat by Tous- 
saint. 8vo, full green polished levant morocco, Jansen style, 
gilt-tooled inside borders, gilt uncut edges, original wrappers 
bound in, by Carayon. In case. Paris, 1888 

First EDITION. EXTRA-ILLUSTRATED WITH 30 ORIGINAL 
WATER-COLOR AND INDIA INK DRAWINGS BY LEBEGUE, including 
full-page cover design and frontispiece, and 28 vignettes and 
head- and tail-pieces, some illuminated. 


808. ZOLA (EMILE). Le Voeu d’une Morte. Nouvelle 
Edition. 12mo, full gray levant morocco, doublures of blue 
silk, gilt inside borders, gilt edges, uncut, original covers 
bound in, by Affolter. Paris, 1889: 

One of 100 copies on Holland paper. 


809. ZOLA (EMILE). La Béte Humaine. Ftched portratt 


of the author inserted. Small 8vo, full dark blue levant mo- 


rocco, back, sides, and inside borders richly gilt-tooled in 

serolls, doublures and end-leaves of brown silk, gilt over rough 

edges, original wrappers bound in, by Durvand. In ease. 
Paris: G. Charpentier & Co., 1890 


First Epirion. One of 50 copies on Holland paper, 


810. ZOLA (EMILE, anp orHsrs). Les Soirées de Médan. 
By Emile Zola, Guy de Maupassant, J. K. Huysmans, Henry 
Céard, Léon Hennique and Paul Alexis. Avec les portraits. 
des six auteurs, eaua-fortes de F. Demoulin et six compositions 
de Jeannion gravées a l’eau-forte par L. Muller. 8vo, full 
erimson crushed levant morocco, gilt back in compartments, 
fillet panel and borders on covers, with gilt fleurons on cor-. 


155 


ners, gilt inside borders, doublures and flys of blue brocaded 
silk, gilt edges, by Rousselle. 
Paris: G. Charpentier et Cie. 1890 


One of 50 copies on Holland paper, with the portraits and 
etchings in two states, proofs before letters with remarque, and 
after letters. 


811. ZOLA (EMILE). La Faute de 1l’Abbé Mouret. Jllus- 
trations [en coulewrs| de Bieler, Conconi et Gambard. 12mo, 
full maroon crushed levant morocco, triple line sides, gilt 
back and inside borders, gilt edges, original covers bound in, 
by Emile Rousselle. Paris [1890] 


Inserted is a portrait of Zola, etched by H. Toussaint. 


812. ZOLA (EMILE). Le Réve. With over 60 full-page 
and text illustrations engraved on wood from designs by Carloz 
Schwabe and L. Métwet. Original Japan wrappers printed 
an colors, bound wn. 4to, dark green levant morocco, gilt 
tooled back, both sides with panels of brown calf set in; front 
panel with chiselled decoration of Saint amid clouds, sur- 
rounded by lilies, sun-flowers, thistles and ivy-leaves; back 
panel with cross, snake and crown of thorns set upon sun- 
burst; doublures of red levant with centre panels of green 
levant, surrounded by different inlaid flower designs of lilies, 
ivy-leaves and marigolds; end-leaves of moire silk, gilt edges, 
‘with half morocco cover. Bound by Ch. Meunier, 1893. 

Paris: Marpon et Flammarion [1892] 
JAPAN PAPER EDITION, limited to 30 copies. HEXTRA-ILLUS- 
TRATED with portrait of Zola etched by Burney, etched portrait 
by Toussaint, in three states, one a remarque proof, all signed 
by the artist; original full-page water-colors by each of the 
illustrators, Carloz Schwabe and L. Metivet; and additional 
-outside wrappers printed in colors on satin, making wrappers 
in two states. Laid in is an A. L. S. in French, by Charles 
Meunier, [Paris], 1907, regarding his forthcoming exhibition 
of bindings in New York. 
AN UNUSUALLY MAGNIFICENT AND ELABORATE SPECIMEN OF 
MODERN FRENCH BINDING. 


813. ZOLA (EMILE). Une Page D’Amour. 6 etched 
plates by Lows Muller, each in three states, two beimg 
remarque proofs; and numerous woodcuts in two states, text 
and full-page, all from designs by Francois Thevenot. Small 
folio, full blue crushed levant morocco, rustic borders gilt- 
tooled on each cover and wild roses and leaves on covers, back, 
and inside borders, doublures and flys of yellow flowered silk, 
gilt over rough edges, by Ruban. In lined case. 7 

Paris: Emile Testard, 1895 
LimitEp EpITION, one of only 130 copes printed on China 


paper. EXTRA-ILLUSTRATED with etched proof portrait of the 
author, by H. Toussaint. 


156 


814. ZOLA (EMILE). Paris. 12mo, full dark olive levant 
morocco, gilt inside borders, doublures of crimson silk, gilt 
edges, uncut, original covers bound in, by Affolter. 

Paris, 1898 


First Eprrion. One of 300 copies on Holland paper. 


815. ZOLA (EMILE). L’Attaque du Moulin. Composi- 
tions de Emile Boutigny. Gravures a l’eau-forte et en 
couleurs par Claude Fawre. 8vo, full blue levant morocco, 
gilt back in compartments, covers ornamented with fillet and 
pointillé borders, doublures of brown levant morocco, orna- 
mental panel and outside 6-fillet border, crimson figured silk 
flys, gilt edges on the rough, original wrappers bound in, by 
A ffolter. Paris: Librairie de la Collection des Dix, 1901 

One of 20 copies on Large China paper, with the illustrations 
in four states, ALL PROOFS BEFORE LETTERS, 2 copies of each 


plate being printed in colors. The frontispiece reproduction 
of the cover vignette is in 5 states. 


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